ENGLISH
Reading and Writing about Language and Literatures
ENGL 100 2022 W Credits: 3
A writing-intensive introduction to language and literary studies through the exploration of texts in their critical and theoretical contexts. Fulfils the first-year component of the Faculty of Arts Writing and Research Requirement. Open only to students in the Faculty of Arts. Recommended for students intending to become English majors. Essays are required.
mclachlan-torin giffen-sheila baxter-gisele-marie sharpe-jillian zeitlin-michael mccormack-brendan fox-lorcan-francis culbert-john sheppard-rebecca jackson-sarah-nelle al-kassim-dina partridge-stephen scholes-judith gooding-richard smilges-johnathan-logan bain-kimberly deer-glenn briggs-marlene te-punga-somerville-alice current-courseMCLACHLAN, TORIN | GIFFEN, SHEILA | BAXTER, GISELE MARIE | SHARPE, JILLIAN | ZEITLIN, MICHAEL | MCCORMACK, BRENDAN | FOX, LORCAN FRANCIS | CULBERT, JOHN | SHEPPARD, REBECCA | JACKSON, SARAH NELLE | AL-KASSIM, DINA | PARTRIDGE, STEPHEN | SCHOLES, JUDITH | GOODING, RICHARD | SMILGES, JOHNATHAN LOGAN | BAIN, KIMBERLY | DEER, GLENN | BRIGGS, MARLENE | TE PUNGA SOMERVILLE, ALICE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 9:00 - 10:00 | Buchanan | MCLACHLAN, TORIN | View On SSC launch |
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MCLACHLAN, TORIN |
Literary Criticism: A Sleepwalker’s GuideWhat is “literary criticism” and how is it related to political and social life? What do English professors do when they’re not teaching? How and why do we constantly invent new ways to talk about old books? This course offers students a chance to preview and practice the research and writing skills that go into upper-year and graduate-level studies in English literature, by studying one text over the entire semester: Djuna Barnes’ Nightwood. At the centre of the text is our guide and sleepwalker, Robin Vote, who carves a path of loss and independence through multiple lovers. Jeanette Winterson’s preface to the 2008 New Directions edition of Nightwood calls it “a bleak picture of love between women” (xi), though since being published in 1936, it has been read by successive generations of scholars as an example of many different kinds of writing: carnivalesque, gothic, psychoanalytic, metafictional, modernist, postmodernism, lesbian, posthuman. Surveying key trends in the scholarship on one novel will help us question the ways that literature maps onto life: What happens when a fake doctor, a trapeze artist, and a baron haunted by the past walk into a bar? Our semester-long study of Nightwood will foreground its many critical contexts and consider several key ideas about modernism and modernity along the way. The course is writing intensive, and the assignments – which include critical peer responses – will build step-by-step towards a required final essay. We will practice finding and analyzing secondary sources through the UBC Library and participate in structured in-class discussion often. Sleepwalkers are, of course, welcome. Required Text: Barnes, Djuna. Nightwood. New Directions, 2008. |
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002 | Lecture | 1 | M, W, F | 10:00 - 11:00 | Buchanan | GIFFEN, SHEILA | View On SSC launch |
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GIFFEN, SHEILA |
Between You and I: Exploring Selfhood in Contemporary U.S. LiteratureWhat makes ‘you’ you? How does the ‘I’ in speech and writing relate to the living person? How do markers of identity and belonging come alive in the space between ‘you’ and ‘I’? This course asks how poets and fiction writers experiment with language to explore selfhood and relationality. Far from the unique expression of individuality and interiority, writers are preoccupied with how our sense of self is shaped by politics, conceptions of nationality and citizenship, and the imprint of mass media. In this course, we will explore these topics through contemporary American writing that comments on life under late-stage global capitalism. Guided by close readings of texts by Patricia Lockwood, Claudia Rankine, and Ling Ma, we will consider how writing can provide solace and sublimity faced with compounding crises of familial loss, state violence, and pandemic apocalypse. These authors variously track the effect of globalization, racial capitalism, and state governance on our social, psychic, and political lives. They do so by creatively deploying different literary genres and forms—from the confessional lyric, to the social media prose poem, to the speculative fiction novel. This course will also introduce students to the basics of academic research and writing, with an emphasis on how to make arguments about literature. With reference to secondary readings on our three main authors, we will take up different stylistic approaches to writing about poetry and prose, including: book review essays, academic literary criticism, and collaborative research clusters. Together, we will engage in conversations about texts in their social and political contexts and ask what writing can do –to express relations of self and other, to build critical consciousness, and to make a world that is liveable. Required Texts: Patricia Lockwood, No One is Talking About This (2021), Claudia Rankine, Citizen (2014), Ling Ma, Severance (2018)
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003 | Lecture | 1 | M, W, F | 11:00 - 12:00 | Mathematics | BAXTER, GISELE MARIE | View On SSC launch |
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BAXTER, GISELE MARIE |
Haunted Houses
“What is a ghost? A tragedy condemned to repeat itself time and again? An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber.” – The Devil’s Backbone (dir. Guillermo Del Toro) Where is the fascination, even when the deepest mysteries of the universe are being scientifically unlocked, in stories of haunted houses? What accounts for the lure, and even the enjoyment, of tales of terror and horror, even in the 21st century? This course examines the Gothic influence in texts where collisions of past and present, and implications of the uncanny, allow fascinating investigations of social codes and their transgression. Core texts include Henry James, The Turn of the Screw; Shirley Jackson, The Haunting of Hill House; Sarah Waters, The Little Stranger; Helen Oyeyemi, White is for Witching; and The Others (dir. Alejandro Amenábar), as well as Gardner and Diaz, Reading and Writing About Literature (5th edition). Through readings in current criticism and theory, we will develop strategies for textual analysis in literary and cultural studies. We will also consider the difficulty, if not impossibility, of reaching a “fixed” or consensus reading of any text. Evaluation will be based on a midterm essay, a term paper requiring secondary academic research, a final examination, and participation in discussion. Keep checking my blog (https://blogs.ubc.ca/drgmbaxter/) for updates concerning texts and requirements. |
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004 | Lecture | 1 | M, W, F | 12:00 - 13:00 | Buchanan | SHARPE, JILLIAN | View On SSC launch |
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SHARPE, JILLIAN |
INSTRUCTOR: SHARPE, JAE Focused on literary texts in their critical and theoretical contexts, ENGL 100 is a course in academic writing that fulfills the first-year component of the Faculty of Arts Writing Requirement. This course offers an introduction to literary studies and the disciplines of academic reading and writing. In additional to the assigned texts, we will be reading essays and scholarly articles in order to introduce students to different critical approaches. This section’s theme is about American literature of the late 20th century (from approximately 1950 to 2001), and we will consider how various texts attempted to grapple with such historical events as the aftermath of World War II, the Civil Rights movement, the Cold War, and the development of nuclear weapons. Texts are likely to include Joan Didion’s Play It As It Lays, Toni Morrison’s Song of Solomon, Denis Johnson’s Jesus’ Son,Sam Shepard’s Buried Child, and selections from Joan Didion’s Slouching Towards Bethlehem, Franz Wright’s Ill Lit, and Raymond Carver’s What We Talk About When We Talk About Love.
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005 | Lecture | 1 | M, W, F | 13:00 - 14:00 | Buchanan | ZEITLIN, MICHAEL | View On SSC launch |
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ZEITLIN, MICHAEL |
This course offers a writing-intensive introduction to the disciplines of literary studies through the exploration of texts in their critical and theoretical contexts. The course fulfils the first-year component of the Faculty of Arts Writing and Research Requirement and is open only to students in the Faculty of Arts. The course is recommended for students intending to become English majors. Essays are required.
Primary texts will include the following:
In our writing assignments (short essays, a final exam) and classroom discussions we will practice the art of interpretation and close reading. |
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006 | Lecture | 1 | M, W, F | 14:00 - 15:00 | Buchanan | MCCORMACK, BRENDAN | View On SSC launch |
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MCCORMACK, BRENDAN |
Storying Conflict: Narrative in Canadian Literary ContextsAccording to narratologist H. Porter Abbott, “the representation of conflict in narrative provides a way for a culture to talk to itself about, and possibly resolve, conflicts that threaten to fracture it (or at least make living difficult).” In an increasingly polarized, fractured, and wounded world beset by crises both global and local, Canada remains, as it has always been, a site of struggle and a space of multiple conflicts. In this section, we will explore contemporary Canadian and Indigenous literatures in multiple genres (short stories, poetry, a novel, and life writing) that share an interest in turning to literature and storytelling as creative spaces to ask the hard questions and explore conflicts. Some of these texts take on challenges that are public and political: pandemic, climate change, medical ethics, (neo)colonialism, racism, and inequity, among multiple other concerns and injustices. Others explore the intimacies of private crises over relationships, identity, responsibilities, family, belonging, and community. All, in fact, do both. Approaching literature as an art where private life and public history merge, we will turn to a variety of Canadian texts to investigate how conflict—whether personal, communal, national, and/or global in scale— structures narrative. How and why do writers narrate conflict? What does literature offer to the difficult conversations prompted by conflict and crisis? How do different forms and genres of writing function to engage readers in these conversations? We’ll take up these and other questions prompted by narratives that invite us to consider the different ways literature engages dilemmas, embraces uncertainty, opens debate, entertains ambiguity, asks “what if?”, and locates hope. Want to get reading this summer? Start with Cherie Dimaline’s The Marrow Thieves. N.B.: The texts we will read emerge from Canadian contexts and narrate lived and imagined experiences that ask us to critically consider, among other things, the politics of history, identity, gender, sexuality, colonialism, race, diaspora, multiculturalism, belonging, nationhood, land, Indigeneity, and ecology. Please be aware that some readings openly address material from these contexts that can be challenging, including racial, colonial, and gendered violence.
About ENGL100 and Course Objectives ENGL 100 is a writing-intensive introduction to the disciplines of literary studies through the exploration of texts in their critical and theoretical contexts, and is recommended for students intending to become English majors. In lectures, workshops, and group activities with peers, we will work on developing the skills needed to think critically, read inquisitively, and write persuasively about literary texts. You will learn and practice methods of textual analysis, research, and essay composition. Special focus will be placed on learning the foundations of narrative theory and cultivating the skills of close reading, with particular attention to the relationship between form and content in literary texts. By the end of the course, you will (a) be familiar with a range of narrative forms and literary genres used by contemporary authors in Canada; (b) understand some of the cultural, political, historical, and theoretical contexts that inform these literatures and their interpretation; (c) appreciate the ways form and style shape content to produce meaning in literary texts; (d) understand how to find, evaluate, and use research in literary criticism; and (e) have facility with academic essay-writing in the English discipline. |
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007 | Lecture | 1 | T, Th | 9:30 - 11:00 | Buchanan | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
In this section of English 227 we will study an assortment of short stories by authors of various nationalities and historical eras. After briefly exploring reasons for the emergence of the modern short story we will proceed chronologically by examining short fiction written over the span of roughly a century, from the late nineteenth to the early twenty-first centuries. Apart from identifying each story’s literary elements, we will note how it may reflect one or more literary movements: for instance, realism. How to define the term “short story” is a question that will almost certainly arise from our close study of so broad a range of short fiction. The short stories we study in the course will be selected from the following list: Kate Chopin, “The Story of an Hour”; Guy de Maupassant, “The False Gems”; Charlotte Perkins Gilman, “The Yellow Wallpaper”; James Joyce, “The Dead”; Franz Kafka, “Metamorphosis”; Katherine Mansfield, “The Garden Party”; Ernest Hemingway, “A Clean, Well-Lighted Place”; Chinua Achebe, “Dead Men’s Path”; Alice Munro, “Friend of My Youth”; Alistair MacLeod, “As Birds Bring Forth the Sun”; Raymond Carver, “Cathedral”; Margaret Atwood, “Happy Endings”; Thomas King, “A Short History of Indians in Canada”; Kazuo Ishiguro, “A Family Supper”; Jhumpa Lahiri, “Interpreter of Maladies”; Hassan Blasim, “The Nightmare of Carlos Fuentes”; Madeleine Thien, “Simple Recipes” Text: The Broadview Introduction to Literature: Short Fiction, 2nd ed. (Broadview) Course requirements: two quizzes, each worth 20%; research essay (1500 words), 30%; final exam, 30% |
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008 | Lecture | 1 | T, Th | 11:00 - 12:30 | Buchanan | CULBERT, JOHN | View On SSC launch |
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CULBERT, JOHN |
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009 | Lecture | 1 | T, Th | 12:30 - 14:00 | Buchanan | SHEPPARD, REBECCA | View On SSC launch |
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SHEPPARD, REBECCA |
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010 | Lecture | 1 | T, Th | 14:00 - 15:30 | Buchanan | JACKSON, SARAH NELLE | View On SSC launch |
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JACKSON, SARAH NELLE |
The Ends of the Earth: Imagining Terrestrial FuturesThe purpose of this course is to explore and engage with contemporary environmental concerns by asking critical questions about the relationship between humans and the planet we live on. These questions include: Besides the contemporary economic view of land as property or natural resource, how have humans imagined our relationship to our environment? What are the boundaries between humans and earth/Earth? Why do some texts use environmental imagery as foreboding and apocalyptic, while others use it to figure utopian, post-apocalyptic resurgence? How does our language about environment — “the natural world,” for example — shape how we perceive it? Taking literary texts in their critical and theoretical contexts, this section will study representations of the relationship between humans and Earth, with special attention to speculative fiction. We will analyze, engage with, and respond to a variety of texts in a variety of media, including a long poem (Robert Kroetsch’s Seed Catalogue), a selection of short comics (from Elizabeth LaPensée and Michael Sheyahshe’s Moonshot: The Indigenous Comics Collection, Vol. 3), a novel (Mary Shelley’s Frankenstein), and a video game (Four Quarters’ Loop Hero). We will also read complementary critical and creative pieces. As we engage with these texts, and with other scholars’ responses to them, students will develop strategies for writing critical, specific, and significant literary analysis. |
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011 | Lecture | 1 | T, Th | 15:30 - 17:00 | Buchanan | AL-KASSIM, DINA | View On SSC launch |
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AL-KASSIM, DINA |
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012 | Lecture | 2 | M, W, F | 9:00 - 10:00 | Buchanan | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
Focused around literary texts in their critical and theoretical contexts, ENGL 100 is a course in academic writing that fulfils the first-year component of the Faculty of Arts Writing Requirement. In this section of English 100 we will study a selection of poetry from the Renaissance up to the present (see the provisional list below). Since one purpose of the course is to introduce students to literature’s various critical approaches, we will also examine scholarly articles (available online) on some of the assigned poetry. In both their proposal for the research essay and the essay itself, students will be expected not only to offer their own interpretations of a poem not discussed in class, but also to cite, demonstrate their familiarity with, and above all respond to a minimum number of secondary sources. Ideally, then, this course will teach students the skills they need to write research essays in upper-level English courses. Course requirements: two in-class essays (each worth 15%), proposal for research essay (15%), research essay (25%), final exam (30%) Texts: The Broadview Introduction to Literature: Poetry, 2nd edition (Broadview); Reading and Writing about Literature: A Portable Guide, 5th edition (Bedford/St. Martin’s) A provisional list of poems: Shakespeare, “Shall I compare thee to a summer’s day?”; John Donne, “The Flea”; William Blake, “The Chimney Sweeper”; Christina Rossetti, “Goblin Market”; W.B. Yeats, “The Second Coming”; Ezra Pound, “The River-Merchant’s Wife: A Letter”; T.S. Eliot, “The Love Song of J. Alfred Prufrock”; W.H. Auden, “Musée des Beaux Arts”; Adrienne Rich, “Aunt Jennifer’s Tigers”; Margaret Atwood, “Death of a Young Son by Drowning”; Jackie Kay, “In My Country” |
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013 | Lecture | 2 | M, W, F | 10:00 - 11:00 | Buchanan | CULBERT, JOHN | View On SSC launch |
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CULBERT, JOHN |
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014 | Lecture | 2 | M, W, F | 11:00 - 12:00 | Buchanan | PARTRIDGE, STEPHEN | View On SSC launch |
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PARTRIDGE, STEPHEN |
American Literature of the 1950sThis course will introduce various ways of analyzing literary works of several kinds and offer practice in writing essays that articulate such analysis. By focusing on a particular place and period, America in the “long 1950s” (up to about 1963), for the term, we will develop familiarity with the historical and cultural contexts that inform the works we are reading. The goal of this approach is to enable us to learn more effectively about formal and theoretical approaches to literature, which can be employed in subsequent courses with other historical frames. Recurrent themes in the works we consider will include race relations and Civil Rights; the status of women; same-sex desire; relations between literature and music and the visual arts; changes in technology and material culture. We will read poetry by Adrienne Rich, Sylvia Plath, Gwendolyn Brooks, Frank O’Hara, Robert Hayden, and others; fiction by James Baldwin, Flannery O’Connor, John Cheever, and others; and the drama of Tennessee Williams. Despite the stereotypes about “Fifties America,” this was a period of great cultural diversity, innovation, and accomplishment. Assignments will include essays and a final exam, along with shorter exercises in observation and brainstorming.
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015 | Lecture | 2 | M, W, F | 12:00 - 13:00 | Buchanan | SCHOLES, JUDITH | View On SSC launch |
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SCHOLES, JUDITH |
Dear ReaderMany works of literature ask something of their readers; the texts we are studying this term all ask their readers to see differently. They alert us to things we have, perhaps, never seen, provoking recognition, understanding, and even empathy. In our reading and writing this term we will ask: how might literature affect readers? How do literary texts encourage readers to think and feel? How do they shift our perspective, decenter us, or move us into new relation with ourselves and others? Reading across genre (poetry, fiction, nonfiction) and time (1860-2018), we will focus our analysis on the following works: selected poems by Emily Dickinson; Harriet Jacobs’ slave narrative, Incidents in the Life of a Slave Girl; A. S. Byatt’s novel Possession; and Terrance Hayes’ collection of sonnets, American Sonnets for My Past and Future Assassin. We will deepen our understanding of these texts and their contexts with scholarly articles that explore the historical production and circulation of texts, literature’s role in the creation of empathy, and the affective dimensions of the reading experience. Over the term, students will be able to develop their own conclusions about literary address and the role readers play in the construction of literature, while developing their skills as academic writers. |
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016 | Lecture | 2 | M, W, F | 13:00 - 14:00 | Buchanan | GOODING, RICHARD | View On SSC launch |
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GOODING, RICHARD |
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018 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Buchanan | SMILGES, JOHNATHAN LOGAN | View On SSC launch |
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SMILGES, JOHNATHAN LOGAN |
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019 | Lecture | 2 | T, Th | 9:30 - 11:00 | Leon and Thea Koerner University Centre | BAIN, KIMBERLY | View On SSC launch |
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BAIN, KIMBERLY |
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01W | Waiting List | 1 | M, W, F | 9:00 - 10:00 | View On SSC launch |
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020 | Lecture | 2 | T, Th | 11:00 - 12:30 | Buchanan | DEER, GLENN | View On SSC launch |
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DEER, GLENN |
Storying the Social Self: Life Narratives of Artists and Their Communities
What role does storytelling play in the development of the private and public self? We all share stories or even imagine ourselves as the audience for our internal meditations. We share life experiences through conversations, email, social media, and other forms of communication. Many of us write about our experiences in diaries or journals to track our lives, record travel, work out problems, and find solutions. More importantly, we often find special connections and inspiring points of commonality by reading writers who disclose their inner lives through public platforms such as autobiography, literary essays, confessional poetry, Youtube vlogs, or music videos. In this section of English 100, we will read fiction, memoir, poetry, and a graphic novel that explore the development of a creative persona that often resists social restrictions. The narrators of these coming-of-age life narratives confront and challenge oppressive social judgements and restrictions based on class, gender, race, and normative embodiment. In addition to the primary readings, we will study theories of narrative and scholarly research on life narrative across genres. You will acquire research knowledge in life narrative studies and practice essay writing skills in the interdisciplinary fields of English language and literature studies. Secondary readings that demonstrate interdisciplinary approaches to life narratives will be available as e-texts through the UBC library.
Required readings will include the following:
Plus: Selected poems and contemporary songs that feature life narratives, true confessions, and exemplary voices on contemporary social issues. |
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021 | Lecture | 2 | T, Th | 12:30 - 14:00 | Buchanan | BRIGGS, MARLENE | View On SSC launch |
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BRIGGS, MARLENE |
Literature of the First World War: Comparative Approaches - Marlene BriggsEnglish 100 offers a writing-intensive introduction to the discipline of literary studies through the exploration of texts in their critical contexts: it focuses on foundational skills in literary analysis and scholarly research. This section highlights fiction and poetry inspired by the First World War (1914-1918). We will read writers from different countries (Britain, America, Canada, and Ireland) and distinct generations (participants and descendants). In particular, we will examine selected poems (1918) by Wilfred Owen; and three novels, namely The Sun Also Rises (1926) by Ernest Hemingway; The Wars (1977) by Timothy Findley; and A Long Long Way (2005) by Sebastian Barry. The issues of trauma, mourning, memory, and history shaping modern and contemporary controversies on war and society will organize our studies of celebrated texts. Critical readings and audio-visual materials will guide our conversations. Students will develop analytic and synthetic skills in reading and writing about literature through the investigation of relevant contexts, formal features, and academic discourses. In addition to several writing assignments, the requirements for this course may include a final examination.
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022 | Lecture | 2 | T, Th | 14:00 - 15:30 | Buchanan | TE PUNGA SOMERVILLE, ALICE | View On SSC launch |
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TE PUNGA SOMERVILLE, ALICE |
Indigenous Reading and Writing at the Edge of an OceanWhat happens when we think about Vancouver not as a city on the West Coast of a continent but as a city on the East Coast of an ocean? How can engaging with creative and critical writing by Indigenous people enable us to rethink, remap, and reimagine? What does it mean to be Indigenous – here, there, anywhere? How are Indigenous writers thinking about some of the most pressing issues of 2023: the climate crisis, social cohesion and justice, Indigenous rights, racism, colonialism/ capitalism, falling in love? This course will focus on a wide range of short texts: poems, short fiction, short films, essays, blogposts. Students will also read texts of your choosing that connect our class discussions and readings with your own communities and networks. Evaluation will include short and long writing and research tasks, a reading log, a short presentation, and active participation. |
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02W | Waiting List | 1 | M, W, F | 10:00 - 11:00 | View On SSC launch |
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03W | Waiting List | 1 | M, W, F | 11:00 - 12:00 | View On SSC launch |
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04W | Waiting List | 1 | M, W, F | 12:00 - 13:00 | View On SSC launch |
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05W | Waiting List | 1 | M, W, F | 13:00 - 14:00 | View On SSC launch |
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06W | Waiting List | 1 | M, W, F | 14:00 - 15:00 | View On SSC launch |
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07W | Waiting List | 1 | T, Th | 9:30 - 11:00 | View On SSC launch |
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08W | Waiting List | 1 | T, Th | 11:00 - 12:30 | View On SSC launch |
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09W | Waiting List | 1 | T, Th | 12:30 - 14:00 | View On SSC launch |
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10W | Waiting List | 1 | T, Th | 14:00 - 15:30 | View On SSC launch |
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11W | Waiting List | 1 | T, Th | 15:30 - 17:00 | View On SSC launch |
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12W | Waiting List | 2 | M, W, F | 9:00 - 10:00 | View On SSC launch |
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13W | Waiting List | 2 | M, W, F | 10:00 - 11:00 | View On SSC launch |
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14W | Waiting List | 2 | M, W, F | 11:00 - 12:00 | View On SSC launch |
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15W | Waiting List | 2 | M, W, F | 12:00 - 13:00 | View On SSC launch |
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ENGLISH
Approaches to Literature and Culture
ENGL 110 2022 S Credits: 3
Study of selected examples of literary and cultural expression: examples may include poetry, fiction, drama, life narratives, essays, graphic novels, screenplays, and narrative adaptations in film and other media. Essays are required.
sheppard-rebecca fox-lorcan-francis culbert-john scholes-judith newell-jonathan hart-alexander thieme-katja macdonald-anna past-courseSHEPPARD, REBECCA | FOX, LORCAN FRANCIS | CULBERT, JOHN | SCHOLES, JUDITH | NEWELL, JONATHAN | HART, ALEXANDER | THIEME, KATJA | MACDONALD, ANNA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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JL1 | Lecture | 2 | M, W | 12:00 - 15:00 | Buchanan | SHEPPARD, REBECCA |
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SHEPPARD, REBECCA |
Who’s to Blame? Bad Behaviour, Responsibility, and Punishment
When something goes wrong, often the first thing we do is unjustly point the finger of blame (sometimes away from ourselves, sometimes towards ourselves). In this section of English 110, we will investigate how various kinds of literary texts—poetry, the short story, drama, the novel—navigate assignations of blame, as well as the difficulties in isolating behaviour from context. We will consider the ways in which people take responsibility, or not, for their misdeeds, as well as the types of punishments that ensue for causing harm to others. In determining these complex issues of culpability, we will situate our texts within various theoretical perspectives, such as feminism, postcolonial theory, and ecocriticism. Texts will include a selection of short stories (available free online), the horror film Heredity (available through Criterion), Robert Louis Stevenson’s novella Dr. Jekyll and Mr. Hyde (UBC Bookstore) and Shirley Jackson’s novel The Haunting of Hill House (UBC Bookstore). Evaluation will be based on two in-class essays, one take-home essay, and participation in both classroom and online discussions. |
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JL2 | Lecture | 2 | M, W | 18:00 - 21:00 | Buchanan | FOX, LORCAN FRANCIS |
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FOX, LORCAN FRANCIS |
* Any classes not taught in person will be held synchronously on Zoom * This section of English 110 will introduce students to basic elements of university-level literary study by examining a wide range of works in three genres: poetry, prose fiction, and drama. These works are of various literary eras and by authors from diverse cultural backgrounds. Students will be taught methods of literary analysis that should enable them to read each work with care, appreciation, and (one hopes) enjoyment.
Text: Lisa Chalykoff, Neta Gordon, Paul Lumsden, eds. The Broadview Introduction to Literature: Concise Edition, 2nd ed. (Broadview, 2019) Provisional Reading List: POEMSEmily Dickinson, “Tell all the Truth but tell it slant”; Ezra Pound, “The River-Merchant’s Wife: A Letter”; Theodore Roethke, “My Papa’s Waltz”; Elizabeth Bishop, “One Art”; Adrienne Rich, “Aunt Jennifer’s Tigers”; Margaret Atwood, “Death of a Young Son by Drowning”; George Eliot Clarke, “Casualties”; Jackie Kay, “In My Country”; Karen Solie, “Nice” SHORT STORIESKate Chopin, “The Story of an Hour”; Chinua Achebe, “Dead Men’s Path”; Alistair MacLeod, “As Birds Bring Forth the Sun”; Alice Munro, “Friend of My Youth”; Margaret Atwood, “Happy Endings”; Thomas King, “A Short History of Indians in Canada”; Kazuo Ishiguro, “A Family Supper” PLAYSWilliam Shakespeare, Twelfth Night; Henrik Ibsen, A Doll’s House |
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JL3 | Lecture | 2 | T, Th | 12:00 - 15:00 | Buchanan |
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INSTRUCTOR: Craig Stensrud Words to Change the WorldThis course poses some fundamental questions about reading and writing literature: Why read? Why write? Why study literature? Does literature offer us a way to make sense of—or even change—the world? Students will tackle these questions by discussing literary texts and completing assignments that introduce university research and writing practices. Rather than looking at reading and writing as unchanging acts, we will think about them as practices that are shaped by and help to shape different cultural, political, and artistic moments across history. We will consider how authors have thought their work could fight social evils like slavery, racism, sexism, capitalist exploitation, and environmental destruction. Different authors at different times have held contrasting views of literature’s role in the world – from those who insist that reading and writing are essential for political liberation to those who lament literature’s powerlessness in the face of life’s absurdity. Course texts include Frederick Douglass’s anti-slavery novella The Heroic Slave, Samuel Beckett’s “tragicomedy” Waiting for Godot, and a selection of contemporary and classic poetry and short stories. |
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JL4 | Lecture | 2 | T, Th | 18:00 - 21:00 | Buchanan | CULBERT, JOHN |
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MA1 | Lecture | 1 | M, W | 12:00 - 15:00 | Buchanan | SCHOLES, JUDITH |
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SCHOLES, JUDITH |
Reading Humans in NatureIn this section of ENGL 110, we will read, think, and write about literature that explores the human experience of being in nature and among non-humans. Several questions will guide us in this work: how do humans and non-humans figure, interact, or mesh in these texts? What relations and differences between the human and non-human do these literary works grapple with, define, or deconstruct? How does language come to shape these relations? Spanning multiple genres (fiction, poetry, drama) and two centuries (1818-2018), our literary selections will include works by Mary Shelley, Emily Dickinson, William and Dorothy Wordsworth, Walt Whitman, Virginia Woolf, Camille Dungy, Joy Harjo, Allison Adelle Hedge Coke, and Matthew McKenzie, among others. |
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MA2 | Lecture | 1 | M, W | 18:00 - 21:00 | Buchanan | NEWELL, JONATHAN |
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NEWELL, JONATHAN |
The renowned writer of weird fiction H.P. Lovecraft famously claimed that “the true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule” – rather “a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present.” This section of English 110 will consider drama, poetry, and prose fiction that meets these criteria: stories of monsters, demons, unfathomable horrors, metaphysical mystery, and cosmic awe. We will examine the ways that “weird” literature evokes emotions of wonder, fear, and disgust while engaging with political, social, and philosophical questions, interrogating boundaries, norms, and categories. Beginning with theepic poem Beowulf, a blood-soaked tale of monster-hunting in a world governed by a cruel, inhuman fate or “wyrd,” we will trace the literary history of the weird, following it through the fallen, omen-haunted tragedy of Shakespeare’s Macbeth, Samuel Taylor Coleridge’s eerie poem “The Rime of the Ancient Mariner,” and Christina Rossetti’s sensuously malevolent “Goblin Market,” and Charlotte Perkins Gilman’s chilling tale “The Yellow Wallpaper.” The course concludes with a consideration of twentieth-century weird fiction, including the short stories of Angela Carter and Octavia Butler and the novel The City & The City by China Miéville. |
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MA3 | Lecture | 1 | T, Th | 12:00 - 15:00 | Buchanan | HART, ALEXANDER |
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HART, ALEXANDER |
Through the study of selected examples of poetry, fiction, and drama, this course will introduce students to the fundamentals of university-level literary study, and furnish them with the skills to think and write critically about literature. Students will be taught the basic concepts of genre and form in literature and methods of literary analysis in order to prepare them for future courses (in English and other disciplines) which require close reading, critical thinking, open discussion, and analytical writing. The emphasis in this section will be on Canadian authors and their works. Each student is expected to participate fully in all class activities (reading, writing, discussion, groups, etc.). Each student will write three essays (in-class and home), keep a Response Journal, and sit the Final Examination. Attendance: Because English 110 is conducted as a participatory, hands-on course, regular and punctual attendance is mandatory. To succeed in this course, students must attend every class, on time, and well prepared, participate co-operatively in group work, and consistently contribute to the initiating and sustaining of small-group and class discussions. Please register for this course only if you are able to make this commitment. Required Texts:
Optional Text (If You Do Not Own a Good Handbook of English which Contains Updated [2016 or 2021] MLA Formatting Style):
This three-unit course has been compressed into a brief six-week format. The readings are extensive. It is, therefore, recommended that you pre-read the novel. |
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MA4 | Lecture | 1 | T, Th | 18:00 - 21:00 | Buchanan | THIEME, KATJA |
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THIEME, KATJA |
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MA5 | Lecture | 1 | W, F | 9:30 - 12:30 | Buchanan | MACDONALD, ANNA |
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MACDONALD, ANNA |
INSTRUCTOR: Anna MacDonald Zombies. Otherness, and Global CapitalismThe figure of the zombie has taken over twenty-first century popular culture, from AMC's smash hit The Walking Dead (2010-2022) to the most cutting-edge scientific advancements in the realm of brain transplants which are making the boundaries between life and death ever-murkier. The story of a dead corpse returning from the grave, often part of a larger story of a zombie apocalypse, has been a productive (we might even say viral) site for cultural critique; the zombie narrative speaks to broad questions about otherness (in terms of race, colonialism, and nationhood) as well as economy (in terms of consumerism and capitalism), while the zombie apocalypse as a whole raises questions about our connections with one another in the modern world, from contagious disease to globalization, sustainability to intergenerational trauma. This course will explore a range of genres on the topic of the zombie; we will study a series of novels, films, and poetry on the zombie in order to examine the figure as a way into questions about identity, otherness, and danger. Examining this genre will provide students with an introduction to literary analysis at the university level. Students will develop the skills necessary to think critically and argue effectively on a variety of literary texts (broadly understood) through a combination of lecture and discussion. Content Warning: Please be advised this class will engage with texts and films that convey graphic scenes of violence and gore. |
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WJ1 | Waiting List | 2 | M, W | 12:00 - 15:00 |
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ENGLISH
Approaches to Literature and Culture
ENGL 110 2022 W Credits: 3
Study of selected examples of literary and cultural expression: examples may include poetry, fiction, drama, life narratives, essays, graphic novels, screenplays, and narrative adaptations in film and other media. Essays are required.
potter-tiffany luger-moberley mcneilly-kevin mota-miguel baxter-gisele-marie culbert-john james-suzanne cavell-richard-anthony hudson-nicholas-james rouse-robert anger-suzy inniss-scott giffen-sheila sharpe-jillian current-coursePOTTER, TIFFANY | LUGER, MOBERLEY | MCNEILLY, KEVIN | MOTA, MIGUEL | BAXTER, GISELE MARIE | CULBERT, JOHN | JAMES, SUZANNE | CAVELL, RICHARD ANTHONY | HUDSON, NICHOLAS JAMES | ROUSE, ROBERT | ANGER, SUZY | INNISS, SCOTT | GIFFEN, SHEILA | SHARPE, JILLIAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W | 9:00 - 10:00 | Buchanan | POTTER, TIFFANY | View On SSC launch |
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POTTER, TIFFANY |
400 years of asking the Big QuestionsThere will be shipwrecks, magic, mad scientists, beast-people, and a garden party. As we read stories of wrecks and disasters—structural, personal, and social— we will consider the significance of the ways in which these stories ask some of the big questions with which human beings have struggled for centuries: What makes us human and not animal? What is human nature, and is it really natural? What about gender, race, and other kinds of difference? Who has power and why? Do we just reflect reality with the stories we tell ourselves, or are we actually creating reality? Along with substantial work on poetry, this section of English 110 will focus on one play, one novel, and a group of short stories that engage in different ways how people respond to circumstances that challenge what they thought was “natural” or “universal.” This course introduces students to the analytical skills and critical thinking essential to university-level literary reading, thinking and writing. In large lectures and 30-student Friday discussion groups, students pursue hands-on practice of methods of literary analysis. Please note that this is not a writing class (that’s ENGL 100 or WRDS 150): we’ll spend our time on fabulous literature rather than essay writing technicals. Want a head start this summer? Choose HG Wells’ creepy mad scientist novel, The Island of Dr. Moreau or Shakespeare’s classic shipwreck+magic play, The Tempest. You can see videos of different productions of Tempest for free through the UBC library or stream the great 2010 film starring Helen Mirren and Djimon Hounsou (but take a pass on the really really terrible Island of Dr Moreau movie, trust me!). |
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002 | Lecture | 1 | M, W | 10:00 - 11:00 | Leonard S. Klinck | LUGER, MOBERLEY | View On SSC launch |
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LUGER, MOBERLEY |
What can Literature do?: Counternarratives of the 21st CenturyScientists use data—gathered through experimentation, for example, or measurement—to discover and interpret the world around them. What do literary scholars use? What kind of “data” is a graphic narrative, a novel, or a poem? And what can the study of literature tell us about how we interpret the world we live in? In particular, what might we learn from literature that we can’t learn by other means? The texts on this course include local and global stories written in this century. They will show us contemporary lives lived in different corners of the world—for example, a Pakistani university student in New York, an Indigenous hockey player in Ontario. These are personal stories about public events, and they are the stories that have generally been less discovered, measured, or recorded. They reveal the sometimes invisible, even erased, narratives and lives that lurk behind the headlines or history books. They invite us to ask, who gets to speak and who may be silenced? What kind of knowledge does literature give us access to—and what should we do with that knowledge? Possible texts include The Best We Could Do by Thi Bui, The Reluctant Fundamentalist by Mohsin Hamid, Indian Horse by Richard Wagamese, Injun by Jordan Abel.
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003 | Lecture | 1 | M, W | 11:00 - 12:00 | Buchanan | MCNEILLY, KEVIN | View On SSC launch |
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MCNEILLY, KEVIN |
BelongingIn our heavily-mediated, pandemic-stricken world, senses of self and of place have become increasingly fraught and uncertain. In this course, we will investigate how various kinds of literary texts—poetry, the novel, multi-media collage, film, comics, the lyric essay—confront questions of human belonging. How do we write ourselves into and out of place? How do we identify and document ourselves creatively through writing? What are the demands of placing ourselves in particular discourses and locations? We will deal with ideas of the human subject and the depiction of others; with the creation of various forms of community; with the complex relationships between art and lived realities; and with the interconnections of the performative and the graphic with spoken or written language. Questions of representation and self-fashioning will form a crucial part of our investigations of how literacy, agency and community constitute themselves. Some of the readings on this course contain material that students may find challenging and unsettling. Core texts for this section include Ms. Marvel: No Normal by G. Willow Wilson and Adrian Alphona, Geography III: Poems by Elizabeth Bishop, Lives of Girls and Women by Alice Munro, Findings by Kathleen Jamie, and Citizen: An American Lyric by Claudia Rankine, as well as a short film directed by Alanis Obomsawin.
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004 | Lecture | 1 | M, W | 12:00 - 13:00 | Buchanan | MOTA, MIGUEL | View On SSC launch |
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MOTA, MIGUEL |
Identity and PlaceThis section of ENGL 110 will focus on issues of identity and place. How does place (geographical, social, psychological, textual) shape our identities, how we imagine ourselves as human beings in the world? And how does literature both define and mediate the relationship between identity and place? In our readings, we will address questions of class, gender, sexuality, nationality, and race, as they intersect with our main categories. We’ll explore these questions in poetry (by Thomas Wyatt, Christina Rossetti, William Blake, Linton Kwesi Johnson, David Dabydeen, Jackie Kay, and others), drama (Ayub Khan-Din’s East Is East and Tomson Highway’s The Rez Sisters), short stories (by Angela Carter, Alice Munro, William Faulkner, and Haruki Murakami), and a film, Lee Chang-dong’s Burning, an adaptation of the stories by Faulkner and Murakami). |
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005 | Lecture | 1 | M, W | 13:00 - 14:00 | BAXTER, GISELE MARIE | View On SSC launch |
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BAXTER, GISELE MARIE |
Literary Monsters and Monstrous Literature
Rey: “You are a monster.” “Deformed, unfinished, sent before my time into this breathing world” – Richard III 1.i What is a monster? We know monsters from myths and legends, folktales, horror fiction and film. We know their variety: the grotesque, the beautiful, the terrifying, the pitiable, the sports of nature and the forces of evil. Dragons, werewolves, vampires, zombies, Frankenstein’s Creature, Dorian Gray, the Joker, Hannibal Lecter, Marisa Coulter, many of the characters in The Walking Dead or Game of Thrones: they’re everywhere, from under the bed to the house next door to the battlefield, and right into a great deal of literature. Which leaves us here: in this section of 110 we’ll focus on how literary texts across the genres use representations of monstrosity in ways that inspire both terror and horror, as well as (let’s be honest) fascination and even enjoyment. We’ll look at William Shakespeare’s Richard III (a play that meditates on villainy and ambition in demonizing its subject for Tudor audiences, yet still fascinates contemporary ones) and at Ian McKellen’s 1995 film adaptation, which shifts the setting to an alternate-reality 1930s England where fascism takes hold. We will also consider various stage and screen adaptations as approaches to the play, including recent ones using race and gender-diverse casting, and casting as Richard actors who are themselves physically disabled or disfigured. Other core texts include two novels: Oscar Wilde’s The Picture of Dorian Gray, Shirley Jackson’s We Have Always Lived in the Castle, as well as selected poetry (with a focus on the sonnet form). Evaluation will be based on two timed essays, a home paper, and a final exam, plus participation in discussion. Each week (except where holidays and timed essays take place) I will deliver two lectures to the whole class, and you will have one small-group meeting with one of our Teaching Assistants. Keep checking my blog (https://blogs.ubc.ca/drgmbaxter/) for updates concerning texts and requirements. |
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006 | Lecture | 1 | T, Th | 9:30 - 11:00 | Geography | CULBERT, JOHN | View On SSC launch |
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007 | Lecture | 2 | M, W | 9:00 - 10:00 | Buchanan | JAMES, SUZANNE | View On SSC launch |
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JAMES, SUZANNE |
Defining the SelfHow do we define ourselves – as Canadians, as artists, as lovers, as survivors? These are some of the broad issues of identity and belonging we will explore through a selection of fiction, drama and poetry in this section of English 110. We will consider ways in which individuals craft and perform the "selves" they wish to be, and the multiplicity of ways in which writers convey these identities through literary texts. To what extent do we control the person we become and to what extent are we shaped by our community? How meaningful are the concepts of ethnicity, gender and nationality in the creation of identity? How can a writer convey the complex and shifting nature of individual and group identity through the permanence of written discourse? Texts studied will include a novel (Brother by David Chariandy), a play (The Rez Sisters by Tomson Highway), and a selection of short stories and poetry. In lectures and seminars, students will engage with concepts of genre and form in literature and will pursue hands-on practice of methods of literary analysis. Students will be encouraged to develop independent critical responses to the works studied. Assessment will include two in-class essays, a term paper and a final examination. |
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008 | Lecture | 2 | M, W | 11:00 - 12:00 | Buchanan | CAVELL, RICHARD ANTHONY | View On SSC launch |
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CAVELL, RICHARD ANTHONY |
Literature and MediaThis course explores the relationships between literature and media, introducing students to the role of media in the understanding of literature through a focus on an international reading list that highlights our relationship to media in contemporary social settings. |
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009 | Lecture | 2 | M, W | 12:00 - 13:00 | Centre for Interactive Research on Sustainability | HUDSON, NICHOLAS JAMES | View On SSC launch |
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HUDSON, NICHOLAS JAMES |
The Gothic in Literary HistoryAlthough the modern term “gothic” was not coined until the late eighteenth century, tales of horror and aberrant human (or non-human) behaviour form a consistent tradition from ancient times to the present. This section of English 110 will trace the history of these tales of horror in drama, poetry and prose fiction (both short stories and the novel) in the European and American literary traditions. We will find that from classical Greece to the present, theatre-goers and readers have been horrified by a fairly consistent set of themes and tropes (figurative images). These themes and tropes relate to a wide range of concerns from deviant sexual behavior, confusions of gender, dysfunctional family relationships, the fear of foreigners, human relations with the natural world, and fears of political or social upheaval. Texts: Euripides, Medea; Shakespeare, Macbeth; Stoker, Dracula; Baldick, Oxford Book of Gothic Tales; a selection of gothic poetry |
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010 | Lecture | 2 | M, W | 13:00 - 14:00 | West Mall Swing Space | ROUSE, ROBERT | View On SSC launch |
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ROUSE, ROBERT |
Environmental ReadingAs we enter the third decade of the twenty-first century, the impact of the human race on the global climate is increasingly undeniable. From the beginning of the European Industrial Revolution in the nineteenth century, human civilization has entered what scientists now term the Anthropocene: the period of time when human activity is leaving indelible marks on the geological history of the earth. Global warming looms over our early twenty-first century civilization, with dire warnings of future catastrophe appearing on a weekly basis. But what is the average citizen supposed to do in the face of such impending doom? Recycle? Cycle? Buy a Tesla? Remember to turn your lights off when you go out? Vote Green? Take transit? Buy eco-soap? Shop local? Become vegetarian? So many small possibilities, but all seemingly insignificant in the face of the onrushing apocalyptic storm. Instead we are faced with the question of how we will experience dramatic climate change? How we will survive it? How we will witness it? In the first section of this course we will examine how “nature writing” began in the nineteenth century, and encoded a romantic view of Nature that still impacts how western society views the environment today. We will then move on to examine how cli-fi (or climate fiction) writers of the late twentieth and early twenty-first centuries have addressed our fears of global climate change. Texts will include: Romantic and Victorian Poetry (online selections), Learning to Die in the Anthropocene (Roy Scranton), Cli-Fi: Canadian Tales of Climate Change (short fiction), The Parable of the Sower (Octavia Butler), The Water Knife (Paola Bacigalupi), and American War (Omar El Akkad). ENGL 110 counts as 3 credits toward most faculties’ English/Writing requirements, and also can count as 3 credits of the Faculty of Arts Literature requirement. |
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011 | Lecture | 2 | M, W | 14:00 - 15:00 | West Mall Swing Space | ANGER, SUZY | View On SSC launch |
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ANGER, SUZY |
Strange Science, Ghosts, and Literary TheoryIn this section of English 110, we will read literary texts depicting ghosts, the fantastic, and strange science. The course will teach you to think and write critically about literature at the university level. It will also introduce you to contemporary literary theories. We will examine a range of approaches to the interpretation of literature, including psychoanalytical, Marxist, feminist, and postcolonial, and use the theories to analyze the literature we study. Texts read will include Mary Shelley’s Frankenstein, George Eliot’s “The Lifted Veil,” and Robert Louis Stevenson’s Strange Case of Doctor Jekyll and Mr. Hyde. |
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012 | Lecture | 2 | T, Th | 9:30 - 11:00 | Buchanan | INNISS, SCOTT | View On SSC launch |
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INNISS, SCOTT |
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013 | Lecture | 2 | T, Th | 11:00 - 12:30 | Buchanan | GIFFEN, SHEILA | View On SSC launch |
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GIFFEN, SHEILA |
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015 | Lecture | 2 | T, Th | 14:00 - 15:30 | Buchanan | SHARPE, JILLIAN | View On SSC launch |
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SHARPE, JILLIAN |
INSTRUCTOR: SHARPE, JAE Experimental Representations of Consciousness in Literary FormsHow have authors grappled with the problem of representing consciousness and qualia in writing? In this course, we will consider how prose, poetry, and dramaturgy have endeavored to depict human thought, considering how particular forms of experimental or postmodern writing allow us to represent different kinds of thoughts, like memory and association. We will consider how these authors use form and content in tandem to comment on human subjectivity and the question of how faithfully thought can be conveyed through literature. Texts are likely to include Samuel Beckett’s Endgame, Joan Didion’s Play It As It Lays, Kazuo Ishiguro’s Never Let Me Go, poems from William Blake, Wallace Stevens, Dionne Brand, Anne Sexton, and W.B. Yeats, and short stories from James Joyce, Edgar Allan Poe, and Franz Kafka.
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01W | Waiting List | 1 | M, W, F | 9:00 - 10:00 | View On SSC launch |
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02W | Waiting List | 1 | M, W, F | 10:00 - 11:00 | View On SSC launch |
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03W | Waiting List | 1 | M, W, F | 11:00 - 12:00 | View On SSC launch |
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04W | Waiting List | 1 | M, W, F | 12:00 - 13:00 | View On SSC launch |
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05W | Waiting List | 1 | M, W, F | 13:00 - 14:00 | View On SSC launch |
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06W | Waiting List | 1 | T, Th | 9:30 - 11:00 | View On SSC launch |
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07W | Waiting List | 2 | M, W, F | 9:00 - 10:00 | View On SSC launch |
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08W | Waiting List | 2 | M, W, F | 11:00 - 12:00 | View On SSC launch |
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09W | Waiting List | 2 | M, W, F | 12:00 - 13:00 | View On SSC launch |
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10W | Waiting List | 2 | M, W, F | 13:00 - 14:00 | View On SSC launch |
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11W | Waiting List | 2 | M, W, F | 14:00 - 15:00 | View On SSC launch |
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12W | Waiting List | 2 | T, Th | 9:30 - 11:00 | View On SSC launch |
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13W | Waiting List | 2 | T, Th | 11:00 - 12:30 | View On SSC launch |
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15W | Waiting List | 2 | T, Th | 14:00 - 15:30 | View On SSC launch |
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LA1 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LA2 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LA3 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LA4 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LA5 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LA6 | Discussion | 1 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LB1 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LB2 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LB3 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LB4 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LB5 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LB6 | Discussion | 1 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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LC1 | Discussion | 1 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LC2 | Discussion | 1 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LC3 | Discussion | 1 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LC4 | Discussion | 1 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LC5 | Discussion | 1 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LE1 | Discussion | 1 | F | 13:00 - 14:00 | Mathematics | View On SSC launch |
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LE2 | Discussion | 1 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LE3 | Discussion | 1 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LE4 | Discussion | 1 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LE5 | Discussion | 1 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LE6 | Discussion | 1 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LF1 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LF2 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LF3 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LF4 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LF5 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LF6 | Discussion | 1 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LP1 | Discussion | 2 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LP2 | Discussion | 2 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LP3 | Discussion | 2 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LP4 | Discussion | 2 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LP5 | Discussion | 2 | F | 9:00 - 10:00 | Buchanan | View On SSC launch |
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LQ1 | Discussion | 2 | F | 11:00 - 12:00 | Hennings | View On SSC launch |
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LQ2 | Discussion | 2 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LQ3 | Discussion | 2 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LQ4 | Discussion | 2 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LQ5 | Discussion | 2 | F | 11:00 - 12:00 | Buchanan | View On SSC launch |
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LR1 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LR2 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LR3 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LR4 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LR5 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LR6 | Discussion | 2 | F | 12:00 - 13:00 | Buchanan | View On SSC launch |
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LS1 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LS2 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LS3 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LS4 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LS5 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LS6 | Discussion | 2 | F | 13:00 - 14:00 | Buchanan | View On SSC launch |
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LT1 | Discussion | 2 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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LT2 | Discussion | 2 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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LT3 | Discussion | 2 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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LT4 | Discussion | 2 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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LT5 | Discussion | 2 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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ENGLISH
Approaches to Literature and Culture
ENGL 110 2023 S Credits: 3
Study of selected examples of literary and cultural expression: examples may include poetry, fiction, drama, life narratives, essays, graphic novels, screenplays, and narrative adaptations in film and other media. Essays are required.
fox-lorcan-francis baxter-gisele-marie culbert-john scholes-judith jerome-gillian current-courseFOX, LORCAN FRANCIS | BAXTER, GISELE MARIE | CULBERT, JOHN | SCHOLES, JUDITH | JEROME, GILLIAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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JL1 | Lecture | 2 | M, W | 12:00 - 15:00 | Buchanan |
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JL2 | Lecture | 2 | M, W | 18:00 - 21:00 | Buchanan | FOX, LORCAN FRANCIS |
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FOX, LORCAN FRANCIS |
This section of English 110 will introduce students to basic elements of university-level literary study by examining a wide range of works in three genres: poetry, prose fiction, and drama. These works are of various literary eras and by authors from diverse cultural backgrounds. Students will be taught methods of literary analysis that should enable them to read each work with care, appreciation, and (one hopes) enjoyment.
Text: Lisa Chalykoff, Neta Gordon, Paul Lumsden, eds. The Broadview Introduction to Literature: Concise Edition, 2nd ed. (Broadview, 2019) A Provisional Reading ListPOEMS: Emily Dickinson, “Tell all the Truth but tell it slant”; Ezra Pound, “The River-Merchant’s Wife: A Letter”; Theodore Roethke, “My Papa’s Waltz”; Elizabeth Bishop, “One Art”; Adrienne Rich, “Aunt Jennifer’s Tigers”; Margaret Atwood, “Death of a Young Son by Drowning”; George Eliot Clarke, “Casualties”; Jackie Kay, “In My Country”; Karen Solie, “Nice” SHORT STORIES: Kate Chopin, “The Story of an Hour”; Chinua Achebe, “Dead Men’s Path”; Alistair MacLeod, “As Birds Bring Forth the Sun”; Alice Munro, “Friend of My Youth”; Margaret Atwood, “Happy Endings”; Thomas King, “A Short History of Indians in Canada”; Kazuo Ishiguro, “A Family Supper” PLAYS: William Shakespeare, Twelfth Night; Henrik Ibsen, A Doll’s House |
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JL3 | Lecture | 2 | T, Th | 12:00 - 15:00 | Buchanan | BAXTER, GISELE MARIE |
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BAXTER, GISELE MARIE |
Literary Monsters and Monstrous Literature
Rey: “You are a monster.” “Deformed, unfinished, sent before my time into this breathing world” – Richard III 1.i
What is a monster? We know monsters from myths and legends, folktales, horror fiction and film. We know their variety: the grotesque, the beautiful, the terrifying, the pitiable, the sports of nature and the forces of evil. Dragons, werewolves, vampires, zombies, Frankenstein’s Creature, Dorian Gray, the Joker, Hannibal Lecter, Marisa Coulter, many of the characters in The Walking Dead or Game of Thrones: they’re everywhere, from under the bed to the house next door to the battlefield, and right into a great deal of literature. Which leaves us here: in this section of 110 we’ll focus on how literary texts across the genres use representations of monstrosity in ways that inspire both terror and horror, as well as (let’s be honest) fascination and even enjoyment. We’ll look at William Shakespeare’s Richard III (a play that meditates on villainy and ambition in demonizing its subject for Tudor audiences, yet still fascinates contemporary ones) and at Ian McKellen’s 1995 film adaptation, which shifts the setting to an alternate-reality 1930s England where fascism takes hold. We will also consider various stage and screen adaptations as approaches to the play, including recent ones using race and gender-diverse casting, and sometimes featuring as Richard actors who are themselves physically disabled or disfigured. Other core texts include selected poetry (with a focus on the sonnet form) and two novels: Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde and Shirley Jackson’s We Have Always Lived in the Castle. Evaluation will be based on two timed essays, a home paper, and a final exam, plus participation in discussion both in class and on our Canvas site. Please keep checking my blog for updates: https://blogs.ubc.ca/drgmbaxter/ |
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JL4 | Lecture | 2 | T, Th | 18:00 - 21:00 | Buchanan | CULBERT, JOHN |
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CULBERT, JOHN |
Literature plays an important role in the representation of human experience and cultural identities. For this same reason, literature also gives rise to different readings, re-readings and debates – interpretations that reflect changing historical contexts, different cultural values, and contrasting standpoints. Our assigned readings for this term will include texts that dramatize the politics of representation in cross-cultural situations, with themes that range from the discovery of the “New World,” modern colonization, and current issues of migration and asylum. As we explore these themes, you will learn some of the distinctive interpretive methods of literary analysis and critical argument. Texts include Shakespeare, The Tempest; Conrad, Heart of Darkness; and Boochani, No Friend but the Mountains. |
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MA1 | Lecture | 1 | M, W | 12:00 - 15:00 | Buchanan | SCHOLES, JUDITH |
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SCHOLES, JUDITH |
Reading Humans in NatureIn this section of ENGL 110, we will read, think, and write about literature that explores the human experience of being in nature among nonhumans. Several questions will guide us in this work: how is the human and nonhuman conceptualized in these texts; how do humans and nonhumans figure, interact, differentiate, or mesh? What human-nonhuman relations do these literary works grapple with, articulate, or deconstruct? How might language shape these relations? What does it mean to read, write, or perform these relations? Spanning multiple genres (fiction, poetry, drama) and two centuries (1818-2018), our literary selections will include works by Mary Shelley, Emily Dickinson, William and Dorothy Wordsworth, Walt Whitman, Virginia Woolf, Camille Dungy, Joy Harjo, Allison Adelle Hedge Coke, and Matthew McKenzie, among others. Over the term, students will develop their own conclusions about literary representations of humans in nature, while honing their skills as a readers, writers, and critical thinkers. In every class, students will participate in full-class and small-group discussions on the literature we are reading. They will also complete two in-class analysis assignments, and write a final take-home essay that will critically and comparatively analyze texts we’ve read this term. A cumulative final exam will be held at the end of term.
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MA2 | Lecture | 1 | M, W | 18:00 - 21:00 | Buchanan |
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MA3 | Lecture | 1 | T, Th | 12:00 - 15:00 | Buchanan | CULBERT, JOHN |
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CULBERT, JOHN |
Literature plays an important role in the representation of human experience and cultural identities. For this same reason, literature also gives rise to different readings, re-readings and debates – interpretations that reflect changing historical contexts, different cultural values, and contrasting standpoints. Our assigned readings for this term will include texts that dramatize the politics of representation in cross-cultural situations, with themes that range from the discovery of the “New World,” modern colonization, and current issues of migration and asylum. As we explore these themes, you will learn some of the distinctive interpretive methods of literary analysis and critical argument. Texts include Shakespeare, The Tempest; Conrad, Heart of Darkness; and Boochani, No Friend but the Mountains. |
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MA4 | Lecture | 1 | T, Th | 18:00 - 21:00 | Buchanan | JEROME, GILLIAN |
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JEROME, GILLIAN |
Literature and Love: How do love stories shape us?What do we talk about when we talk about love? In this course we’ll ask this question in various ways by taking a look at how a variety of texts approach questions of loving, and writing about love—different kinds of love—in different ways. If love is constituted, in part, by the language used to describe it, how does the language of love stories shape how we perceive and experience it? How do our love stories shape our expectations and experiences of love? How do the metaphors we use shape the way we think about love? What do our conventional love narratives suggest about gender, sexuality, and marriage? How do individual experiences of love deviate from these narratives--and why should we care? Is love merely personal, intense, private or is it also socially and politically useful? What does literature have to say about this? This course introduces you to the skills and practices of literary criticism by inviting you, and equipping you, to interrogate details of language and form, and to pull together and analyze research sources in order to support sound and interesting arguments, i.e. to “read” these primary texts in new and deeper ways. You will be invited to ask rich and provocative questions about literary texts, find and analyze research sources and write good, clear arguments. Lively engagement is a basic requirement. You will be asked to write two close readings and a research paper in this course. Texts are likely to include short stories by Kim Fu, an essay about friendship by Ann Patchett, the film Rocks by Sarah Gavron, David Chariandy’s Brother, Leanne Betasamosake Simpson’s Islands of Decolonial Love, as well as other contextual readings.
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WJ2 | Waiting List | 2 | M, W | 18:00 - 21:00 |
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WJ3 | Waiting List | 2 | T, Th | 12:00 - 15:00 |
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WJ4 | Waiting List | 2 | T, Th | 18:00 - 21:00 |
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WM1 | Waiting List | 1 | M, W | 12:00 - 15:00 |
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WM2 | Waiting List | 1 | M, W | 18:00 - 21:00 |
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WM3 | Waiting List | 1 | T, Th | 12:00 - 15:00 |
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WM4 | Waiting List | 1 | T, Th | 18:00 - 21:00 |
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ENGLISH
Approaches to Language and Communication
ENGL 111 2022 W Credits: 3
Study of selected communication genres from a language-based perspective: examples may include non-fiction, science writing, business discourse, journalism, language of the internet, podcasts, and other media. Essays are required.
mcneill-laurie hill-ian sharpe-jillian earle-bo stickles-elise current-courseMCNEILL, LAURIE | HILL, IAN | SHARPE, JILLIAN | EARLE, BO | STICKLES, ELISE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W | 14:00 - 15:00 | West Mall Swing Space | MCNEILL, LAURIE | View On SSC launch |
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MCNEILL, LAURIE |
Writing Back: Life Writing and Speaking Truth to PowerThis section of English 111 will study how writers use personal experience – their own or others’ – in life narratives (or “non-fiction prose”) to make meaning of those experiences and make interventions in public knowledge. The life narratives we’ll study this semester show how individual stories can work to resist dominant norms and stereotypes – for example, of refugee experiences or global conflicts – and offer personal perspectives on historical events that may challenge or disrupt official versions. We’ll examine the rhetorical and literary strategies authors use to bear witness, create family stories, and construct or reconstruct their own identities. We will three book-length memoirs -- Born a Crime, by Trevor Noah; Thi Bui’s The Best We Could Do: An Illustrated Memoir; and Something I’ve Been Meaning to Tell You: A Letter to My Daughter, by David Chariandy – and several essay-length texts (TBD). Our discussions of these narratives will be informed by relevant scholarly conversations, and students will contribute to those conversations in a research paper as well as in two short analytical essays and a final exam. Classes will take place in person. |
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002 | Lecture | 1 | T, Th | 9:30 - 11:00 | Buchanan | HILL, IAN | View On SSC launch |
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HILL, IAN |
Rhetoric and Public ControversyHow does everyday language work to influence our thoughts and behaviors? This course provides some answers to this question by delving into the realm of rhetoric. Rhetoric, or the motivation of belief and action, encompasses not only overt techniques of persuasion, but also the quotidian aspects of language and symbol usage that facilitate (or hinder) our daily lives and organize society. This course introduces the principles of rhetorical theory and criticism, and students will apply them in writing and a speech/presentation to contemporary public controversies, such as the politics of climate change, the public function of science, and whatever current controversies fill the headlines each semester. |
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003 | Lecture | 2 | T, Th | 12:30 - 14:00 | Buchanan | SHARPE, JILLIAN | View On SSC launch |
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SHARPE, JILLIAN |
INSTUCTOR: SHARPE, JAE This course considers the nonfiction writing of U.S. women essayists from the 1960s to the 2010s. We will consider how these different authors take up the question of how the social roles of womanhood have changed over the late twentieth and early twenty-first century, and we will examine how nonfictional forms of writing become sites where authors can wrestle with the competing demands placed on them in domestic and public life. Texts are likely to include selections from Joan Didion’s Slouching Towards Bethlehem, Susan Sontag’s Regarding the Pain of Others, Toni Morrison’s The Source of Self-Regard, Shirley Jackson’s Come Along With Me, and Cynthia Ozick’s Quarrel & Quandary. |
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005 | Lecture | 2 | M, W | 10:00 - 11:00 | Buchanan | EARLE, BO | View On SSC launch |
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EARLE, BO |
Writing AdventuresThis course explores literature of exploration both in the natural wilderness and in the wildernesses of culture and politics, considering topics including mountain climbing, surfing, manual labour and craftsmanship, environmentalism, psychology, sexism and racism. This class has a relatively large amount of reading. Coursework will be writing intensive and intended to encourage students to find and explore adventure in their own lives. Texts include: Wild, Cheryl Strayed; Between the World and Me, Ta-Nehisi Coates; Men Explain Things to Me, Rebecca Solnit; Barbarian Days, William Finnegan; The Gardener and the Carpenter, Alison Gopnik; Letter to my Nephew, James Baldwin; The Book of Eels, Patrik Svensson. |
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006 | Lecture | 2 | T, Th | 14:00 - 15:30 | Geography | STICKLES, ELISE | View On SSC launch |
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STICKLES, ELISE |
What We Talk About When We Talk About LanguageGood writers read, and good readers write. Or, as Stephen King puts it: "If you want to be a writer, you must do two things above all others: read a lot and write a lot”. Critical reading and writing are skills which can be developed through practice. In this course, we will demystify the process of critical, analytical reading by studying the rhetorical and stylistic principles used in a variety of non-fiction texts. You will then learn to apply these tools in your own writing. Given our goal of understanding the relationship between author and text, our course readings will focus on the relationship between language, identity, and authorship. We will consider what happens when we learn a new language, or lose one; how language background and identity are reflected in writing style and the choices authors make; and how authors take their audiences’ own identities into account. We will read reflections on the writing process itself, and in turn you will consider your own relationship with language in all its forms. Readings include:
By the end of the course, students will be able to:
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L05 | Discussion | 1 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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L06 | Discussion | 1 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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L07 | Discussion | 1 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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L08 | Discussion | 1 | F | 14:00 - 15:00 | Buchanan | View On SSC launch |
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L20 | Discussion | 2 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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L21 | Discussion | 2 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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L22 | Discussion | 2 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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L23 | Discussion | 2 | F | 10:00 - 11:00 | Buchanan | View On SSC launch |
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WL1 | Waiting List | 1 | M, W, F | 14:00 - 15:00 | View On SSC launch |
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WL2 | Waiting List | 1 | T, Th | 9:30 - 11:00 | View On SSC launch |
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WL3 | Waiting List | 2 | T, Th | 12:30 - 14:00 | View On SSC launch |
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WL5 | Waiting List | 2 | M, W, F | 10:00 - 11:00 | View On SSC launch |
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WL6 | Waiting List | 2 | T, Th | 14:00 - 15:30 | View On SSC launch |
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ENGLISH
Challenging Language Myths
ENGL 140 2022 W Credits: 3
Critical consideration of a broad range of commonly held beliefs about language and its relation to the brain and cognition, learning, society, change and evolution. Note: This is an elective course that does not fulfill writing requirements in any faculty or the literature requirement in the Faculty of Arts.
hansson-gunnar stratton-james current-courseHANSSON, GUNNAR | STRATTON, JAMES
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Wesbrook | Multiple instructors | View On SSC launch |
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HANSSON, GUNNAR, STRATTON, JAMES |
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WL1 | Waiting List | 2 | M, W, F | 14:00 - 15:00 | View On SSC launch |
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ENGLISH
Principles of Literary Studies
ENGL 200 2022 W Credits: 3
A collaboratively-taught exploration and application of key scholarly, theoretical and critical approaches informing the study of literatures in English.
mcneill-laurie burgess-miranda britton-dennis ho-janice lee-tara bose-sarika bain-kimberly hunt-dallas james-suzanne zeitlin-michael mallipeddi-ramesh echard-sian current-courseMCNEILL, LAURIE | BURGESS, MIRANDA | BRITTON, DENNIS | HO, JANICE | LEE, TARA | BOSE, SARIKA | BAIN, KIMBERLY | HUNT, DALLAS | JAMES, SUZANNE | ZEITLIN, MICHAEL | MALLIPEDDI, RAMESH | ECHARD, SIAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, F, W | 10:00 - 11:00 | Multiple locations | MCNEILL, LAURIE | View On SSC launch |
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MCNEILL, LAURIE |
Im/MigrationENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students in the course will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic. ENGL 200, sections 001, 002, 003, and 004, will be led by Laurie McNeill, Miranda Burgess, Dennis Britton, and Janice Chiew Ling Ho, with the topic “Im/Migration.” Together we will examine texts and narratives about travel, mobility, migrations, journeys, and arrivals of various kinds – voluntary, forced, opportunistic, and fantastic. Together, we will ask how literature can help us think about the following: What types of social and political factors lead/force people to leave their homeland? How are borders established and what do they do? How does dislocation create new forms of being and belonging?
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002 | Lecture | 1 | M, F, W | 10:00 - 11:00 | Multiple locations | BURGESS, MIRANDA | View On SSC launch |
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BURGESS, MIRANDA |
Im/MigrationENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students in the course will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic. ENGL 200, sections 001, 002, 003, and 004, will be led by Laurie McNeill, Miranda Burgess, Dennis Britton, and Janice Chiew Ling Ho, with the topic “Im/Migration.” Together we will examine texts and narratives about travel, mobility, migrations, journeys, and arrivals of various kinds – voluntary, forced, opportunistic, and fantastic. Together, we will ask how literature can help us think about the following: What types of social and political factors lead/force people to leave their homeland? How are borders established and what do they do? How does dislocation create new forms of being and belonging?
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003 | Lecture | 1 | M, F, W | 10:00 - 11:00 | Multiple locations | BRITTON, DENNIS | View On SSC launch |
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BRITTON, DENNIS |
Im/MigrationENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students in the course will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic. ENGL 200, sections 001, 002, 003, and 004, will be led by Laurie McNeill, Miranda Burgess, Dennis Britton, and Janice Chiew Ling Ho, with the topic “Im/Migration.” Together we will examine texts and narratives about travel, mobility, migrations, journeys, and arrivals of various kinds – voluntary, forced, opportunistic, and fantastic. Together, we will ask how literature can help us think about the following: What types of social and political factors lead/force people to leave their homeland? How are borders established and what do they do? How does dislocation create new forms of being and belonging?
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004 | Lecture | 1 | M, F, W | 10:00 - 11:00 | Multiple locations | HO, JANICE | View On SSC launch |
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HO, JANICE |
Im/MigrationENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students in the course will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic. ENGL 200, sections 001, 002, 003, and 004, will be led by Laurie McNeill, Miranda Burgess, Dennis Britton, and Janice Chiew Ling Ho, with the topic “Im/Migration.” Together we will examine texts and narratives about travel, mobility, migrations, journeys, and arrivals of various kinds – voluntary, forced, opportunistic, and fantastic. Together, we will ask how literature can help us think about the following: What types of social and political factors lead/force people to leave their homeland? How are borders established and what do they do? How does dislocation create new forms of being and belonging?
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005 | Lecture | 1 | M, F, W | 13:00 - 14:00 | Multiple locations | LEE, TARA | View On SSC launch |
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LEE, TARA |
Hauntings and Spectral Possibilities in English Literary Studies“It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell” (Charlotte Brontë, Jane Eyre). These sections of the collaboratively taught ENGL 200 (005, 006, 007, and 008) will focus on haunting: the in/visible elements that bump, rattle, and wail in the night. We will examine a variety of literary texts, probing how ghosts and things that haunt productively unsettle the supposed status quo. Our conversations will include hauntings that challenge sanitized colonial narratives, the liminality of ghostly presences/absences, and the material repercussions of social and familial hauntings. Storytelling will also figure strongly in the course as we invite students to consider how they can leverage haunting as a critical framework for reconsidering the social, cultural, and national spaces they inhabit. |
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006 | Lecture | 1 | M, F, W | 13:00 - 14:00 | Multiple locations | BOSE, SARIKA | View On SSC launch |
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BOSE, SARIKA |
Hauntings and Spectral Possibilities in English Literary Studies“It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell” (Charlotte Brontë, Jane Eyre). These sections of the collaboratively taught ENGL 200 (005, 006, 007, and 008) will focus on haunting: the in/visible elements that bump, rattle, and wail in the night. We will examine a variety of literary texts, probing how ghosts and things that haunt productively unsettle the supposed status quo. Our conversations will include hauntings that challenge sanitized colonial narratives, the liminality of ghostly presences/absences, and the material repercussions of social and familial hauntings. Storytelling will also figure strongly in the course as we invite students to consider how they can leverage haunting as a critical framework for reconsidering the social, cultural, and national spaces they inhabit. |
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007 | Lecture | 1 | M, F, W | 13:00 - 14:00 | Multiple locations | BAIN, KIMBERLY | View On SSC launch |
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BAIN, KIMBERLY |
Hauntings and Spectral Possibilities in English Literary Studies“It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell” (Charlotte Brontë, Jane Eyre). These sections of the collaboratively taught ENGL 200 (005, 006, 007, and 008) will focus on haunting: the in/visible elements that bump, rattle, and wail in the night. We will examine a variety of literary texts, probing how ghosts and things that haunt productively unsettle the supposed status quo. Our conversations will include hauntings that challenge sanitized colonial narratives, the liminality of ghostly presences/absences, and the material repercussions of social and familial hauntings. Storytelling will also figure strongly in the course as we invite students to consider how they can leverage haunting as a critical framework for reconsidering the social, cultural, and national spaces they inhabit. |
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008 | Lecture | 1 | M, F, W | 13:00 - 14:00 | Multiple locations | HUNT, DALLAS | View On SSC launch |
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HUNT, DALLAS |
Hauntings and Spectral Possibilities in English Literary Studies“It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell” (Charlotte Brontë, Jane Eyre). These sections of the collaboratively taught ENGL 200 (005, 006, 007, and 008) will focus on haunting: the in/visible elements that bump, rattle, and wail in the night. We will examine a variety of literary texts, probing how ghosts and things that haunt productively unsettle the supposed status quo. Our conversations will include hauntings that challenge sanitized colonial narratives, the liminality of ghostly presences/absences, and the material repercussions of social and familial hauntings. Storytelling will also figure strongly in the course as we invite students to consider how they can leverage haunting as a critical framework for reconsidering the social, cultural, and national spaces they inhabit. |
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009 | Lecture | 2 | M, F, W | 11:00 - 12:00 | Multiple locations | JAMES, SUZANNE | View On SSC launch |
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JAMES, SUZANNE |
ENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic, with instructors rotating through these classes so that students will get a sense of the interests of four different English faculty members. |
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010 | Lecture | 2 | M, F, W | 11:00 - 12:00 | Multiple locations | ZEITLIN, MICHAEL | View On SSC launch |
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ZEITLIN, MICHAEL |
ENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic, with instructors rotating through these classes so that students will get a sense of the interests of four different English faculty members. |
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011 | Lecture | 2 | M, F, W | 11:00 - 12:00 | Multiple locations | MALLIPEDDI, RAMESH | View On SSC launch |
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MALLIPEDDI, RAMESH |
ENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic, with instructors rotating through these classes so that students will get a sense of the interests of four different English faculty members. |
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012 | Lecture | 2 | M, F, W | 11:00 - 12:00 | Multiple locations | ECHARD, SIAN | View On SSC launch |
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ECHARD, SIAN |
ENGL 200 is a collaboratively-taught exploration of key scholarly, theoretical, and critical approaches informing the study of literatures in English at UBC. Through a diverse set of readings that cross genre, historical periods, and social contexts, this course aims to develop skills in reading, analysis, and critical writing. Students will work closely with one faculty instructor in a small-class setting. Four of these small classes will join together in a cluster for one lecture on each week’s designated texts and topic, with instructors rotating through these classes so that students will get a sense of the interests of four different English faculty members. |
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ENGLISH
An Introduction to English Honours
ENGL 210 2022 W Credits: 6
Comprehensive overview of key periods, genres, and methods in English studies for students entering the English Honours program. Restricted to students in Honours programs.
mackie-gregory current-courseMACKIE, GREGORY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1-2 | M, W, F | 15:00 - 16:00 | Buchanan | MACKIE, GREGORY | View On SSC launch |
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MACKIE, GREGORY |
The Literary Imagination: Traditions and Counter-TraditionsA year-long (6 credit) course, English 210 is designed to provide Honours students with a firm grounding in English-language literary studies. Its organization is largely chronological, beginning in the medieval period and continuing to the present day. It aims to introduce students to a wide sampling of literary works of poetry, fiction, and drama across the centuries, and to equip them with the analytical tools employed in the scholarly study of these genres. Although these texts – and their authors – engage a diverse variety of topics, in reading and writing about them we will also want to keep in mind such themes as art and imagination, memory and history, the individual in society and freedom and repression. While taking care to situate our readings in their historical and cultural contexts, we should also, where appropriate, allow ourselves to approach them with a sense of openness and humour.
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ENGLISH
Literature in English to the 18th Century
ENGL 220 2022 S Credits: 3
A survey of prose, poetry and drama to the 18th Century.
fox-lorcan-francis past-courseFOX, LORCAN FRANCIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | T, Th | 18:00 - 21:00 | Buchanan | FOX, LORCAN FRANCIS |
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FOX, LORCAN FRANCIS |
* Any classes not taught in person will be held synchronously on Zoom. * This course focuses on selected English writers of poetry, drama, and prose from the 14th to the late 18th centuries. The following literature will be studied: The General Prologue in Geoffrey Chaucer’s The Canterbury Tales; Shakespeare’s The Merchant of Venice; selections from John Milton’s Paradise Lost; Part 4 of Jonathan Swift’s Gulliver’s Travels; Jane Austen’s Northanger Abbey. Class discussion of each work will sometimes focus on its treatment of social, political, and economic issues of the period in which it was written: for instance, the alleged corruption of the late medieval Church and the questioning of conventional gender roles in the early modern period. Course Requirements:
Texts:
The texts will be available at the UBC Bookstore in a specially priced, shrink-wrapped package. |
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ENGLISH
Literature in English to the 18th Century
ENGL 220 2022 W Credits: 3
A survey of prose, poetry and drama to the 18th Century.
hudson-nicholas-james pareles-mo partridge-stephen current-courseHUDSON, NICHOLAS JAMES | PARELES, MO | PARTRIDGE, STEPHEN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | T, Th | 14:00 - 15:30 | Buchanan | HUDSON, NICHOLAS JAMES | View On SSC launch |
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HUDSON, NICHOLAS JAMES |
Representing Race, Gender and Social Class, 1550-1800The period from the sixteenth century to the late eighteenth century witnessed the creation of categories of race, social class and gender that were taken as “natural” until very recently. During this period, the human species was increasingly subdivided into “racial” groups with white Europeans situated on top of a hierarchy of peoples. The difference between “man” and “woman” was deepened in a way that made males the “naturally” superior sex in charge of all public affairs. Politically, an older social hierarchy governed absolutely by a hereditary monarchy and aristocracy gave way to a system dominated by instead by the power of wealth and capitalist accumulation. In this section of English 220 will be examine how these fundamental changes were represented in literary works that also helped to create and to reinforce a modern hegemonic order that lasted until at least the late twentieth century. Texts: Shakespeare, Othello; Aphra Behn, Oroonoko; Olauda Equiano, The Interesting Narrative of Gustavus Vasa; John Donne, selected love poems; Eliza Haywood, Fantomina; Mary Wollstonecraft, Maria, or the Wrongs of Woman; Suzanne Centlivre, Bold Stroke for a Wife; George Coleman the Younger, Inkle and Yarico; a selection of working class poetry Assessment: two short essays, a final paper and a take-home exam, plus attendance and participation |
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002 | Lecture | 2 | M, W, F | 11:00 - 12:00 | Buchanan | PARELES, MO | View On SSC launch |
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PARELES, MO |
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003 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Leon and Thea Koerner University Centre | PARTRIDGE, STEPHEN | View On SSC launch |
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PARTRIDGE, STEPHEN |
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ENGLISH
Literature in Britain: the 18th Century to the Present
ENGL 221 2022 W Credits: 3
A survey of poetry, drama, fiction and non-fiction prose from the 18th century to the present.
fox-lorcan-francis current-courseFOX, LORCAN FRANCIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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003 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Buchanan | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
Literature in Britain: The 18th century to the presentThis course focuses on selected writers of British poetry, drama, and prose from the late eighteenth century to the present. It covers four periods of British literary history: “romantic,” Victorian, modern, and post-modern. We will study each work with a view to identifying and exploring social, political, and economic issues of each period: for instance, slavery, the Woman Question, the Condition-of-England Question, colonialism, and post-colonialism. We will also study works by writers from former British colonies. A provisional reading list includes poems by Blake, Wordsworth, Hemans, Tennyson, Kipling, Eliot, and Larkin; Christina Rossetti’s “Goblin Market”; short fiction by Conrad and Mansfield; prose nonfiction by Orwell; and a play by Shaw or Beckett. All readings are included in the course text: The Broadview Anthology of British Literature, Concise Edition, Volume B, 3rd ed. (The Age of Romanticism, The Victorian Era, The Twentieth Century and Beyond). Course requirements: two in-class essays, each worth 20%; research essay (1500 words), 30%; final exam, 30% |
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ENGLISH
Literature in Canada
ENGL 222 2022 S Credits: 3
The major types of Canadian writing: fiction, poetry, non-fictional prose, and drama
fedoruk-emily past-courseFEDORUK, EMILY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | M, W | 12:00 - 15:00 | Buchanan | FEDORUK, EMILY |
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FEDORUK, EMILY |
This Fiction Called Canada - Readings in Poetry, Prose, and PlaceOur course takes the national space of Canada as a point of critical entry for the study of contemporary fiction, poetry, cultural studies, and critical theory. As we share the space of the classroom each week, we will collectively map routes to understanding our positions, more specifically, in the city we call Vancouver and in so-called Canada. We’ll look at the city and its suburbs around us, whether we are home or away, and at the built environments extending from our classrooms and desktops to study our own production of space. Taking seriously our course title, we will analyze and interrogate our meeting point on unceded xwməθkwəy̓əm (Musqueam) territory. Our class will always meet in person. But given that so many of our educational sites have shifted online in recent semesters, we can consider how in the case, and space, of a virtual classroom, this ‘sharing’ raises ever more compelling stakes. Our class offers opportunities for me to learn from students quite literally where you’re at, drawing on our unique spatial experiences of Vancouver and territories beyond. We will take every chance to get out into the city together, shifting the space of the classroom and dancing away from our desktops! We’ll start by practicing close reading but pull this analysis off the page too, studying site-specific artwork as a research method for urban space. Our interdisciplinary reading list will include oral texts, speculative fiction, noir, biotext, historical fiction, narrative film, experimental poetry, and some texts that explore the blurriness of boundaries between forms and genres. Among these, we will engage politics and power struggles as textual imperatives enlivened by our own discussions, activities, and writing. The course objective will be to develop relationships between literature and Canada--as a social space--as two distinct, but overlapping, projects. |
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ENGLISH
Literature in Canada
ENGL 222 2022 W Credits: 3
The major types of Canadian writing: fiction, poetry, non-fictional prose, and drama
diabo-gage mccormack-brendan current-courseDIABO, GAGE | MCCORMACK, BRENDAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | T, Th | 9:30 - 11:00 | DIABO, GAGE | View On SSC launch |
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DIABO, GAGE |
INSTRUCTOR: DIABO, GAGE ONLINE | SYNCHRONOUS As Cherokee scholar Daniel Heath Justice puts it in response to the titular question of his book Why Indigenous Literatures Matter, “Indigenous literatures matter because Indigenous peoples matter. And that, to me, is mighty good cause for celebration” (221). More than just to interrogate and develop competencies in relation to Indigenous literatures, this course asks students to celebrate the literary work of Indigenous peoples in their appropriate contexts. This course will guide students through the history of First Peoples’ literary productions in Canada from the oral traditions of time immemorial to the prose, poetry, and drama of the present day. The course begins with a look to the east, to the unceded ancestral territory of the Haudenosaunee Confederacy, with Mohawk writers E. Pauline Johnson and Kahente Horn-Miller as well as Tuscarora essayist Alicia Elliott. Moving from east to west, the course continues with literary approaches to Anishinaabe resurgence in the writings of Leanne Betasamosake Simpson, Basil H. Johnston, Grace Dillon, and Waubgeshig Rice. The course approaches political and cultural issues pertaining to the Indian Act, the Indian Residential School System, and the Red Power era by way of reference to Nehiyaw novelist Michelle Good. Fiction and poetry by Chrystos, Annharte, Joshua Whitehead, Billy-Ray Belcourt, and Arielle Twist are woven throughout the reading schedule in order to explore the range of experiences and formal accomplishments of Indigenous women and queer folk. Lastly, the course addresses the need for decolonial solidarity with reference to the Asian-Indigenous intersections in Stó:lō author Lee Maracle’s “Yin Chin” and Métis playwright Marie Clements’ Burning Vision. |
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002 | Lecture | 2 | M, W, F | 10:00 - 11:00 | Mathematics | MCCORMACK, BRENDAN | View On SSC launch |
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MCCORMACK, BRENDAN |
What if… ? Speculative Literatures in Canada (or, Eh is for Apocalypse)“We can’t possibly live otherwise until we first imagine otherwise”--Daniel Heath Justice (Cherokee Nation), Why Indigenous Literatures Matter What if global warming causes a pandemic of dreamlessness and a future where Indigenous peoples are hunted for the reported cure found in their bone marrow? What if a new volcanic island were to unexpectedly arise in Burrard Inlet at the outer harbour of Vancouver? What if geronticide emerged as a popular solution to intergenerational social and economic challenges? Speculative literature—an umbrella category usually associated with the science fiction, fantasy, and horror genres, but which we will approach more expansively—is literature of the what if. By expanding, often into disturbing and uncomfortable places, the conditions of the world as we know it in order to consider what might be, it invariably returns us to what is, and to the historical and contemporary challenges that prompt creative acts of speculation. In this course we will take up a range of fantastic novels, short stories, and film in a number of increasingly popular and sometimes overlapping speculative genres—like science fiction, climate fiction (“cli-fi”), dystopia/utopia, (post-)apocalyptic, Afro- and Indigenous futurism, alternate history, horror, fantasy, thriller—to examine the “what ifs” posed by Canadian and Indigenous writers; the power, possibilities, and limits of genre; and the hopes, fears, and political imaginaries of the worlds speculative literature brings into being. The readings (to be finalized later in the summer) will likely be selected from works by Margaret Atwood, Jeff Barnaby, Wayde Compton, Cherie Dimaline, Lawrence Hill, Larissa Lai, Eden Robinson, and Saleema Nawaz.
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ENGLISH
Literature in the United States
ENGL 223 2022 W Credits: 3
The major types of American writing: fiction, poetry, drama and non-fictional prose.
tomc-sandra severs-jeffrey current-courseTOMC, SANDRA | SEVERS, JEFFREY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 11:00 - 12:30 | Buchanan | TOMC, SANDRA | View On SSC launch |
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TOMC, SANDRA |
American ReckoningsThis course will be a loose survey of United States literature from 1820 to 1900. Our focus will be social justice themes and literary movements. The course will begin with the major figures in early nineteenth-century U.S. literary nationalism, figures who celebrated and mythologized the founding of the United States, including Washington Irving, Ralph Waldo Emerson, and Walt Whitman. After looking at these central champions of American nationalism, we will move on to study a skeptical tradition in U.S. literature. This skeptical literature takes into account the problematic political history of the United States, its reliance on an often-brutal capitalist economic order, its dependence on race-based enslavement, and its violent settler colonization of Indigenous territories. In this section we will first study romantic and poetic attacks on the mythology of the U.S. by such writers as Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, and Rebecca Harding Davis. We will then look at how a powerful gender ideology in the United States worked in tandem with its larger political and economic ideologies; in this section we will study Emily Dickinson, Charlotte Perkins Gilman, and Henry James. Finally, the course will look at Black and Indigenous accounts of life under U.S. slavery and colonization. In this section we will read William Apess, Frederick Douglass, and Harriet Jacobs. |
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002 | Lecture | 1 | T, Th | 14:00 - 15:30 | West Mall Swing Space | SEVERS, JEFFREY | View On SSC launch |
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SEVERS, JEFFREY |
U.S. Novel Since 1960This course surveys some of the great innovators in the U.S. novel over the past 50 to 60 years, ranging across the stalwarts of realism, postmodernism, and the proliferation of important multicultural voices in the American canon. Questions we will address include: What have been the major innovations in fictional form in the U.S. in the past sixty years, and what forces seem to have driven them? What structures have writers developed in this era to demonstrate new layers of guilt, innocence, and moral complexity? Does the novel, as informational and imaginative medium, have authority in this era? If so, what sort of authority is it? What difference has the explosion in prominent ethnic writers within U.S. literature made for definitions of “American culture”? Students will write two essays (1500 and 2000 words), as well as a final exam. Texts are likely to include Thomas Pynchon’s The Crying of Lot 49, Joan Didion’s Play It As It Lays, Toni Morrison’s “Recitatif” (story) and Jazz, John Cheever’s “The Swimmer” (story), Chang-rae Lee’s A Gesture Life, and Jennifer Egan’s A Visit From the Goon Squad. |
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ENGLISH
World Literature in English
ENGL 224 2022 S Credits: 3
English literature produced outside Britain and North America.
dinat-deena past-courseDINAT, DEENA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Lecture | 2 | M, W | 12:00 - 15:00 | Buchanan | DINAT, DEENA |
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DINAT, DEENA |
African Cities in the 21st Century: A Literary ApproachThis summer course introduces students to questions of urbanism, identity, and power in the rapidly-changing metropolises of 21st century Africa. Through novels, film, poetry and short stories, we’ll encounter and challenge preconceived notions of Africa by asking how cities shape modern African life. From the eerie, ghostly Dakar of Mati Diop’s 2019 film Atlantics, to the decaying sprawl of Ivan Vladislavic’s Johannesburg in 2011’s Double Negative, we’ll interrogate what defines and defies the “global” African city through questions of labour, gender, and race. With Teju Cole’s 2011 Open City, we’ll ask what makes New York and Brussels fundamentally African spaces, and debate how histories of migration shape these global centres today. Short stories and poetry from Windhoek, Harare, and Cape Town consider how African cities provide new kinds of communities, shape new identities, and offer glimpses into both the past and the future of the continent.
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ENGLISH
World Literature in English
ENGL 224 2022 W Credits: 3
English literature produced outside Britain and North America.
fox-lorcan-francis current-courseFOX, LORCAN FRANCIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 14:00 - 15:30 | Buchanan | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
In this section of English 224 we will study a wide range of literature by authors who write in English and are from former British colonies (excluding North America). Such literature has been labelled “post-colonial,” a term we will define and interrogate early in the course. A provisional reading list includes poetry by Derek Walcott (St. Lucia), Lorna Goodison (Jamaica), and Jean Arasanayagam (Sri Lanka); short stories by Nadine Gordimer (South Africa), Chinua Achebe (Nigeria), and Anita Desai (India); essays by Salman Rushdie (India-UK), Jamaica Kincaid (Antigua-USA), and Timothy Mo (Hong Kong-UK). All assigned readings are included in the course text: Concert of Voices: An Anthology of World Writing in English, 2nd ed. (Broadview). Course requirements: two in-class essays, each worth 20%; research essay (1500 words), 30%; final exam, 30% |
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ENGLISH
World Literature in English
ENGL 224 2023 S Credits: 3
English literature produced outside Britain and North America.
dinat-deena current-courseDINAT, DEENA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Lecture | 2 | M, W | 12:00 - 15:00 | Buchanan | DINAT, DEENA |
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DINAT, DEENA |
African Cities in the 21st Century: A Literary ApproachThis summer course introduces students to questions of urbanism, identity, and power in the rapidly-changing metropolises of contemporary Africa. From the ghostly Dakar of Mati Diop’s 2019 film Atlantics, to Teju Cole’s Open New York City, we’ll interrogate what defines and defies the “global” African city by considering questions of labour, gender, and race. Short stories and poetry from around the continent will explore how African cities imagine new kinds of communities, shape new identities, and offer glimpses into the past, present and future of the continent. |
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ENGLISH
Poetry
ENGL 225 2022 W Credits: 3
Principles, methods, and resources for reading poetry.
fox-lorcan-francis current-courseFOX, LORCAN FRANCIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 11:00 - 12:00 | Mathematics | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
In this section of English 225 our goal is to study a broad range of poetry by writers of various nationalities; a few poems will be read in English translation. Proceeding chronologically, we will begin with one or two poems of the Renaissance and then move on to the Romantic, Victorian, and Modern periods. The course will end with some consideration of poetry written in the late twentieth and early twenty-first centuries. Always we will attend to a poem’s literary elements (form, figurative language, and so on), but sometimes we may also turn briefly to its historical context. “I, too, dislike it,” writes Marianne Moore of poetry in a famous poem entitled “Poetry.” If you don’t already like “it,” I hope you will by the end of the course. Text: The Broadview Introduction to Literature: Poetry, 2nd edition (Broadview) Course requirements: two in-class essays (each worth 20%), research essay (30%), final exam (30%) |
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ENGLISH
Poetry
ENGL 225 2023 S Credits: 3
Principles, methods, and resources for reading poetry.
fox-lorcan-francis current-courseFOX, LORCAN FRANCIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | T, Th | 18:00 - 21:00 | Buchanan | FOX, LORCAN FRANCIS |
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FOX, LORCAN FRANCIS |
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ENGLISH
Prose Fiction
ENGL 227 2022 W Credits: 3
Principles, methods and resources for reading the novel and the short story.
fox-lorcan-francis culbert-john current-courseFOX, LORCAN FRANCIS | CULBERT, JOHN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | T, Th | 11:00 - 12:30 | Leon and Thea Koerner University Centre | FOX, LORCAN FRANCIS | View On SSC launch |
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FOX, LORCAN FRANCIS |
In this section of English 227 we will study an assortment of short stories by authors of various nationalities and historical eras. After briefly exploring reasons for the emergence of the modern short story we will proceed chronologically by examining short fiction written over the span of roughly a century, from the late nineteenth to the early twenty-first centuries. Apart from identifying each story’s literary elements, we will note how it may reflect one or more literary movements: for instance, realism. How to define the term “short story” is a question that will almost certainly arise from our close study of so broad a range of short fiction. The short stories we study in the course will be selected from the following list: Kate Chopin, “The Story of an Hour”; Guy de Maupassant, “The False Gems”; Charlotte Perkins Gilman, “The Yellow Wallpaper”; James Joyce, “The Dead”; Franz Kafka, “Metamorphosis”; Katherine Mansfield, “The Garden Party”; Ernest Hemingway, “A Clean, Well-Lighted Place”; Chinua Achebe, “Dead Men’s Path”; Alice Munro, “Friend of My Youth”; Alistair MacLeod, “As Birds Bring Forth the Sun”; Raymond Carver, “Cathedral”; Margaret Atwood, “Happy Endings”; Thomas King, “A Short History of Indians in Canada”; Kazuo Ishiguro, “A Family Supper”; Jhumpa Lahiri, “Interpreter of Maladies”; Hassan Blasim, “The Nightmare of Carlos Fuentes”; Madeleine Thien, “Simple Recipes” Text: The Broadview Introduction to Literature: Short Fiction, 2nd ed. (Broadview) Course requirements: two quizzes, each worth 20%; research essay (1500 words), 30%; final exam, 30% |
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002 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Mathematics | CULBERT, JOHN | View On SSC launch |
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CULBERT, JOHN |
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ENGLISH
Topics in Literary and/or Cultural Studies
ENGL 228 2022 W Credits: 3
Current research interests in English studies.
vessey-mark current-courseVESSEY, MARK
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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002 | Lecture | 2 | T, Th | 9:30 - 11:00 | School of Population and Public Health | VESSEY, MARK | View On SSC launch |
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VESSEY, MARK |
This course is cancelled. [November 2022] |
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ENGLISH
Topics in the Study of Language and/or Rhetoric
ENGL 229 2022 W Credits: 3
Consult Department's website for current year's offerings.
dancygier-barbara stickles-elise de-villiers-jessica current-courseDANCYGIER, BARBARA | STICKLES, ELISE | DE VILLIERS, JESSICA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | T, Th | 12:30 - 14:00 | Buchanan | DANCYGIER, BARBARA | View On SSC launch |
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DANCYGIER, BARBARA |
How Language Creates MeaningExpressing meaning is why we use language in the first place, but understanding how we choose the form of expression is not straightforward. In the course, we will learn how linguistic meaning emerges at the intersection of our embodied experience, our conceptual abilities, and our social and cultural context. To flesh out the meaning emergence mechanisms we will consider examples from grammar, structure of words, and multiple word meanings, but also visual communication and multimodal (text and image) artifacts. Through reading and analysis of examples, we will learn what it means to view language as a tool supporting conceptualization, in various communicative situations (advertising, internet discourse, commercial contexts, cityscape, and many more). |
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002 | Lecture | 1 | T, Th | 15:30 - 17:00 | Buchanan | STICKLES, ELISE | View On SSC launch |
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STICKLES, ELISE |
Introduction to Cognitive LinguisticsIs a taco a sandwich? What about a hot dog? These questions may lead to a fun debate over dinner, but they also reveal the remarkable nature of the structure of mental categories (such as “sandwich”) and how we decide what does – or doesn’t – belong. In this course, we won’t be able to answer these questions, but we will be able to learn why they are so tricky to answer. To do so, we will explore the field of cognitive linguistics, which is the study of how language and cognition work together to create meaning. Fundamentally, our language is a reflection of how we understand the world around us, as humans living in physical bodies, experiencing the properties of our environment, and engaging in constant social interaction. Therefore, to understand how language works, we must also understand how other cognitive processes work, such as categorization, perception, and mental representations of concepts. We will begin with learning about how we categorize, organize, reason about, and ultimately linguistically label concepts. This structure provides the basis of understanding how figurative language works, with a focus on metaphor and metonymy. We will then see how these same cognitive tools allow words to acquire multiple meanings (polysemy), and how concepts, words, and grammar all work together to create meaning. Finally, we will consider how our newly acquired understanding of language can be applied to other areas of life, such as politics, advertising, and healthcare. Throughout we will study language in all its forms, including written, spoken, and signed language; gesture; and image. By the end of the course, students will be able to:
The main texts are Cognitive Linguistics: An Introduction (2006), by Vyvyan Evans and Melanie Green and An Introduction to Cognitive Linguistics (2006), by Friedrich Ungerer and Hans-Jorg Schmid. There is no need to purchase anything; all assigned readings will be available online via the UBC Library website. |
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003 | Lecture | 1 | M, W, F | 14:00 - 15:00 | Buchanan | DE VILLIERS, JESSICA | View On SSC launch |
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DE VILLIERS, JESSICA |
Working with Spoken DiscourseThis course introduces techniques and approaches for the analysis of spoken discourse in English. The focus will be on analyzing language events involving interaction between two or more speakers, with an emphasis on considering language in context. The course begins with a general overview of the subject including practices and considerations for the collection and transcription of spoken discourse. We will then consider a number of approaches to discourse analysis; ethnography, speech functions, conversation analysis, sociolinguistics and critical discourse analysis. Students will learn how to design and conduct their own research projects. The main textbook, Analysing Casual Conversation, will be supplemented with lecture materials and some additional reading. Throughout the term we will work toward learning and applying a “toolkit” to collected texts. Examples of both spoken and written discourse may be examined but the emphasis will be on spoken discourse. Students will be encouraged to collect and analyze their own data. In general, the goals of the course will be:
There will be a number of short activities and assignments, a group presentation, a final paper representing 40% of the course grade and two short tests. Students will also present their proposed work for the final paper to the class. The textbook for the course will be Analysing Casual Conversation, S. Eggins and D. Slade. Equinox Publishing, 2005. Classes will be held in person on Mondays and Wednesdays, and online via Zoom on Fridays.
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ENGLISH
Introduction to Indigenous Literatures
ENGL 231 2022 W Credits: 3
A study of cultural expression in contemporary indigenous contexts.
hunt-dallas current-courseHUNT, DALLAS
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001 | Lecture | 2 | T, Th | 9:30 - 11:00 | Buchanan | HUNT, DALLAS | View On SSC launch |
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HUNT, DALLAS |
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ENGLISH
Approaches to Media Studies
ENGL 232 2022 W Credits: 3
Approaches to the study of media: philosophical; technological; cultural; theoretical.
cavell-richard-anthony current-courseCAVELL, RICHARD ANTHONY
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001 | Lecture | 1 | M, W, F | 11:00 - 12:00 | Buchanan | CAVELL, RICHARD ANTHONY | View On SSC launch |
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CAVELL, RICHARD ANTHONY |
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ENGLISH
Shakespeare Now
ENGL 241 2022 W Credits: 3
Introductory topics in Shakespeare studies that seek to identify relationships between Shakespeare's work and present-day issues and concerns.
britton-dennis current-courseBRITTON, DENNIS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 14:00 - 15:30 | Geography | BRITTON, DENNIS | View On SSC launch |
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BRITTON, DENNIS |
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ENGLISH
Introduction to Children's and Young Adult Literature
ENGL 242 2022 W Credits: 3
History, genres, and scholarly study of writing for children and adolescents.
gooding-richard current-courseGOODING, RICHARD
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001 | Lecture | 1 | M, W, F | 11:00 - 12:00 | Buchanan | GOODING, RICHARD | View On SSC launch |
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GOODING, RICHARD |
Wisdom, Nonsense, and True Lies: An Introduction to Children’s and Young Adult Literature“I imagine everyone will judge it reasonable, that... children, when little, should look upon their parents as their lords, their absolute governors, and as such stand in awe of them; and that when they come to riper years, they should look on them as their best, as their only sure friends, and as such love and reverence them....” --John Locke, Some Thoughts Concerning Education, 1693 In an enormously popular and influential work that became something of a handbook for parents and educators, the philosopher John Locke presents an idealized view of the path from childhood to maturity. Some Thoughts Concerning Education was published just as a distinct body of writing for the young was beginning to emerge in England, and Locke argued that the books children read play an important role in their development. But Locke was also a bachelor who had little first-hand experience of children, and he didn’t anticipate the many ways that writing for the young would reflect the complicated and often fraught relations between children and their elders. This course offers an introduction to writing for younger readers from the 17th to the early 21st century. In readings, discussions, and lectures on children’s literature published in English, we will examine how changing understandings of childhood are reflected in the literary genres that adults developed to socialize and regulate the behaviour of the young. Our texts will include a selection of fairy tales, C.S. Lewis’ The Lion, the Witch and the Wardrobe, Roald Dahl’s The BFG, Neil Gaiman’s The Graveyard Book, and Vera Brosgol’s Anya’s Ghost. |
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ENGLISH
Speculative Fiction
ENGL 243 2022 W Credits: 3
Genres and sub-genres of speculative fiction, such as science fiction and fantasy, alternate history, dystopian and post-apocalyptic narrative, and slipstream, as well as the intersections among them.
baxter-gisele-marie current-courseBAXTER, GISELE MARIE
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001 | Lecture | 2 | T, Th | 12:30 - 14:00 | West Mall Swing Space | BAXTER, GISELE MARIE | View On SSC launch |
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BAXTER, GISELE MARIE |
Speculative Fiction: Synthetic Humans; Posthuman Dystopias
“We make Angels. In the service of Civilization. There were bad angels once … I make good angels now.” - Niander Wallace, Blade Runner 2049 “Whole generations of disposable people.” – Guinan, “The Measure of a Man”, Star Trek: The Next Generation (season 2) The near-future and alternate-reality landscapes of science fiction are often terrifying places and have been since Gothic and dystopian impulses intersected in Mary Shelley’s Frankenstein. Shelley’s landmark tale evokes dread in the implications of Victor’s generation of a humanoid Creature; this dread echoes in more recent products or accidents of science: clones, robots and replicants, artificial intelligences, cyborgs. Such texts raise issues of gendered exploitation, consciousness and rights, research ethics, and fear, in the realization that these creatures are, ultimately, not human but posthuman, yet often more sympathetic than their makers. However, despite their apparent superiority, such humanoids tend to be defined as commodities. In this course, we will consider the posthuman element of dystopian speculations reflecting on the present and recent past, especially concerning threats of mass surveillance, profit-motivated technology, environmental crisis, and redefinitions of human identity. Core texts tentatively include William Gibson, Neuromancer; Lana Wachowski and Lilly Wachowski, The Matrix: Shooting Script; Kazuo Ishiguro, Never Let Me Go; Blade Runner 2049 (dir. Denis Villeneuve) plus one other film (or screenplay) and/or one other novel. Evaluation will be based on a midterm essay, a term paper requiring secondary academic research, a final exam, and participation in discussion. Keep checking my blog (https://blogs.ubc.ca/drgmbaxter/) for updates concerning texts and requirements. |
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ENGLISH
Environment and Literature
ENGL 244 2022 W Credits: 3
Literary, critical, and/or pop-culture texts about environmentalism and ecology.
tebokkel-nathan current-courseTEBOKKEL, NATHAN
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001 | Lecture | 1 | M, W, F | 9:00 - 10:00 | TEBOKKEL, NATHAN | View On SSC launch |
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TEBOKKEL, NATHAN |
Ends of Nature INSTRUCTOR: NATHAN TE BOKKEL Glaciers melting, forests burning, grasslands eroding, climate changing—today, we witness the end of nature. Nature has been clear-cut, strip-mined, and polluted, rearranged by engineering, transformed by biotechnology, and replaced by simulation and outer space. But what exactly is nature? And what do we mean by its end? The stories we tell about ends of nature, and how we tell those stories, are essential to answering these questions. There are many such stories, and they vary over time and around the world. We’ll start exploring them with biblical seas of blood and days of darkness, then we’ll read poems of plagues and wars, stories of machines, nuclear fallout, and virtual reality, and novels about genetic engineering and climate change. We’ll read foundational ecocritical essays about ends of nature, as well as a few popular essays. There will be two quizzes and two papers. |
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ENGLISH
Comics and Graphic Media
ENGL 245 2022 W Credits: 3
Introduction to the critical study of comics and graphic media.
mcneilly-kevin current-courseMCNEILLY, KEVIN
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001 | Lecture | 2 | T, Th | 9:30 - 11:00 | Chemistry | MCNEILLY, KEVIN | View On SSC launch |
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MCNEILLY, KEVIN |
Comics and Graphic Media: Reading SurfacesIn this course, we will survey key texts in emerging canons of graphic media—hybrids and mixtures of comics, illustrated texts, cartoons, graphic novels, graffiti, visual media and other genres—with an eye to establishing our own workable critical reading practices. What do graphic texts tell us about the limits of literature, and about the relationships between art and popular culture? How has the emergence of mass-produced graphic forms and genres impacted on the ways in which we read, and on how we value and evaluate writing? What has become of our sense of what constitutes a book or even a page? How do graphic media encourage us to reflect on the visual, spatial and material forms of representation, in language and in other sign systems and mediums? How is graphic media's increasing popularity, its burgeoning readership, tied to certain conceptions of identity, subjectivity, sociality and literacy? The texts for this course are likely to include Black Panther: A Nation Under Our Feet by Ta-Nehisi Coates and Brian Stelfreeze, Making Comics by Lynda Barry, Watchmen by Alan Moore and Dave Gibbons, A Girl Called Echo: Pemmican Wars by Katherena Vermette and Scott B. Henderson, Fun Home by Alison Bechdel, and Sweet Tooth by Jeff Lemire. Students will also have an opportunity to write about and discuss their own favourite comics. |
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ENGLISH
Literature and Film
ENGL 246 2022 W Credits: 3
Approaches to the study of the relationships between literature and film.
saunders-mary-ann current-courseSAUNDERS, MARY ANN
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001 | Lecture | 1 | M, W, F | 14:00 - 15:00 | Buchanan | SAUNDERS, MARY ANN | View On SSC launch |
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SAUNDERS, MARY ANN |
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ENGLISH
Introduction to Critical Theory
ENGL 300 2022 W Credits: 3
Analysis of theoretical methods and critical approaches practiced in the discipline of English studies. Required of all students in the English Honours Literature and Language and Literature programs.
paltin-judith current-coursePALTIN, JUDITH
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001 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Hennings | PALTIN, JUDITH | View On SSC launch |
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PALTIN, JUDITH |
Introduction to Critical TheoryThis problem- and play-based approach to general literary and critical theory studies what counts as knowledge, how we find meaning and where, how humans adapt, respond, and resist in the face of changing conditions in the world, the status of art as expression, and how we determine communication and interpretation. You might think of critical theory as consisting in the arguments which justify the work of the arts and humanities and expose the measure of their worth. It asks what functions critics and creatively-thinking theorists play in the processes by which societies and cultures reproduce themselves, and it thinks about how to advocate most effectively for those in the world who face social, economic, environmental, and political barriers to thriving and flourishing. We will read and discuss a rich selection of short fiction and poems in juxtaposition with narrative theory, ecocriticism, theories in media and communication, critical race theory, feminist theory and literary criticism, gender studies, queer theory, old and new materialisms, studies in the workings of the mind and psychoanalysis, decoloniality, post/structuralism, and cultural theory.
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ENGLISH
Technical Writing
ENGL 301 2022 S Credits: 3
Study of the principles of written communication in general business and professional activities, and practice in the preparation of abstracts, proposals, reports, and correspondence. Not for credit towards the English Major or Minor.
paterson-erika past-coursePATERSON, ERIKA
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98A | Lecture | 1-2 | NSM | PATERSON, ERIKA |
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PATERSON, ERIKA |
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98X | Waiting List | 1-2 | NSM |
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ENGLISH
Technical Writing
ENGL 301 2022 W Credits: 3
Study of the principles of written communication in general business and professional activities, and practice in the preparation of abstracts, proposals, reports, and correspondence. Not for credit towards the English Major or Minor.
baxter-gisele-marie paterson-erika current-courseBAXTER, GISELE MARIE | PATERSON, ERIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 9:30 - 11:00 | Buchanan | BAXTER, GISELE MARIE | View On SSC launch |
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BAXTER, GISELE MARIE |
Now with added grammar! While 301 is not a course in remedial grammar, this section will provide online Canvas-based writing resources and a series of workshops, designed to help identify writing and proofreading problems, and to provide strategies to address them. English 301: Technical Writing examines the rhetorical genre of professional and technical communication, especially online, through analysis and application of its principles and practices. You will produce a formal report, investigating resources and/or concerns in a real-life community, as a major project involving a series of linked assignments. This project will involve the study (and possibly practical application) of research ethics where human subjects are involved (e.g. in conducting surveys or interviews). Think of this course as an extended report-writing Boot Camp: intensive, useful preparation for the last phase of your undergraduate degree, as you start applying to professional and graduate programs, and for the years beyond of work and community involvement. Technical Writing is closed to first- and second-year students in Arts, and cannot be used for credit towards the English Major or Minor. The course text will be Lannon et al, Technical Communications, 8th Canadian Edition, Pearson, 2020. Please note that this is a blended course, and will require both participation in synchronous lectures and workshops as well as asynchronous independent work of the sort done in a conventional online course (e.g. Canvas-based textbook exercises and peer feedback on drafts). Keep checking my blog (https://blogs.ubc.ca/drgmbaxter/) for updates concerning texts and requirements. |
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99A | Lecture | 1 | NSM | PATERSON, ERIKA | View On SSC launch |
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PATERSON, ERIKA |
English 301 involves the study of principles of written and online communications in business and professional contexts; it includes discussion of and practice in the preparation of abstracts, proposals, applications, reports, correspondence, and online communications: emails, texts, Web Folio, and networking. Note: Credits in this course cannot be used toward a major or a minor in English. Prerequisite: six credits of First Year English or Arts One or Foundations English 301 is offered as a fully online course. The use of a computer and ready access to an Internet connection are required. Intended Audience This course should be of interest to students in a variety of disciplines such as commerce, science, education, and the health sciences. It may also be of interest to students in Arts Co-Op and other Co-Op programs. Course author: Dr. Erika Paterson is an instructor in the Department of English Language and Literatures.
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99C | Lecture | 2 | NSM | PATERSON, ERIKA | View On SSC launch |
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PATERSON, ERIKA |
English 301 involves the study of principles of written and online communications in business and professional contexts; it includes discussion of and practice in the preparation of abstracts, proposals, applications, reports, correspondence, and online communications: emails, texts, Web Folio, and networking. Note: Credits in this course cannot be used toward a major or a minor in English. Prerequisite: six credits of First Year English or Arts One or Foundations English 301 is offered as a fully online course. The use of a computer and ready access to an Internet connection are required. Intended Audience This course should be of interest to students in a variety of disciplines such as commerce, science, education, and the health sciences. It may also be of interest to students in Arts Co-Op and other Co-Op programs. Course author: Dr. Erika Paterson is an instructor in the Department of English Language and Literatures. |
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ENGLISH
Technical Writing
ENGL 301 2023 S Credits: 3
Study of the principles of written communication in general business and professional activities, and practice in the preparation of abstracts, proposals, reports, and correspondence. Not for credit towards the English Major or Minor.
paterson-erika current-coursePATERSON, ERIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | PATERSON, ERIKA |
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PATERSON, ERIKA |
See English 301 Syllabus, 2022 English 301 is a dedicated writing course offered in an online classroom environment. During the course you will be expected to work in three ways: independently; in consultation with your instructor; and collaboratively in writing teams to be established in the first unit of the course. This is an asynchronous course. English 301 has these major objectives:
English 301 involves the study of principles of written and online communications in business and professional contexts; it includes discussion of and practice in the preparation of abstracts, proposals, applications, reports, correspondence, and online communications: emails, texts, Web Folio, and networking. Note: Credits in this course cannot be used toward a major or a minor in English. Prerequisite: six credits of First Year English or Arts One or Foundations English 301 is offered as a fully online course. The use of a computer and ready access to an Internet connection are required. Intended Audience This course should be of interest to students in a variety of disciplines such as commerce, science, education, and the health sciences. It may also be of interest to students in Arts Co-Op and other Co-Op programs. Course author: Dr. Erika Paterson is an instructor in the Department of English Language and Literatures. |
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98X | Waiting List | 1-2 | NSM |
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Rhetoric of Science, Technology, and Medicine
ENGL 309 2022 W Credits: 3
Exploration of the persuasive dimension of discourse practices in science, technology, and medicine.
smilges-johnathan-logan current-courseSMILGES, JOHNATHAN LOGAN
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001 | Lecture | 2 | M, W, F | 11:00 - 12:00 | West Mall Swing Space | SMILGES, JOHNATHAN LOGAN | View On SSC launch |
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History and Theory of Rhetoric: Classical Rhetoric
ENGL 310 2022 W Credits: 3
Introduction to classical rhetoric with attention to the analysis of present-day texts.
hill-ian current-courseHILL, IAN
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001 | Lecture | 1 | T, Th | 12:30 - 14:00 | Buchanan | HILL, IAN | View On SSC launch |
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HILL, IAN |
History and Theory of Rhetoric: Classical RhetoricWhat is rhetoric, and how do persuasion and influence work? How you can persuade your friends, family, colleagues, and strangers? Some of the most infamous historical intellectuals vehemently disagree about the answers to these questions, but taken together, their answers provide a blueprint for rhetorical theory. By reading and applying rhetorical theories advanced by important thinkers in major epochs of world history, students will learn about how rhetoric was supposed to function in ancient Egyptian wisdom literature, ancient Greece (Gorgias, Philostratus, & Aristotle), ancient Rome (Cicero), medieval Arabia (al-Jurjānī & al-Rāzī), and elsewhere, as well as how these theories still function (or not) today.
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ENGLISH
History of the English Language: Early History
ENGL 318 2022 W Credits: 3
Principles of language change and language typology. The development of the English language from its Indo-European origins to the end of the Anglo-Saxon period.
stratton-james current-courseSTRATTON, JAMES
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001 | Lecture | 1 | M, W, F | 11:00 - 12:00 | Multiple locations | STRATTON, JAMES | View On SSC launch |
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STRATTON, JAMES |
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History of the English Language: Later History
ENGL 319 2022 W Credits: 3
Principles of language change. The development and spread of the English language from the Norman Conquest to the Modern English period.
stratton-james current-courseSTRATTON, JAMES
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001 | Lecture | 2 | M, W, F | 11:00 - 12:00 | Leon and Thea Koerner University Centre | STRATTON, JAMES | View On SSC launch |
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STRATTON, JAMES |
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English Grammar and Usage
ENGL 321 2022 S Credits: 3
Descriptive approaches to the English language
biermann-wilhelmina-georgina past-courseBIERMANN, WILHELMINA GEORGINA
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98A | Lecture | 1-2 | NSM | BIERMANN, WILHELMINA GEORGINA |
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BIERMANN, WILHELMINA GEORGINA |
MODE OF DELIVERY: ONLINE, ASYNCHRONOUS This course is an introduction to the sentence structure of English and to the use of grammar in various communication situations differing in register, dialect or mode. A characteristic of English grammar is that it is flexible – users can and do adapt grammatical structures according to their communicative requirements. This is true of spoken language ranging from, for instance, everyday informal conversation to formal presentations and in written language from informal uses in notes or text messages to formal papers. The dialect of the speaker or writer affects the grammar, too. By studying numerous examples across more than one regional dialect of contemporary (present-day) English usage, the course explores some of the prominent uses to which grammar can be put. Grammar is often defined as a set of rules for the use of language. The approach followed in the course is descriptive. This implies that the course teaches how grammar is used in real situations, rather than how some or other authority (like a professor of English language, an institution for the regulation of language, or a prescriptive textbook) prescribes that it should be used. This does not mean that there are no rules in this course; rather that the rules reflect how language users actually tend to use the language. The English 321 course begins by identifying types of grammatical units, describing their internal structure and relating them to larger structures and determining their meaning in the context in which they occur. The grammatical units are presented as a hierarchy in which each unit is composed of one or more of the units below it in the hierarchy. Words consist of one or more morphemes, phrases consist of one or more words and clauses consist of one or more phrases. The course systematically describes the following levels of grammar: morphology, word classes (or parts of speech), phrase classes and the structure of clauses. Full description available at https://distancelearning.ubc.ca/courses-and-programs/distance-learning-courses/courses/engl/engl321/ |
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ENGLISH
English Grammar and Usage
ENGL 321 2022 W Credits: 3
Descriptive approaches to the English language
biermann-wilhelmina-georgina current-courseBIERMANN, WILHELMINA GEORGINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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99A | Lecture | 1, A | NSM | BIERMANN, WILHELMINA GEORGINA | View On SSC launch |
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BIERMANN, WILHELMINA GEORGINA |
The English 321 course provides an introduction to English grammar and its use in everyday communication. We take a descriptive stance when considering the rules of grammar and language variation, starting with the study of words and their parts, proceeding to word classes, phrases and clauses, and concluding with the different communicative functions that grammatical structures can perform when we package information in particular ways. This course equips students with skills to identify and describe the effects of derived structures in various communicative situations and provides a strong basis for further study of the English language, language variation, literary and non-literary stylistics and for teaching English. The course includes numerous exercises analyzing sentences and chunks of discourse. There are four short collaborative assignments, two monthly tests, and a final exam counting 30% of the final grade. The prescribed books are:
More details are available on the course website on canvas.ubc.ca. |
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ENGLISH
English Grammar and Usage
ENGL 321 2023 S Credits: 3
Descriptive approaches to the English language
biermann-wilhelmina-georgina current-courseBIERMANN, WILHELMINA GEORGINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | BIERMANN, WILHELMINA GEORGINA |
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BIERMANN, WILHELMINA GEORGINA |
The English 321 online course is an introduction to English grammar and its use in everyday communication. We take a descriptive stance when considering the rules of grammar and language variation. The course starts with the study of words and their parts, proceeds to word classes, phrases and clauses and concludes with the different communicative functions that grammatical structures can perform when we package information in specific ways. This course equips students with skills enabling them to identify and describe the effects of derived structures in various communicative situations and provides a strong basis for further study of the English language, language variation, literary and non-literary stylistics and for teaching English. Students will be working fully online on all the graded work, including individual exercises, group projects, two mid-term tests and a final exam. The two tests are open-book, timed assignments, whereas the exam is invigilated via Zoom. There are Zoom meetings at regular intervals which will be recorded for the benefit of students in different time zones with the permission of students attending. Zoom office hours are by appointment. Required reading: Börjars, Kersti and Kate Burridge. Introducing English Grammar, 3rd ed. Routledge, 2019. ISBN: 978-1138-6351-9. Leech, Geoffrey, Margaret Deuchar and Robert Hoogenraad. English Grammar for Today: A New Introduction. 2nd ed. Palgrave Macmillan, 2006. ISBN: 13: 978-1-4039-1642-6. More details are available on the course website on canvas.ubc.ca. |
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ENGLISH
Stylistics
ENGL 322 2022 W Credits: 3
Application of linguistic theory and method to stylistic analysis.
biermann-wilhelmina-georgina current-courseBIERMANN, WILHELMINA GEORGINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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99C | Lecture | 2 | NSM | BIERMANN, WILHELMINA GEORGINA | View On SSC launch |
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BIERMANN, WILHELMINA GEORGINA |
This course is an introduction to the study of stylistics, focusing on literary stylistics, i.e., the linguistic analysis of poems, prose and plays with a view to arriving at verifiable interpretations. During the term, we make a close study of selected examples from each of the three main genres and apply our knowledge of language and linguistics in order to interpret the literary message. As students work through the course modules, they submit exercises to apply the techniques of stylistic analysis to specific examples. Students also participate in two collaborative workshops. In the first workshop, you replicate a published stylistic analysis of a poem to determine how your reading as a group differs or corresponds to the published reading. You then evaluate what you have learnt in the process of replicating the analysis. The second workshop involves stylistically analyzing conversational strategies in a dramatic text. This includes examining extracts from the text, describing the strategies used and articulating your findings about the ways in which humour is communicated. In the term paper, students offer a stylistic analysis of a short story. Distribution of grades:
Prescribed reading: Simpson, Paul. Stylistics: A Resource Book for Students, 2nd ed. Routledge, 2014. |
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ENGLISH
Varieties of English
ENGL 323 2022 W Credits: 3
Study of geographical, social, and/or urban dialects of English.
dollinger-stefan current-courseDOLLINGER, STEFAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 14:00 - 15:30 | Leon and Thea Koerner University Centre | DOLLINGER, STEFAN | View On SSC launch |
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DOLLINGER, STEFAN |
In this course, we will explore the method of the “written questionnaire” in the social variation of English, a method that has been sidelined for most of the 20th century until quite recently (sociolinguists generally prefer interviews, but not so quick!) Your textbook, The Written Questionnaire in Social Dialectology: History, Theory, Practice has played a role in the method’s revitalization in recent years and it will guide us through the process from start to finish. In this process, you’ll learn a bit a out World Englishes and an awful lot about English in Canada, what we call Canadian English: is eh Canadian? Is toque really Canadian (what is it, anyway?). We will try our hand at data collection to see which kind of questions “work” better and why for a linguistic variable of your choice. We will also aim to find patterns in national questionnaire data. Couch vs. chesterfield, parkade vs. garage, tom-EH-to vs. tom-AH-to? Every year, some of your research findings will make it into the book (look for the names T. Chambers, Hirota or Cheng in your textbook from previous classes). You will learn to use Excel and all the things you can do with (a marketable skill). |
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ENGLISH
Studies in the English Language
ENGL 326 2022 W Credits: 3
Topics in the history or structure of the English language.
dancygier-barbara dollinger-stefan current-courseDANCYGIER, BARBARA | DOLLINGER, STEFAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 12:00 - 13:00 | Buchanan | DANCYGIER, BARBARA | View On SSC launch |
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DANCYGIER, BARBARA |
The Language of the MediaThere has been much interest recently in the impact that contemporary media (print news and TV, but also social media) have on public discourse and public trust in information. In the course, we will study a range of language forms and communication genres to better understand the nature of contemporary public discourse and to build an informed approach to the communicative universe we live in. We will start by discussing selected language phenomena, such as types of figuration, linguistic constructions, and expressions of epistemic and emotional stance. After establishing introductory concepts, we will focus on several case studies, looking more specifically at four areas of media discourse: 1. News coverage, 2. Political discourse (speeches, election campaigns, social media responses), 3. Internet discourse (memes, Twitter), and 4. TV news and humorous commentary (such as late night shows). Students will be expected to participate in in-class discussions and projects, collect their own media examples, and respond to take-home assignments. |
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002 | Lecture | 2 | T, Th | 12:30 - 14:00 | DOLLINGER, STEFAN | View On SSC launch |
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DOLLINGER, STEFAN |
ONLINE - DOES NOT REQUIRE ANY IN-PERSON ATTENDANCE TO COMPLETE Canadian English: history, description, futureIn this course we’ll reflect on the state of knowledge about Canadian English, defined as any variety of English spoken and used in Canada. We will distinguish between Standard Canadian English and all other forms of English used in Canada, including First Nations Englishes. We will approach Canadian English from sociolinguistic and sociohistorical perspectives: how did it come about? Why is it the way it is? Why do some not know much about it (perhaps you)? You will be coached to pick and research a topic within Canadian English of your choice, and critically assess the status quo in your chosen domain by way of a comprehensive literature review. The general area can be lexis, pronunciation, syntax, morphology, usage, or attitudes and perception, from which you would choose a narrower domain as a topic (e.g. First Nations terms in Canadian English; intensifiers in Canadian English; British influence in mid-20th century CanE). In a second stage, we will design the parameters for an empirical study in which we propose to address an existing gap in the literature. Your literature review and study design might be used for a BA thesis, Honor’s thesis or term paper and would give you a jumpstart on any of these projects. Note, this course will be conducted EXCLUSIVELY online.
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ENGLISH
Cognitive Approaches to the Study of Meaning
ENGL 327 2022 W Credits: 3
Interpretation of linguistic usages through cognitive concepts.
dancygier-barbara current-courseDANCYGIER, BARBARA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 15:30 - 17:00 | Buchanan | DANCYGIER, BARBARA | View On SSC launch |
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DANCYGIER, BARBARA |
Cognitive PoeticsLanguage use in literary texts builds on standard forms and concepts, while pushing their meaning potential to the limits by extending or re-designing what is available. Such mechanisms of creativity are the subject matter of this course. To understand the processes involved and learn how textual meaning is built and received, we study cognitive approaches to language and apply the concepts to literary discourse and other creative discourse genres. We study poetry, narrative fiction, and drama, also by putting these genres in the context of contemporary discourse and visual culture. The concepts investigated show students how to connect the study of language and literature to an understanding of how the human mind processes and creates meaning. This approach, combining the study of language, literature, and conceptualization, is known as Cognitive Poetics. |
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ENGLISH
Metaphor, Language and Thought
ENGL 328 2022 W Credits: 3
Exploration of the concepts underlying figurative language (in vocabulary as well as in grammar), using data from both colloquial and literary language.
stickles-elise current-courseSTICKLES, ELISE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 12:30 - 14:00 | Buchanan | STICKLES, ELISE | View On SSC launch |
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STICKLES, ELISE |
This class focuses on “everyday metaphors”: the figurative language that we use all the time, over the course of casual conversations and throughout our lives, often without even realizing it. While we may think our colloquial use of language is mostly literal, we rely on metaphors to talk about all sorts of ideas and situations. For example, we may talk about “fighting” crime, “waging war” on a pandemic, or “battling” poverty. In all these cases, we are describing one type of concept - a serious societal challenge - in terms of another concept, physical combat. But what does it mean to describe a pandemic as a “war”, versus a “wildfire” or a “journey”? Not only are these types of patterns pervasive throughout our language use, they also influence how we understand these concepts. In this course, you will learn how to identify and analyze figurative language in a variety of texts and media, and also consider the persuasive role of metaphor as a cognitive phenomenon. In the first part of the course, we will learn about various types of figurative language (metaphor, metonymy, blending). In the second part, we will apply these theoretical concepts to a range of genres, from health care to poetry. We will also consider the role of figurative language beyond the written and spoken word, such as gesture, memes, and other forms of multimodality. By the end of the course, students will be able to:
Required textbook: Dancygier, Barbara, and Eve Sweetser. Figurative Language. Cambridge University Press, 2014. |
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ENGLISH
The Structure of Modern English: Sounds and Words
ENGL 330 2022 S Credits: 3
An introduction to phonology, morphology, and lexical semantics.
biermann-wilhelmina-georgina past-courseBIERMANN, WILHELMINA GEORGINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | BIERMANN, WILHELMINA GEORGINA |
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BIERMANN, WILHELMINA GEORGINA |
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ENGLISH
The Structure of Modern English: Sounds and Words
ENGL 330 2022 W Credits: 3
An introduction to phonology, morphology, and lexical semantics.
de-villiers-jessica stickles-elise current-courseDE VILLIERS, JESSICA | STICKLES, ELISE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | M, W | 16:00 - 17:30 | Buchanan | DE VILLIERS, JESSICA | View On SSC launch |
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DE VILLIERS, JESSICA |
Sounds and WordsThis course explores and examines contemporary English linguistic structure at the level of sounds and words. It begins with a study of speech sounds. We study the articulation of sounds in English, methods for phonetic transcription and the possible sound combinations in English (phonology). We then study words, and the processes of word formation and word classification in English (morphology). Finally, we consider word meaning and look at a variety of approaches to appreciating the nuances of meaning in English words (lexical semantics). Our focus will be on developing skills for analysing these three components of language, with an eye toward understanding how they belong to one communication system. Upon completion of this course, students will have:
Course evaluation: There will be 3 tests, 3 quizzes and a class participation mark. The tests are not cumulative. A variety of in-class, homework and test questions will be given, including definitions, fill in the blanks, problem solving and short answer questions. Required Text: L. Brinton. (2010) The Structure of Modern English. (2nd ed.). Amsterdam/Philadelphia: John Benjamins. Chapters 1-6.
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002 | Lecture | 2 | T, Th | 16:00 - 17:30 | Mathematics | STICKLES, ELISE | View On SSC launch |
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STICKLES, ELISE |
This course explores and examines contemporary English phonology, morphology and lexical semantics. It begins with the study of speech sounds in English. We apply methods for phonetic transcription and study distinct sounds and possible sound combinations in English (phonology). We study the processes of word formation and word classification in English (morphology). We also study word meaning (lexical semantics) using a variety of approaches. Upon completion of this course, students will:
Required textbook: Brinton, Laurel J., and Donna M. Brinton. The Linguistic Structure of Modern English. John Benjamins, 2010. |
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ENGLISH
The Structure of Modern English: Sounds and Words
ENGL 330 2023 S Credits: 3
An introduction to phonology, morphology, and lexical semantics.
biermann-wilhelmina-georgina current-courseBIERMANN, WILHELMINA GEORGINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | BIERMANN, WILHELMINA GEORGINA |
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BIERMANN, WILHELMINA GEORGINA |
The English 330 online course provides a comprehensive introduction to English phonology, morphology, parts of speech, and lexical (word) meaning. We start by studying speech sounds and work our way up to larger structures until we reach the level of words and their meanings. When studying speech sounds, students will study the International Phonetic Alphabet as it pertains to present-day varieties of English. Students will be expected to acquire proficiency in phonetic transcription. The course is offered from a descriptive perspective and is not situated exclusively in any specific linguistic theory. There are three collaborative assignments, six quizzes, graded discussions for each module and a final exam. Students will be working fully online on all the course work. The exam is invigilated via Zoom. There are Zoom meetings at regular intervals which will be recorded for the benefit of students in different time zones with the permission of students attending. Zoom office hours are by appointment. Required reading: Brinton, Laurel J. and Donna M. Brinton. The Linguistic Structure of Modern English. John Benjamins, 2010. ISBN 978 90 272 1172 9. More details are available on the course website on canvas.ubc.ca. |
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ENGLISH
The Structure of Modern English: Sentences and Their Uses
ENGL 331 2022 W Credits: 3
An introduction to syntax, pragmatics, and sentence semantics.
dollinger-stefan de-villiers-jessica current-courseDOLLINGER, STEFAN | DE VILLIERS, JESSICA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 12:30 - 14:00 | DOLLINGER, STEFAN | View On SSC launch |
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DOLLINGER, STEFAN |
Welcome to this key course for any English major, minor and/or language enthusiast! Do not opt out of this course even if you can, just give it a try! Often considered the “tough” stuff of English that everyone wishes they knew, but few actually do, let’s together unlock the beauty of syntactic analysis. Let’s ask questions, let’s try out what the best (or “least bad”) classification for a given structure is! Use this knowledge of English syntax to teach, to sharpen up your own writing, or just to show off your grammatical prowess when you need to do so. Use the knowledge for any of your other languages (and learn to adapt it to these). With excerpts from both a traditional grammar textbook by very nice and capable linguists and sections from another textbook for a more functional approach, we will explore the idea of the word, the subject, the object, their forms and functions, and how they “play” together and learn, for instance, how an object is different from a complement (spelled with an “e”). No prior grammatical knowledge is required. Everyone welcome. Note, this course will be conducted EXCLUSIVELY online. |
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002 | Lecture | 2 | T, Th | 11:00 - 12:30 | Buchanan | DE VILLIERS, JESSICA | View On SSC launch |
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DE VILLIERS, JESSICA |
Tuesdays: In-person, Buch D317 This course focuses on the structure of modern English beyond the level of the word. We study how words and phrases are combined in English sentence structure (syntax) from a generative perspective. Our focus will be on both simple and complex sentences. We will also study meaning in sentences (sentence semantics) and how language functions in context (pragmatics). Upon completion of this course, students will have:
Course evaluation: There will be 3 tests, 3 quizzes and a class participation mark. The tests are not cumulative. A variety of in-class, homework and test questions will be given, including problem solving, short answer, and multiple-choice questions, but the emphasis will be on representing English sentence structure diagrammatically. Required Text: L. Brinton. (2010) The Structure of Modern English. (2nd ed.). Amsterdam/Philadelphia: John Benjamins. Chapters 7-11. NOTE: This course will be conducted in person and online.
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ENGLISH
Approaches to Media History
ENGL 332 2022 W Credits: 3
History of media and technological change; literary, rhetorical, or linguistic methods of inquiry.
cavell-richard-anthony frank-adam current-courseCAVELL, RICHARD ANTHONY | FRANK, ADAM
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 13:00 - 14:00 | Buchanan | CAVELL, RICHARD ANTHONY | View On SSC launch |
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CAVELL, RICHARD ANTHONY |
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002 | Lecture | 2 | T, Th | 9:30 - 11:00 | Mathematics | FRANK, ADAM | View On SSC launch |
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FRANK, ADAM |
Opening the Box: on the (pre)history of televisionWhat can we discover about historical media and the technologies that underlie them through reading literary works? This course aims to answer this question through an exploration of the long history of television. Television emerged in fits and starts, in part from now defunct 19th-century technologies (such as telegraphy and phototelegraphy). It became a fixture in family homes after World War Two (in the US and elsewhere) on the model of radio. Television's history opens out onto broader histories which this course approaches by way of media archaeology as well as literary and cultural history. We begin from the idea that writing and print, themselves mediums, are particularly sensitive to the emergence of new media that pertain to writing (those based on -graphy technologies). By paying close attention to writing as well as to poetics (ideas about how writing works), we will explore the possibilities and limits that accompany new technologies, and the discourses by which they are understood. Note, our geographical focus will mostly, but not exclusively, be the United States. We are interested in the spatial and conceptual idea of "America" as it comes to be identified with so-called mass media in the twentieth century. This course will be taught as a mix of lecture and discussion. In it we will read literary and theoretical texts, watch television, view films, and listen to radio as we seek to gain a deep historical sense of the medium |
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ENGLISH
History of the Book
ENGL 333 2022 W Credits: 3
Survey of development of text technologies (such as manuscripts, printed books, new media forms), through historical, cultural, and theoretical frameworks. Consult department website for current year's offerings. Credit granted for up to 6 credits of ENGL 333 and 419.
echard-sian cavell-richard-anthony current-courseECHARD, SIAN | CAVELL, RICHARD ANTHONY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 9:00 - 10:00 | Buchanan | ECHARD, SIAN | View On SSC launch |
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ECHARD, SIAN |
From Codex to Code“Never judge a book by its cover,” we are often told, and yet we do judge books, not only by their covers, but also by their typefaces, their illustrations, where they are filed in the bookstore or the library, and any number of other factors not apparently directly related to their content. This course will introduce participants to book history, a discipline that unravels the complex relationships between particular books, the texts they contain, the cultures that produced them, and the readers who encounter them. D.F. McKenzie famously described bibliography as the sociology of texts. As we move through important moments in the history of book production, we will explore how materiality and meaning interact, in a range of historical and cultural contexts. Along the way, we will learn about the many forms texts have taken over the centuries, from oral recitations to ebooks, and everything in between. A unique feature of this course is that we will meet regularly in Rare Books and Special Collections in the Barber Learning Centre. Here, you will have the opportunity for hands-on experience with a wide collection of rare materials dating from the Middle Ages to the present. You will pursue your own original research with our unique materials, informed by our discussions and readings focused on the role of modes of production, dissemination, and storage of text-objects in determining the reception and social function of texts. |
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002 | Lecture | 2 | M, W, F | 13:00 - 14:00 | Buchanan | CAVELL, RICHARD ANTHONY | View On SSC launch |
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CAVELL, RICHARD ANTHONY |
Flaps and Foldouts: The History of the Movable BookChildren love popup books, but did you know that books with flaps and foldouts were how medicine was taught for more than 200 years? You will learn about these and other non-conforming books through a series of readings, as well as through interactions with the instructor’s collection of non-conforming books. |
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ENGLISH
Introduction to Old English
ENGL 342 2022 W Credits: 3
Old English vocabulary, grammar, and translation, with readings in poetry and prose. Credit will be granted for only one of ENGL 340 and ENGL 342.
pareles-mo current-coursePARELES, MO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 10:00 - 11:00 | Leon and Thea Koerner University Centre | PARELES, MO | View On SSC launch |
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PARELES, MO |
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ENGLISH
Middle English Literature
ENGL 344 2022 W Credits: 3
Please see the Department website for further information on topics offered in the current session. May encompass multiple genres and contexts. Consult department website for current year's offerings.
rouse-robert current-courseROUSE, ROBERT
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 11:00 - 12:00 | Mathematics | ROUSE, ROBERT | View On SSC launch |
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ROUSE, ROBERT |
Medieval RomanceMedieval romance (OF: romanz) was one of the most popular of medieval genres. First appearing in the twelfth century as the predominant mode of literary entertainment of the aristocratic courts of Western Europe, romance narratives dominated European literature for much of the Middle Ages. Early romances took as their theme the lives, battles, and loves of chivalric knights and ladies, but the romance genre was – over time – appropriated for purposes as diverse as religious instruction, national and global identity politics, and eventually parody and humour.
This course will examine the romances of medieval England during the fourteenth and fifteenth centuries, in what has been termed the great flowering of late medieval romance. During this period the genre became highly popular not only with the nobility, but also with the rising mercantile and gentry classes of England, and this changing audience – and the changing expectations that they brought with them – led to a literature diverse in both form and content. We shall be reading of knights and ladies, giants and dragons, incestuous fathers and wicked usurpers, fearsome "Saracens", malicious Faeries, children of the devil, lepers who bathe in baths of blood, and – of course – sex and sword-play. All in all, a bit like A Game of Thrones but with more difficult grammar.
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ENGLISH
Chaucer
ENGL 346 2022 W Credits: 3
A detailed study of Chaucer's major works. Consult department website for current year's offerings.
partridge-stephen current-coursePARTRIDGE, STEPHEN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 16:00 - 17:00 | Buchanan | PARTRIDGE, STEPHEN | View On SSC launch |
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PARTRIDGE, STEPHEN |
Chaucer’s Canterbury Tales: A World of Words and a Sea of StoriesWith the help of a reader-friendly edition and a series of structured but gentle lessons, you will acquire facility in reading Chaucer’s Middle English. More importantly, you will learn how Chaucer makes use of his language’s power in assembling a series of narratives ostensibly told by the diverse company of pilgrims he met on the way to Canterbury. The pilgrims’ tales create a conversation about many themes, including class, love, sex and gender, work, language, the nature of narrative itself, and the pleasures and travails of studenthood, and our class meetings will reflect the collection’s spirit with regular sessions of open discussion. We will consider the linguistic and literary innovations that led readers to consider Chaucer the “father of English poetry” together with the sense of humour – by turns satirical, bawdy, and self-deprecating – that makes reading his poetry a constant joy. |
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ENGLISH
Renaissance Literature
ENGL 347 2022 W Credits: 3
Literature of the sixteenth and early seventeenth-centuries. May encompass multiple genres and contexts. Consult department website for current year's offerings.
sirluck-katherine nardizzi-vincent current-courseSIRLUCK, KATHERINE | NARDIZZI, VINCENT
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 10:00 - 11:00 | Leon and Thea Koerner University Centre | SIRLUCK, KATHERINE | View On SSC launch |
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SIRLUCK, KATHERINE |
Human/Animal Hybridity and Navigation of Species Boundaries in Renaissance Literature and DramaThis course will focus on changing ideas of humans and animals, and human-animal relations in the Renaissance as expressed in the literature and drama of the time. We will explore the shifting paradigms governing the status and role of animals, beginning in classical antiquity and moving forward through medieval Europe to England in the Renaissance. In this period, the definition of the human is closely tied to the definition of the animal. At one extreme species exist hierarchically, and in tension with each other, while elsewhere the borders between humans and animals are being crossed, and even erased. We will consider how these factors are implicated in the political, philosophical, religious and social ideas of the period, and how they might influence the possibility of inter-species and same-species empathy. We will reflect particularly on how representations of animals, humans as animals, and human-animal hybrids are made to figure in subject-formation, moral discourses, and especially in formulations of class, race, and gender relations in the English Renaissance. Our field of study will include both literary and theatrical texts and other kinds of documents, from biblical accounts, classical natural history, and medieval bestiaries to records of animal trials, medical treatments, and anatomical studies. We will read accounts of bear-baiting, menagerie keeping, hunting, falconry, and riding, and we will explore attitudes towards animals as pets, property, mounts, guards, hunters, musicians, and meat. For their assignments, students will choose a selection of books and articles from the burgeoning fields of Renaissance-focused Animal Studies and Eco-critical scholarship. Together, we will examine how some literary and dramatic works use animals, and animal imagery, especially in order to interrogate, exalt, degrade, or otherwise mediate the contentious category of the human.
Texts: Edmund Spenser, The Faerie Queen, selections from Books 1, 2 & 3; William Shakespeare, The Merchant of Venice, A Midsummer Night’s Dream, King Lear; Margaret Cavendish, “The Hunting of the Hare”; Ben Jonson, Volpone; John Webster, The Duchess of Malfi; John Milton, selections from Paradise Lost
Secondary Texts: selections from Aristotle, De Anima, De Animalibus Historia; selections from Bestiary, trans. & ed. Richard Barber, selections from The Book of Beasts, Being a Translation from a Latin Bestiary of the Twelfth Century, ed. & trans. T. H. White; Sir Philip Sidney, selections from The Countess of Pembroke’s Arcadia; selections from Michel de Montaigne, Apology for Raimond Sebond;”, selections from Thomas Hobbes, Leviathan
Course Requirements: One in-class mid-term essay (25%), one term paper (40%), one creative presentation or theatre review, together with class participation (5%), and a final exam (30%). |
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002 | Lecture | 2 | T, Th | 11:00 - 12:30 | Buchanan | NARDIZZI, VINCENT | View On SSC launch |
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NARDIZZI, VINCENT |
Renaissance Lyric PoetryThis course is an experiment in reading lyric poetry. We’ll use The Broadview Anthology (The Renaissance and the Early Seventeenth Century) as our guide. During class sessions, we’ll read aloud with one another all the lyric poems included in it, from the early formulations of an “English” lyric tradition (the poems of Sir Thomas Wyatt and Henry Howard, Early of Surrey) to the vogue for sonnet sequences inspired by perhaps the era’s greatest poet (Sir Philip Sidney), to the devotional and erotic wit of earlier seventeenth-century poets (John Donne and George Herbert). Along the way we’ll also survey the poems of two queens (Elizabeth I and Mary Stuart, Queen of Scots), of Sidney’s relatives (Mary Sidney Herbert and Lady Mary Wroth), and others (Aemilia Lanyer, Ben Jonson, William Shakespeare, and Christopher Marlowe). If we’re lucky, we’ll get to Milton. We’ll want to think about why reading lyric poetry aloud is important. We’ll hone our skills in close reading. We’ll consider how poets imagine these lyrics in relation to reading, writing, manuscript circulation, and print publication. We’ll reflect on different poetic forms. We’ll want to keep an eye out for the language of money. And we’ll explore how what seemed an ever-expanding world to the English around 1600 could be marvelously contracted into the “little rooms” of the lyric. There will be 2 exams and 1 writing assignment. |
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ENGLISH
Shakespeare
ENGL 348 2022 S Credits: 3
A detailed study of Shakespeare's works. Consult department website for current year's offerings.
paul-joseph past-coursePAUL, JOSEPH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | PAUL, JOSEPH |
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PAUL, JOSEPH |
“Author’s pen” and “Actor’s voice”: Shakespeare in Text and PerformanceThis course will explore the extent to which we as readers of Shakespeare’s tragedies, histories, and comedies can remain engaged with his plays’ potential for realization onstage, in performance. Part of our focus will be historicist: we will consider the institutional and social conditions attendant upon the original productions of the plays, as well as the ways in which the plays themselves dramatize matters of affect and spectatorship. Our work will also explore the formal dramaturgy of the plays in order to think about how the texts register the nuance of performance in obvious ways (in stage directions and dialogue) and by appealing to the senses and to the emotions of a live audience. We will also look at the editing, printing, and publishing of the plays in order to think about how the page simultaneously encodes and distorts performance for modern readers. Whenever possible, we will consider the performance history of the plays, with a particular emphasis on how modern adaptations for the stage make use of (cut, modify, rearrange, reimagine) the playtext. |
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98W | Waiting List | 1-2 | NSM |
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ENGLISH
Shakespeare
ENGL 348 2022 W Credits: 3
A detailed study of Shakespeare's works. Consult department website for current year's offerings.
britton-dennis sirluck-katherine paul-joseph current-courseBRITTON, DENNIS | SIRLUCK, KATHERINE | PAUL, JOSEPH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 14:00 - 15:00 | West Mall Swing Space | BRITTON, DENNIS | View On SSC launch |
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BRITTON, DENNIS |
Shakespeare and RaceShakespeare wrote his plays at the same historical moment that English explorers were encountering peoples in the Americas, Africa, and Asia, peoples with beliefs, customs, and skin colors different from their own. The “difference” of indigenous peoples, Africans, and Asians inspired a variety of feelings, and the English would increasingly define themselves in opposition to non-European, non-White people. In this course we will consider how Shakespeare’s plays represent racial difference, and how representations of difference produced a developing sense of White racial identity. We will read selected sonnets, Richard III, Henry V, A Midsummer Night’s Dream, The Merchant of Venice, Othello, and The Tempest.
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002 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Buchanan | SIRLUCK, KATHERINE | View On SSC launch |
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SIRLUCK, KATHERINE |
Shakespeare and the Age of UncertaintyThis course will focus primarily on the plays of Shakespeare, with some attention given to other Renaissance dramatic and non-dramatic works. As we read the plays, we will discuss cultural history, contemporary religious, philosophical, and political ideas, and elements of government, domestic life and social interaction relevant for these works. We will consider how these plays deal with Early Modern prescriptions for identity and value, and pervading ideological constructions of rank, race, gender, and sexuality. We will take account of contributing aesthetic traditions, and bear in mind the conditions influencing dramatic production, pondering the participation of Shakespeare’s plays in both the authorized and subversive aspects of Elizabethan and Jacobean playing and audience reception. Shakespeare’s theatre can be seen as a commercial enterprise, licensed by the authorities, and dependent on royal patronage, involving complex negotiations of class and subjectivity. It can also be seen as a marginal or liminal space wherein the dilemmas and dreams of Shakespeare’s time and now of our own can be evoked and given imaginative form; where competing voices find expression; where “things as they are” can be challenged by the very manner of their representation. The dramatic poetry of Shakespeare is both historical document and unfinished experiment - a boundlessly eventful experiential realm. Students will study six plays, four with full coverage in the classroom and two with briefer coverage in class. We will also consider a handful of the sonnets. William Shakespeare, Julius Caesar, As You Like It, Othello, Macbeth, Antony and Cleopatra, The Tempest |
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99C | Lecture | 1 | NSM | PAUL, JOSEPH | View On SSC launch |
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PAUL, JOSEPH |
INSTRUCTOR: GAVIN PAUL "Author's pen" and "actor's voice": Shakespeare in Text and PerformanceThis course will explore the extent to which we as readers of Shakespeare’s tragedies, histories, and comedies can remain engaged with his plays’ potential for realization onstage, in performance. Part of our focus will be historicist: we will consider the institutional and social conditions attendant upon the original productions of the plays, as well as the ways in which the plays themselves dramatize matters of affect and spectatorship. Our work will also explore the formal dramaturgy of the plays in order to think about how the texts register the nuance of performance in obvious ways (in stage directions and dialogue) and by appealing to the senses and to the emotions of a live audience. We will also look at the editing, printing, and publishing of the plays in order to think about how the page simultaneously encodes and distorts performance for modern readers. Whenever possible, we will consider the performance history of the plays, with a particular emphasis on how modern adaptations for the stage make use of (cut, modify, rearrange, reimagine) the playtext.
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ENGLISH
Shakespeare
ENGL 348 2023 S Credits: 3
A detailed study of Shakespeare's works. Consult department website for current year's offerings.
paul-joseph current-coursePAUL, JOSEPH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | PAUL, JOSEPH |
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PAUL, JOSEPH |
"Author's pen" and "actor's voice": Shakespeare in Text and PerformanceThis course will explore the extent to which we as readers of Shakespeare’s tragedies, histories, and comedies can remain engaged with his plays’ potential for realization onstage, in performance. Part of our focus will be historicist: we will consider the institutional and social conditions attendant upon the original productions of the plays, as well as the ways in which the plays themselves dramatize matters of affect and spectatorship. Our work will also explore the formal dramaturgy of the plays in order to think about how the texts register the nuance of performance in obvious ways (in stage directions and dialogue) and by appealing to the senses and to the emotions of a live audience. We will also look at the editing, printing, and publishing of the plays in order to think about how the page simultaneously encodes and distorts performance for modern readers. Whenever possible, we will consider the performance history of the plays, with a particular emphasis on how modern adaptations for the stage make use of (cut, modify, rearrange, reimagine) the playtext. |
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98W | Waiting List | 1-2 | NSM |
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ENGLISH
Seventeenth-Century Literature
ENGL 349 2022 W Credits: 3
Literature of Stuart and Civil War Britain. May encompass multiple genres and contexts. Consult department website for current year's offerings.
hodgson-elizabeth current-courseHODGSON, ELIZABETH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 10:00 - 11:00 | Mathematics | HODGSON, ELIZABETH | View On SSC launch |
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HODGSON, ELIZABETH |
Political Bodies, Social Selves: 17th century Literature17th century England was a culture good at creating crisis: for itself, in its civil wars, and for others, in its rapidly expanding colonialism. This was also a world fascinated by women’s powers, gender-fluid performance, unruly workers, the idea of trees, the mysteries of the spirit, and the meaning of community. With a king who called himself the nursing mother of the nation, and exploitative cooperatives doing deals in India, with sermons described as “a making love to the congregation” and poems imagining Indigenous peoples as the new Adam, 17th century English literature is packed with startling, complex, and important moments in the making of Englishness, Whiteness, gender, and citizenship. Violent, sexy, and witty, painful, nostalgic, and vivid, this literature speaks to our world in its own powerful and troubled voices. Course-modules will include Class and Social Satire; Religious Believing; Violence and the Stage; Misogyny and Romance; Rhetorics of Early Colonialism; Myths of the Citizen. We’ll read pastoral satires, country-house poems, civil-war debates, blood-tragedies, amorous verse, and religious confessions (Amelia Lanyer; John Donne; Mary Wroth; John Webster; Ben Jonson; Walter Ralegh; Oliver Cromwell; Thomas Hobbes; Katherine Philips). The course will be as interactive as I can make it: workshops, discussion, collaborative projects, group-work. You’ll have a custom anthology, no midterm, and lots of choice in your writing projects. |
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ENGLISH
Restoration and Eighteenth-Century Literature
ENGL 351 2022 W Credits: 3
British and Global literature from the Restoration of the Monarchy to the Enlightenment with a focus on intellectual and political contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 351 and/or 357.
gooding-richard potter-tiffany current-courseGOODING, RICHARD | POTTER, TIFFANY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 13:00 - 14:00 | Buchanan | GOODING, RICHARD | View On SSC launch |
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GOODING, RICHARD |
Children in Time: The Making of Modern Childhood in Eighteenth-Century EnglandThe century that separates the portraits of Master Montagu Drake and the Wood children (you can see them here) saw deep changes in how children were understood and treated in the English-speaking world. By the end of the eighteenth century, for example, almost no one took seriously John Locke’s belief that children should be prepared for the demands of adult life through cold baths, hard beds, and leaky shoes; and, as Lawrence Stone notes, the common parental practice of giving more than one child the same name and recycling the names of dead children had died out. In this course, we will examine how seventeenth- and eighteenth-century beliefs about childhood influenced writing for children and adolescents. We will consider such matters as parent-child relations, 17th- and 18th-century educational models, the rise of a children's book industry the emergence of cross-over texts (books written for adults but appropriated by younger readers), the rise of writing aimed at youth, and the commodification of childhood. Some readings will focus on enduring childhood favourites such as Jonathan Swift's Gulliver's Travels, Daniel Defoe's Robinson Crusoe, and fairy tales by Charles Perrault and Jeanne-Marie Le Prince de Beaumont. Others will bring us into contact with texts that have fallen out of the canon of children's reading—the transparently junky and profit-driven A Little Pretty Pocket-Book, The History of Little Goody Two-Shoes, with its attempt hawking quack medicines and toys, and the short and bizarrely sadistic novel The Village School, which now reads as a how-to guide for violating the rights of children. Along the way, we'll take some time to visit (and handle) tiny children's books housed in UBC's Rare Books and Special Collections and look at changing visual representations of childhood over the century. |
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002 | Lecture | 2 | T, Th | 14:00 - 15:30 | Geography | POTTER, TIFFANY | View On SSC launch |
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POTTER, TIFFANY |
Popular Culture in/and the Eighteenth CenturyStudies of modern popular culture have illuminated the complex relationships that individuals and groups maintain with the larger artistic, political, economic, and social movements around them. Such methodologies, however, have rarely been applied to the eighteenth century. Through detailed engagements with representations of popular culture, this class will work collaboratively to illuminate the relationships among high culture, women’s culture, and popular culture, and the ways in which the conventional masculinization of high culture constitutes the feminine as the popular. Recognition of the historically naturalized links between the feminine and the popular in fiction (both frivolous, both products of fashion, both determined by performance and consumption) will provide a scaffold for our work in other literary and cultural contexts that have previously been regarded as separated by less nuanced boundaries of high and low culture, including blockbuster plays like The Beggar’s Opera, shocking fiction like Behn's The Fair Jilt, and the literary hissing match around the pop cult phenomenon Pamela (read in excerpt) and the most popular Regency text in modern times, Pride and Prejudice. While most of this course will focus on women and popular culture in the eighteenth century, we will end with a section on the ways in which eighteenth-century women are depicted in modern popular culture, including fiction adaptations such as Pride and Prejudice and Zombies and one other media adaptation. Getting a head start? Read Pride and Prejudice for excellent summer reading that will save you time in November! |
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ENGLISH
Eighteenth-Century Literature
ENGL 353 2022 W Credits: 3
Intellectual developments and Literary experiments, in British and Global contexts. May encompass multiple genres and contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 353 and/or 358.
hudson-nicholas-james current-courseHUDSON, NICHOLAS JAMES
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 15:00 - 16:00 | Leon and Thea Koerner University Centre | HUDSON, NICHOLAS JAMES | View On SSC launch |
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HUDSON, NICHOLAS JAMES |
Race, Ethnicity and the British Empire in Eighteenth-Century LiteratureThe eighteenth-century marked massively expanded contact between the Western world and peoples across the globe. In the Americas, war erupted between the British, the French, the Spanish and the Portuguese over control of the Western Hemisphere, decimating indigenous people and robbing their territory. The trade of slaves from African to the Western hemisphere expanded greatly, but also sparked the first campaign for human rights, the abolitionist campaign. To the east, Europe continued to confront a great rival empire, the Ottoman Empire, and a rival religion to Christianity, Islam. The aim of this course is to trace the impact of these world-shaping events on British literature – including novels, travel accounts, poetry and drama. Partly through the influence of these work, Europeans began to develop the idea that the human race was divided into various “races” – “Caucasian,” “Negro,” “Asian,” etc. – which formed a hierarchy in which whites ruled “naturally” over other peoples. These developments have had a long legacy that helps us better to understand our cultural and political situation today. Texts: Aphra Behn, Oroonoko; selection of captivity narratives; poems on the Inkle and Yarico legend; George Coleman the Younger, Inkle and Yarico; Olauda Equiano, The Interesting Narrative of Gustavus Vasa; anon., A Woman of Colour; Lady Mary Wortley Montagu, Turkish Embassy Letters; selection of abolitionist poetry; selected poems by Phillis Wheatley Assessment: two short essays, a final paper and a take-home exam, plus attendance and participation |
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ENGLISH
Romantic Period Literature
ENGL 355 2022 S Credits: 3
British and Global literature, 1780-1830, from the period of the French Revolution to the Reform Act and the Abolition of Slavery in the British Empire. May encompass multiple genres and contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 355 and/or 359.
burgess-miranda past-courseBURGESS, MIRANDA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | M, W | 14:00 - 17:00 | Buchanan | BURGESS, MIRANDA |
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BURGESS, MIRANDA |
Mapping Romantic VancouverWorking at the crossroads of literary studies with theories and practices of settler land use such as extraction, agriculture, urban design, and cartography, this course examines the sedimented history of British Romanticism (the literatures, especially poetry and poetics, of the period 1770-1840) in settler colonial place-making on the traditional and unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and Səl̓ílwətaʔ peoples. In our work together, we will use close reading and deep mapping methods to investigate the continuing but little considered role of Romantic quotations, names, and tropes in what Tiffany Lethabo King has named the “white cartography” of what is currently known as Vancouver. We will deeply engage the “crisis of representation,” as King calls it, that ensues when these practices, and the violent histories they depend on and imperfectly conceal, encounter peoples and histories that cannot be subsumed or erased. We will meet alternately on the UBC Vancouver campus and at a series of relevant sites in the city and surrounding region. Readings will include novels by Walter Scott, Jane Austen, and John Richardson, poems by James Grainger, Phillis Wheatley Peters, William Wordsworth, Robert Burns, Thomas Moore, and Pauline Johnson, and prose by James Cook, Thomas De Quincey, and Olaudah Equiano. |
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ENGLISH
Romantic Period Literature
ENGL 355 2022 W Credits: 3
British and Global literature, 1780-1830, from the period of the French Revolution to the Reform Act and the Abolition of Slavery in the British Empire. May encompass multiple genres and contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 355 and/or 359.
earle-bo current-courseEARLE, BO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 9:30 - 11:00 | Leon and Thea Koerner University Centre | EARLE, BO | View On SSC launch |
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EARLE, BO |
Romantic LiteratureRomanticism has much to teach us about ourselves. Following the 18th Century revolutions in France and the U.S., Romanticism is the original cultural response to the same conflicted set of socio-historical circumstances that define our world today, combining ideals of individual freedom, social democracy and environmental sustainability with global consumer capitalism, imperialism, racism and patriarchy. Romanticism is modernity’s paradoxically collective, social preoccupation with what it means to lead a unique life of one’s own. Romanticism created global capitalism’s original ‘pop culture’ and simultaneously pioneered pop culture’s capacity for social critique. Romanticism challenged readers to face socially taboo realities of suffering and desire, both as solitary readers and as members of a collective, literary ‘public.’ Romanticism probed ambiguities and ironies of self-mediation and self-awareness, anticipating our experience today of social media. Romanticism changed the basic function of literature from representing the world to re-creating it. In John Keats’s terms, Romanticism fosters readers’ “negative capability” to live a “life of sensation rather than thought.” We will examine how sex, gender, race and national and economic identity are re-written in Romantic poetry and philosophy and in the fiction of Jane Austen and Mary Shelley. As much as possible we will also explore echoes of course texts in popular culture today. Required texts: Romanticism: An Anthology, Fourth Edition, ed. Duncan Wu; Pride and Prejudice, Jane Austen; Persuasion, Jane Austen; Frankenstein (1818), Mary Shelley |
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ENGLISH
U.S. Literature to 1890
ENGL 361 2022 W Credits: 3
Fiction, poetry and/or drama written in the U.S. prior to the twentieth century. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 361 and/or 369.
tomc-sandra current-courseTOMC, SANDRA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 11:00 - 12:30 | Buchanan | TOMC, SANDRA | View On SSC launch |
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TOMC, SANDRA |
American Literature to 1890: Folk HorrorThis course explores a subgenre of gothic horror called “Folk Horror.” Often concerned with obscure folk stories, macabre historical events (like the Salem Witch Trials), or tales told by traditionally minoritized populations, folk horror constructs itself as a genre in which marginal voices can speak. We will focus mainly on US writers who helped pioneer the genre but will also read some British fiction and watch several contemporary films. We will read stories and poems by such authors as Washington Irving, Nathaniel Hawthorne, Edgar Allan Poe, Sheridan Le Fanu, H.P. Lovecraft, Angela Carter, and Toni Morrison. The films we will watch include The Wicker Man, Midsommer, The Witch, and A Girl Walks Home Alone at Night. We will read theories of horror and the gothic by Sigmund Freud, Julia Kristeva, and Slavoj Žižek. |
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ENGLISH
Victorian Period Literature
ENGL 362 2022 S Credits: 3
British and Global literature, 1832-1901, with an emphasis on genre or special topics. Consult department website for current year's offerings.
baxter-gisele-marie past-courseBAXTER, GISELE MARIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | T, Th | 14:00 - 17:00 | Buchanan | BAXTER, GISELE MARIE |
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BAXTER, GISELE MARIE |
Ghosts are Real (So are Vampires): Victorian Gothic Terror and Horror
Whether we take Edith Cushing or Abraham Van Helsing at their word, the 19th-century Gothic revival certainly emphasized possibilities for terror and horror in tales of the supernatural. However, these interventions of spectral and un-dead beings often take place in the recognizable present; they speak to its anxieties. Perhaps they speak to ours as well, given our recent fascination with Neo-Victorian representations of the 19th century, such as Penny Dreadful, From Hell, Crimson Peak, etc. We will examine stories addressing issues of gender and sexuality; class, race, and culture; realism and the supernatural; urban and rural settings, all in a century known for developments in science and technology (especially photography), social upheaval, and a veneer of respectability, yet with monsters lurking in closets and under beds. Our focus will also permit consideration of the boom in publication of popular literature in a variety of formats, as well as the rise of the professional writer during the 19th century. Core texts include Margaret Oliphant’s The Library Window, Sheridan LeFanu’s Carmilla, Henry James’s The Turn of the Screw, and short fiction very likely including M.R. James, “Oh, Whistle, and I’ll Come to You, My Lad”; Elizabeth Gaskell, “The Old Nurse’s Story”; Charlotte Riddell, “The Open Door”; Sheridan LeFanu, “An Account of Some Strange Disturbances in Aungier Street”; R.L. Stevenson, “The Body Snatcher”; E. Nesbit, “John Charrington’s Wedding” and possibly a couple of Victorian werewolf stories (since werewolf stories feature prominently in the research done for both Carmilla and Bram Stoker’s infamous Dracula). A page of links to the short stories is in the Notes and Course Materials Module on our Canvas site, as well as a link to the Project Gutenberg edition of Carmilla. Evaluation will be based on two essays, a take-home final exam, and participation in discussion in class and on the course’s Canvas site. Please keep checking my blog for updates: https://blogs.ubc.ca/drgmbaxter/ |
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ENGLISH
Victorian Period Literature
ENGL 362 2022 W Credits: 3
British and Global literature, 1832-1901, with an emphasis on genre or special topics. Consult department website for current year's offerings.
earle-bo current-courseEARLE, BO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 9:00 - 10:00 | Buchanan | EARLE, BO | View On SSC launch |
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EARLE, BO |
Middlemarch: Roots and Branches‘George Eliot”, the pseudonym of Marian Evans, wrote the preeminent Victorian novel, the greatest novel of the novel’s greatest era. But Middlemarch is praised more than it is read, and is actually a remarkably unusual book in many ways. Longer than War and Peace, Middlemarch’s page count is second to only one other novel, Proust’s In Search of Lost Time. Trollope called Middlemarch the first “psychologically realistic” novel, and Virginia Woolf, less technically but more precisely, said it was “the first novel for grown-up people.” Both novelists read Middlemarch as uniquely ‘growing’ beyond prior novels’ naïve scope, anachronistically aristocratic scenarios and fairy-tale happy-endings. Middlemarch gives literary attention to a new, distinctly ‘modern’ experience of frustration and disappointment occasioned by impersonal forces of history and economic, political and cultural circumstances (and even, increasingly, random chance). Yet Middlemarch calls itself a “domestic epic” because it grants Homeric-scale attention to the routine tragedies of modern, mediocre, domestic life, and invites readers to view their own lives likewise. We will consider how Middlemarch depicts lives caught in the middle of emergent, modern forms of art, science, communication, transportation, and social, political, economic and sexual relations. We will explore Middlemarch as a singular artwork that is also representative of several key points of transition from Romanticism to Modernism in poetry, fiction, philosophy, painting, film, and new media.
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ENGLISH
Victorian Period Literature
ENGL 362 2023 S Credits: 3
British and Global literature, 1832-1901, with an emphasis on genre or special topics. Consult department website for current year's offerings.
baxter-gisele-marie current-courseBAXTER, GISELE MARIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Lecture | 1 | T, Th | 14:00 - 17:00 | Buchanan | BAXTER, GISELE MARIE |
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BAXTER, GISELE MARIE |
Ghosts are Real (So are Vampires): The Supernatural and Victorian Gothic Terror and Horror“Ghosts are real, this much I know” – Edith Cushing, Crimson Peak “There are such beings as vampires; some of us have evidence that they exist” – Abraham Van Helsing, Dracula Whether we take Edith Cushing or Abraham Van Helsing at their word, the 19th-century Gothic revival certainly emphasized possibilities for terror and horror in tales of the supernatural. However, these interventions of spectral and un-dead beings often take place in the recognizable present; they speak to its anxieties. Perhaps they speak to ours as well, given our recent fascination with Neo-Victorian representations of the 19th century, such as Penny Dreadful, From Hell, Crimson Peak, etc. We will examine stories addressing issues of gender and sexuality; class, race, and culture; realism and the supernatural; urban and rural settings, all in a century known for developments in science and technology (especially photography), social upheaval, and a veneer of respectability, yet with monsters lurking in closets and under beds. Our focus will also permit consideration of the boom in publication of popular literature in a variety of formats, as well as the rise of the professional writer during the 19th century. Core texts include Margaret Oliphant’s The Library Window, Sheridan LeFanu’s Carmilla, Henry James’s The Turn of the Screw, and short fiction possibly including M.R. James, “Oh, Whistle, and I’ll Come to You, My Lad”; Elizabeth Gaskell, “The Old Nurse’s Story”; Charlotte Riddell, “The Open Door”; Sheridan LeFanu, “An Account of Some Strange Disturbances in Aungier Street”; R.L. Stevenson, “The Body Snatcher”; E. Nesbit, “John Charrington’s Wedding” and possibly a couple of Victorian werewolf stories (since werewolf stories feature prominently in the research done for both Carmilla and Bram Stoker’s infamous Dracula). A page of links to the short stories will be in the Notes and Course Materials Module on our Canvas site, as well as a link to the Project Gutenberg edition of Carmilla. Evaluation will be based on a midterm essay, a term paper, a final reflection essay, and participation in discussion both in class and on the course’s Canvas site. Please keep checking my blog for updates: https://blogs.ubc.ca/drgmbaxter/
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W21 | Waiting List | 1 | T, Th | 14:00 - 17:00 |
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ENGLISH
Nineteenth-Century Literature
ENGL 364 2022 W Credits: 3
British and Global literature from the nineteenth century and its intellectual and cultural contexts. Consult department website for current year's offerings.
dalziel-pamela bose-sarika current-courseDALZIEL, PAMELA | BOSE, SARIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 11:00 - 12:30 | DALZIEL, PAMELA | View On SSC launch |
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DALZIEL, PAMELA |
Women Writing Victorian Literature: Realism, Romance, FantasyThe course wil be conducted online using Zoom. Synchronous (real-time) attendance during our designated timeslot is required, as is synchronous audio participation in Zoom breakout rooms (you will need a working microphone).
Why is George Eliot’s Middlemarch, described by Virginia Woolf as “one of the few English novels written for grown-up people” and voted the greatest British novel in a BBC Culture poll, considered to be the quintessential Victorian novel? Why – and how – did Charlotte Brontë’s Jane Eyre become one of the most popular English novels ever written, inspiring successive generations of authors, visual artists, and filmmakers? Why is the first line of Elizabeth Barrett Browning’s sonnet XLIII, “How do I love thee? Let me count the ways,” so well known when the remainder of the poem, the Sonnets from the Portuguese sequence, and Barrett Browning herself are not? In attempting to answer these and other literary and cultural questions, we will explore the ideological assumptions – with respect to gender, race, class, sexuality, mental and physical ability, the environment, ethics, religion, education, aesthetics, etc. – implicit in the literary works and in our (and the Victorians’) readings of them. Novels: George Eliot, Middlemarch (Oxford World's Classics); Charlotte Brontë, Jane Eyre (Oxford World's Classics). Middlemarch is 785 pages and Jane Eyre is 440 pages: please do as much reading as possible before the course begins. Poems: Elizabeth Barrett Browning, selected poems, including “The Cry of the Children,” “The Runaway Slave at Pilgrim’s Point,” Sonnets from the Portuguese; Christina Rossetti, selected poems, including “In an Artist’s Studio,” “Winter: My Secret,” “Goblin Market.” Fairy tales: E. Nesbit, “The Prince, Two Mice, and Some Kitchen-Maids,” “Melisande: Or, Long and Short Division” (Nine Unlikely Tales for Children, Internet Archive). I have ordered Elizabeth Barrett Browning: Selected Poems (Broadview Press) and Christina Rossetti: Poems and Prose (Oxford World's Classics): both are excellent editions with very helpful introductions and notes; however, both are also somewhat expensive so, if you wish, you may use online editions (links will be posted on Canvas Library Online Course Reserves).
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99C | Lecture | 2 | BOSE, SARIKA | View On SSC launch |
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BOSE, SARIKA |
A World of Shadows and Monsters: Imagining the Supernatural in Victorian LiteratureThis 13-week, 3-credit, fully asynchronous course examines several genres of literature popular in the nineteenth-century, while focusing on the place of the supernatural in that literature. At a time of great change, socially, financially, scientifically and on a broader level, politically, many writers of fiction turned to the supernatural as a way to mediate this experience of change. This course will explore how some of the most popular writers of the century, including Oscar Wilde, Charlotte Brontë, Charles Dickens, George Eliot, and R.L. Stevenson, engaged with the supernatural and with the contemporary issues of social justice. Our core textbook, The Broadview Anthology of British Literature: The Victorian Era, 3rd edition, includes several of our texts, but we will also use stand-alone editions of others. The course will require essays, regular discussion and peer review contributions, and a final examination that will be invigilated via Zoom. This course is suitable for an English major or minor, and as an elective for other undergraduate degrees. |
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ENGLISH
Modernist Literature
ENGL 365 2022 W Credits: 3
Literary experimentation in 19th to 20th century movements known as modernism. Includes interdisciplinary approaches to literary, performance, and media arts, and intellectual and social histories of the period. May encompass multiple genres and contexts. Consult department website for current year's offerings.
baxter-gisele-marie current-courseBAXTER, GISELE MARIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 15:00 - 16:00 | UBC Life Building | BAXTER, GISELE MARIE | View On SSC launch |
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BAXTER, GISELE MARIE |
Haunted Landscapes of Gothic Modernism“in the middle of my party, here’s death, she thought” - Mrs. Dalloway Modernism was born out of seismic, revolutionary shifts in society and culture. World wars, political revolutions in Europe and beyond, murderous civil and colonial/imperial wars, economic depression, and successive waves of technological modernization offering mixed psychological and social benefits and injuries laid siege to assumptions that the world was in any way well-ordered or reliably understood. Its literature both reflects conscious innovation and experiment and sometimes opposes these passions for change. Its obsessions respond in complex ways to those seismic shifts in its representations of gender and sexuality, social structures, race and culture, in all cases often in terms of transgression. And yet, in its drive to make things new, Modernist literature is often a haunted place: spectres of ancestry, of war, of places escaped from collide with the present moment, creating a dark, Gothic modernity. This troubled place will be our focus in the darkening days of autumn. Core texts include Henry James, The Turn of the Screw (to be read as a Modernism precursor), Dorothy L. Sayers, Strong Poison; D.H. Lawrence, Women in Love; Virginia Woolf, Mrs. Dalloway; James Joyce’s “The Dead” and Katherine Mansfield’s “Prelude” and “At the Bay”; plus perhaps one more work of short fiction. Evaluation will be based on a midterm essay, a term paper requiring secondary academic research, a final exam, and participation in discussion. Keep checking my blog (https://blogs.ubc.ca/drgmbaxter/) for updates concerning texts and requirements. |
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ENGLISH
Twentieth-Century Literature
ENGL 366 2022 W Credits: 3
Fiction, poetry and/or drama written between 1900 and 1999. May encompass multiple genres and contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 366 and/or 464.
briggs-marlene current-courseBRIGGS, MARLENE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 15:30 - 17:00 | Leon and Thea Koerner University Centre | BRIGGS, MARLENE | View On SSC launch |
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BRIGGS, MARLENE |
Modern Novels and Contemporary Crises: Transhistorical ApproachesEnglish 366 engages with canonical and controversial Anglo-American novels on modern social crises. Between World War I (1914-1918) and World War II (1939-1945), many intellectuals confronted a world that seemed to be in ruins: the unsettling epoch stimulated aesthetic innovations and ideological risks in prose fiction. Attending closely to the contested issues and experimental modes of the era, our multidisciplinary discussions will encompass topics such as war and peace (Virginia Woolf, Mrs. Dalloway and Ernest Hemingway, The Sun Also Rises); industry and ecology (D. H. Lawrence, Lady Chatterley’s Lover); and fascism and democracy (Richard Wright, Native Son and George Orwell, Nineteen Eighty-Four). The questions raised by the interwar novel resonate today. Hence, this class highlights transhistorical approaches to modern fictions to explore contemporary struggles to re-imagine forms of collectivity in the midst of protracted military conflicts, accelerating environmental degradation, and persistent civil divisions. The course requirements may include a midterm, a major essay, and a final examination. Please note that discretion is advised: this course focuses on mature subject-matter.
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ENGLISH
U.S. Literature from 1890
ENGL 368 2022 W Credits: 3
Literature and other texts in diverse U.S. cultural contexts and/or from a range of eras. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 368 and/or 472.
zeitlin-michael sharpe-jillian current-courseZEITLIN, MICHAEL | SHARPE, JILLIAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 10:00 - 11:00 | Mathematics | ZEITLIN, MICHAEL | View On SSC launch |
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ZEITLIN, MICHAEL |
War and American Modernism
In this course we will explore the emergence of modernist form from the wreckage of the First World War. Primary readings will include the following:
In our writing assignments (short essays, a final exam) and classroom discussions we will practice the art of interpretation and close reading. |
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003 | Lecture | 1 | M, W, F | 14:00 - 15:00 | Mathematics | SHARPE, JILLIAN | View On SSC launch |
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SHARPE, JILLIAN |
INSTRUCTOR: SHARPE, JAE Artificial Intelligence and Robotics in Contemporary U.S. LiteratureThis course considers contemporary American literature that has taken up the questions of how intelligence and subjectivity have changed in the Information Age. What are the cognitive effects of our daily exposure to tremendous amounts of content on social media? How has our relationships with our various Internet-connected devices influenced how we understand our own humanness? These authors consider the question of what characterizes the human in an age where machines can perform many of the functions of the human brain, and they ask us to consider how such a digitized condition has ripple effects on U.S. democracy, labor, and social life. Students will write two midterm essays and a final exam. Texts are likely to include Philip K. Dick’s Do Androids Dream of Electric Sheep?, Don DeLillo’s Zero K and The Silence, Neal Stephenson’s Snow Crash, and Jennifer Egan’s A Visit from the Goon Squad.
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ENGLISH
Literatures and Cultures of Africa and/or the Middle East - LIT CULT AFR ME
ENGL 370A 2022 W Credits: 3
Literary and cultural works from Africa; some sections include Africa and the Middle East. Multiple perspectives on local, national, and global issues including colonialism, migration, transnationalism, education, art and politics. May include fiction, poetry, drama, digital media, and other forms. Consult department website for current year's offerings.
james-suzanne current-courseJAMES, SUZANNE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 13:00 - 14:00 | Leon and Thea Koerner University Centre | JAMES, SUZANNE | View On SSC launch |
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JAMES, SUZANNE |
Literary Responses to South Africa’s Truth and Reconciliation CommissionAfter the fall of South Africa’s racist apartheid regime in the early 1990’s and the first free elections of 1994, Nelson Mandela’s government faced the daunting task of building a new democratic society. Arguing that the injustices of the past needed to be confronted in order to move forward, and that “[i]t is only by accounting for the past that we can become accountable for the future,” the South African parliament passed an act creating a Truth and Reconciliation Commission. The goal of this TRC was “to bring about unity and reconciliation by providing for the investigation and full disclosure of gross violations of human rights committed in the past.” We will begin our exploration of literary responses to this ambitious enterprise with two non-fiction works: Country of My Skull, Antje Krog’s powerful first-hand account of the hearings of the Commission, followed by Pumla Gobodo-Madikizela’s memoir, A Human Being Died That Night. This will be followed by a discussion of selected poetry and three novels. Texts will be discussed in the context of South Africa’s historical legacy, in terms of the specific impact and legacy of the TRC, and as literary explorations of broader issues of social justice and reconciliation. Please note: This course is listed as both English 370A and African Studies 370. Both courses are identical. |
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ENGLISH
Asian Canadian and/or Asian Transnational Studies
ENGL 371 2022 W Credits: 3
An interdisciplinary engagement with literature in the context of Asian migrations in Canadian and other transnational locations. Consult Department for current year's offerings. Credit will be granted for up to 6 credits of ENGL 371 and/or 480.
lee-christopher current-courseLEE, CHRISTOPHER
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 14:00 - 15:30 | UBC Life Building | LEE, CHRISTOPHER | View On SSC launch |
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LEE, CHRISTOPHER |
Asian Diaspora Literature and CultureHow do Asian diasporic writers and artists tell stories about migration, displacement, and identity? How do individual and communal stories engage with the past and imagine alternative futures? What ethical questions are raised when stories contend with histories and lived experiences of violence and discrimination? How can literature, film, and other forms of media help us understand a diverse global city like Vancouver? These questions are especially urgent at a moment of resurgent anti-Asian racism around the world as the current global pandemic continues to reveal and exacerbate existing social inequities and vulnerabilities. This course examines a selection of literary and media texts representing different Asian diasporic communities and histories. Authors and artists may include SKY Lee, Theresa Hak Kyung Cha, Phinder Dulai, Souvankham Thammavongsa, Ruth Ozeki, Richard Fung, Ali Kazemi, and others. Topics for discussion will include settler relations, migration and displacement, family and kinship, language and translation, war and memory, refugee displacements and globalization. Throughout the course, you are encouraged to engage with local Asian Canadian cultural production both on and off campus. Course assignments may include activities such as social media, archival research, and digital media production (no previous experience required). In lieu of a final exam, students will complete a creative or critical project. |
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ENGLISH
Canadian Literature
ENGL 372 2022 W Credits: 3
Writing and culture in Canada with texts taught in context. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 372 and/or 470.
mccormack-brendan lee-tara stewart-fenn current-courseMCCORMACK, BRENDAN | LEE, TARA | STEWART, FENN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 12:00 - 13:00 | Buchanan | MCCORMACK, BRENDAN | View On SSC launch |
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MCCORMACK, BRENDAN |
Storying and Reading the Land in Canadian LiteraturesHidden in wonder and snow, or sudden with summer, Inarticulate, arctic.
Now, I’m going to tell you something The distinction between reading the land as an “inarticulate” space of “huge silence” and identifying with it as a living relation reflects differences between Western and Indigenous approaches to land and ecology. The historical formation of “Canadian literature” was supported by writers and critics who mapped onto ostensibly “new” territory ideas about the sublime beauty or terror of a vast, unpopulated landscape—ideas like “wilderness” and “the North” that became tied to national identity, supported the work of “developing” lands and resources, and remain powerfully sedimented in national thought. These dominant narratives displaced not only the storied knowledge of Indigenous peoples who have lived on and with the land for millennia, but other complex relations to place and environment expressed by diverse peoples within Canada’s physical and social landscapes. In this class we will seek to understand how representations of land and non-human “nature” in Canadian literatures are mediated by these differences and implicated in the historical production of cultural sensibilities that have naturalized the claims to land and belonging of some while disavowing those of others. How does literature claim land? How has Canadian literature functioned as a discourse in the stabilization and destabilization of settler-colonial territoriality? How are contemporary writers stroying the land and human relations with it in terms of decolonial, environmental, and social justice? In this course we’ll take up these and other questions as we develop a historical perspective on the complex and political relationship between literature and the land beneath our feet. We will explore a range of Canadian texts from settler, Indigenous, and diasporic writers—crossing multiple genres, spanning the early 20th century to the present, and ranging from the Pacific coast to the Arctic—that invite us to consider how land and literature intersect with (among other concerns) the politics of place, colonialism and decolonial resurgence, (im)migration, race, gender, urban space, ecocriticism, and environmental activism. In particular, our selections will invite us to consider what it means to read the land from our current location in Vancouver and British Columbia, sites of natural beauty as well as complex struggles over land, sovereignty, and displacement. |
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002 | Lecture | 2 | M, W, F | 12:00 - 13:00 | Leon and Thea Koerner University Centre | LEE, TARA | View On SSC launch |
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LEE, TARA |
Hunger, Consumption, Dis/connection: Food in Contemporary Canadian Literature“There is a simple recipe for making rice” (Thien, “Simple Recipes”). Consider the act of preparing rice: the shock of the cold water, the grains of rice between fingers, and the alchemy of the cooking process. This course will delve into food as metaphor and material dis/locator in a variety of contemporary Canadian texts. We will collectively engage in texts that consider food as a contact zone of various cultures, identities, and materialities, as well as a marker of privilege, access, and belonging. Food as a marker of Self, and as a way of negotiating the abject will also figure in our discussions. We will end the course by considering questions of over-consumption, corporatized food, and industrial agriculture in a near future dystopian space, as well as shifts towards the local and plant-based eating. The role of food in relation to temporality, eco-culture, colonial nationalism, and, ultimately, restoration at a personal and community level will be examined over the span of the term. The course will also forge connections within the class through experiential exercises that get us theorizing our relationship to various food cultures within Canada, territory, and nearby sites of food production. |
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99B | Lecture | 1 | NSM | STEWART, FENN | View On SSC launch |
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STEWART, FENN |
Canadian LiteratureIn this course, we will be reading, thinking, writing, and speaking about Canada and Canadian literature. These are contested terms, concepts, and “territories.” What is Canada? How did it get this way? What is Canadian literature, or "Canlit"? What is its history and present context? Why do some writers want to “break up” with Canlit, or call it a “dumpster fire”? We'll be reading and listening to poetry, fiction, non-fiction, and interviews; watching film and video clips; writing discussion board posts and essays; and developing creative projects. |
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ENGLISH
Indigenous Literature
ENGL 373 2022 W Credits: 3
Indigenous writing and cultural expression in national and/or international contexts. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 373 and/or 476.
hunt-dallas mccormack-brendan current-courseHUNT, DALLAS | MCCORMACK, BRENDAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 15:00 - 16:00 | Buchanan | HUNT, DALLAS | View On SSC launch |
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002 | Lecture | 2 | M, W, F | 12:00 - 13:00 | UBC Life Building | MCCORMACK, BRENDAN | View On SSC launch |
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MCCORMACK, BRENDAN |
Stories in New Skins: Transformation, Adaptation, and Innovation in Indigenous LiteraturesIn Stories in a New Skin: Approaches to Inuit Literature, scholar Keavy Martin turns to a recurring trope of transformation in Inuit stories—humans and animals exchanging their skins—to conceptualize the inherent adaptability of Inuit intellectual traditions. This course, adapting Martin’s metaphor and extending its scope to a wide range of literary arts from northern Turtle Island (Canada), will examine a variety of Indigenous storytelling cultures through the prisms of transformation, adaptation, and innovation. Transformations are a prominent feature in many Indigenous cosmologies and narrative traditions, though our focus will not be (primarily) on instances of transformation within stories. Rather, this course will invite us to explore the complex political, cultural, and aesthetic questions that arise when we consider the various ways that Indigenous stories themselves are, or have been, transformed, adapted, and (re)published in new forms, genres, and media. How do stories change “skins,” and why? What forces and motivations propel transformation or adaptation? The metaphor of changing skins is neither benign nor simply celebratory; it has complex ties to both renewal and violence, generative innovation and destructive disfiguration. On one hand, Canada’s literary and publishing history has often subjected Indigenous writers, texts, and knowledges to appropriation and harmful editing practices that have transformed or distorted Indigenous narratives to suit dominant ideals. On the other hand, and despite the eliminatory efforts of settler-colonialism—including its fictions that delimit “authentic” Indigenous cultures to a static, unchanged past—Indigenous literary artists continue to make tradition new, storying vibrant living cultures in diverse genres and technologies of representation. With this ambivalence in mind, we’ll approach a historically and generically diverse selection of creation stories, orature, life-writing, fiction, poetry, animation, comics, film, and new media to consider the many new “skins” and remarkable breadth of contemporary Indigenous narrative traditions in Canada. From the publishing transformations of Maria Campbell’s pathclearing autobiography Halfbreed (1973) to the digital sci-fi retelling of the Haudenosaunee creation story in Skawennati’s “She Falls for Ages” (2017), our texts will prompt us to critically analyze, rigorously discuss, and creatively engage the possibilities and discomforts of transformation as stories adapt, write back, reimagine, and remediate Indigenous pasts, presents, and futures. |
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ENGLISH
Post-colonial Literature
ENGL 374 2022 W Credits: 3
World literature in English focusing on decolonization and anti-colonial thought. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 374 and/or 478.
giffen-sheila current-courseGIFFEN, SHEILA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 13:00 - 14:00 | Buchanan | GIFFEN, SHEILA | View On SSC launch |
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GIFFEN, SHEILA |
Making a Liveable World: Global HIV/AIDS Writing
“The space between life and death is an in between space, but it is not silence,” writes Yvonne Vera, “it is the place of narration.” This course analyses a global archive of literary responses to the HIV/AIDS epidemic and asks how artists and writers narrate the liminal space between life and death through vital acts of world-making and survival. Taking up poetry, novels, memoirs and films from South Africa, Lebanon, Antigua, the U.S., and Canada, we will consider how the HIV/AIDS epidemic connects to longer histories of globalization, coloniality, sexuality, and race. What are the politics of representation that surround AIDS as an “epidemic of signification” (Treichler)? How have discourses of racialized contagion and sexual degradation shaped public perceptions of the HIV/AIDS pandemic? How do artists and writers respond to such stigmas and make room for life-sustaining practices of freedom faced with death? Guided by critical readings in the medical humanities and postcolonial theory, we will approach these questions from the perspective of our ongoing pandemic present. Central to our course will be a sustained reflection on subjectivity and writing: how do authors experiment with voice and form to convey the entanglement of illness, eroticism, and mortality? How do the imperialist politics of capitalist globalization shape conceptions of sexuality, race, and embodiment? Reading across transnational and diasporic literatures, we will consider how authors respond to the intersecting crises of HIV/AIDS and make a world that is liveable through writing. Course Readings (subject to change): Phaswane Mpe, Welcome to Our Hillbrow (2001), Jamaica Kincaid, My Brother (1997), David Wojnarowicz, Close to the Knives (1991), Rabih Alameddine, Koolaids (1998) as well as shorter readings and texts by Assotto Saint, Nishant Shahani, Susan Sontag, Cindy Patton, Gayatri Spivak, Kylie Thomas, Sisonke Msimang, Neville Hoad, Rinaldo Walcott, and Bud Osborn. |
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ENGLISH
Global South Connections
ENGL 375 2022 W Credits: 3
Literary and cultural networks relating to societies in the Global South; may address areas such as colonization, decolonization, nationalism, social movements, forced and voluntary migrations of peoples, cultural hybridity, translation, and globalization. Consult department website for current year's offerings.
philip-kavita current-coursePHILIP, KAVITA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 1 | T, Th | 12:30 - 14:00 | Allard Hall (LAW) | PHILIP, KAVITA | View On SSC launch |
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PHILIP, KAVITA |
Decolonial South Asia's Speculative FuturesThe “Global South” is an umbrella term referencing the emergence of “post-colonial nations” after a wave of decolonization that occurred in the middle of the twentieth century.This course investigates the global connections between politics, development and literature sparked by this mid-century paradigm-shift. Taking up South Asian decolonization as an exemplary case study, we will read speculative fiction from the region, paired with historical, political, theoretical essays on Global South histories of decolonization, development, and political radicalism. Through an exploration of how the British Empire’s “crown jewel” shook off the yoke of settler colonialism and sought to define its place in the mid twentieth century’s decolonizing world, we will formulate and debate larger questions about the meaning of the “Global South” and the cultural, political, economic importance of the six decades following the end of colonialism. What did decolonization mean, politically and culturally? What kinds of literary and cultural movements did it inspire? How did dreams of political freedom influence theories of utopia and experiments in fiction? |
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ENGLISH
World Literature and Social Movements
ENGL 377 2022 W Credits: 3
Transnational and world literature and art practices that reflect on the conceptual, linguistic and visual aspects of social movements, addressing histories of colonialism, transnational feminist literature and art practices, histories of protest and cultures of resistance.
james-suzanne current-courseJAMES, SUZANNE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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99C | Lecture | 2 | NSM | JAMES, SUZANNE | View On SSC launch |
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JAMES, SUZANNE |
Coming of Age from the Margins: Youth, Migration, and Contemporary World LiteratureThis asynchronous online course draws on a range of texts from around the world to ask how contemporary literature has represented and responded to crucial issues that mark our experience of the 21st century. Focusing on the stories of young protagonists from a diverse range of settings, we will explore how migration shapes what it means to be young in the modern world, and how youth shapes our experiences of migration. Drawing on novels, short stories, an autobiographical graphic novel, and a film, this course encourages students to think about questions of belonging, race, gender, and sexuality beyond the familiar frameworks provided by the nation-state and traditional literary forms.
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ENGLISH
Contemporary Literature
ENGL 378 2022 W Credits: 3
A variety of genres organized by cultural movements, critical issues, theoretical approaches, and/or geopolitical regions. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 378 and/or 474.
kim-christine current-courseKIM, CHRISTINE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 9:30 - 11:00 | Buchanan | KIM, CHRISTINE | View On SSC launch |
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KIM, CHRISTINE |
Making the Inhuman
Within political-legal discourses of human rights and ethical appeals to humanity, the human appears as a figure to be protected and often even saved. As an ideal, the human subject is coded as inclusive and universal. But in practice, the human has often been used to represent more privileged populations in the global north and relegated others to the categories of the sub-human or inhuman. In this course, we will examine the human in relation to discourses of plants, technology, zombies, and rights in order to engage with the systems of power and histories of oppression that have produced and mobilized the figures of the human and the inhuman. By taking feminist, decolonial and historicist approaches to the postwar period, we will centre the question of how minoritized subjects have been excluded from social imaginings of the human. Our readings will consist of contemporary works of literature, film, and critical theory, primarily by racialized and Indigenous thinkers from North America and Asia, that help us critique current conceptualizations of the human and imagine alternatives.
Additional readings will be made available through UBC Library or Canvas. I am hoping that Get Out will be made available through UBC Library.
Course Evaluation (subject to change)
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002 | Lecture | 2 | T, Th | 14:00 - 15:30 | West Mall Swing Space | View On SSC launch |
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This course is cancelled. |
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ENGLISH
Theory: Anti-/De-/Post-Colonization
ENGL 382 2022 W Credits: 3
Theoretical work concerned with confronting, resisting and overcoming various forms of colonialism and globalization.
al-kassim-dina current-courseAL-KASSIM, DINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 11:00 - 12:30 | West Mall Swing Space | AL-KASSIM, DINA | View On SSC launch |
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ENGLISH
Theory: Critique, Intervention and Dissent
ENGL 386 2022 W Credits: 3
Examines theories of intervention, dissent and social engagement.
bain-kimberly current-courseBAIN, KIMBERLY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 11:00 - 12:30 | Leon and Thea Koerner University Centre | BAIN, KIMBERLY | View On SSC launch |
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BAIN, KIMBERLY |
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ENGLISH
Theory: Bodies
ENGL 387 2022 W Credits: 3
Theories of corporeality and embodied thought.
mcneilly-kevin current-courseMCNEILLY, KEVIN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 12:30 - 14:00 | Frederic Lasserre | MCNEILLY, KEVIN | View On SSC launch |
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MCNEILLY, KEVIN |
Body Rhythms: Pulse, Surge, and FlowIn this course, we will mix conceptual-theoretical work with practice-based research to think about the aesthetics and the cultural politics of embodiment, particularly around the question of rhythm. How do we come to keep time with ourselves as corporeal, material creatures? How are bodies framed, informed, and transformed by various registers of the rhythmic—social, haptic, aesthetic, diurnal, spatial, biotic, epochal? We will consider the body as a network of flows, as we work through a variety of excerpted foundational readings from Aristotle to Julia Kristeva. We will likely touch on the thinking of, among others, Annemarie Mol, Henri Meschonnic, Erin Manning, Michel de Certeau, Isabelle Stengers, David Farrier, and David Abram to start to think about poetic rhythm, dance and kinetics, percussion, walking, deep time, historicity, refrain, and extemporaneity. We’ll probably engage with texts by William Shakespeare, Gerard Manley Hopkins, Claudia Rankine, Don McKay, and Gwendolyn Brooks, with the comics of Lynda Barry, with the drum music of Paul Motian and Milford Graves, with the performance poetry of Moor Mother, among others. Students are invited to bring their creative practices into the classroom, to discover how their own thinking might mesh with these understandings of how rhythm manifests in our contemporary lives, of how rhythm makes meaning happen. How might rhythm help shape our understandings of race, gender, indigeneity, (dis)ability, class and other significant fabrics of intersubjectivity and community? While students can expect to encounter writing and art that can often seem challenging and daunting, this course is designed as an introduction to contemporary theories of the body, and provides students with an opportunity to begin to evolve their own theoretically informed critical and creative practices. |
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ENGLISH
Life Narratives
ENGL 390 2022 W Credits: 3
Analysis of modes of self-representation through theoretical, critical, historical, and methodological frameworks.
mcneill-laurie current-courseMCNEILL, LAURIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 14:00 - 15:00 | West Mall Swing Space | MCNEILL, LAURIE | View On SSC launch |
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MCNEILL, LAURIE |
“Who Tells Your Story?” Power and Disruption in Contemporary Auto/biographyIn Lin-Manuel Miranda’s biographical (maybe even auto/biographical) musical, Alexander Hamilton is kind of obsessed with life narratives, and “who lives, who dies, who tells your story?” Miranda/Hamilton’s refrain suggests the potential power of getting to tell your own story, on your own terms, and the importance for public and personal memory of having your story told. In this course, we’ll study the practices of auto/biography to think about how their authors shape identities for themselves and others, use the space of life writing to testify to their experiences, and, in the process, make space in public memory and imagination for the stories they have to tell. Course texts will be finalized in the fall, and will include examples from several genres of contemporary auto/biography, including documentary, theatre and/or comedy, and memoir. Assignments will include a paratextual study, blogs or discussion posts, peer review and in-class contributions, and a traditional research paper or autoethnographic analysis. |
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ENGLISH
Children's Literature
ENGL 392 2022 S Credits: 3
Genres and texts written for and appropriated by young readers. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 392 and/or 468.
bose-sarika past-courseBOSE, SARIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | BOSE, SARIKA |
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BOSE, SARIKA |
“Down the Rabbit Hole”: Child, Nation and British Fantasy LiteratureEnglish 392 is a 13-week course that will guide you in the study and approaches to some classic Western texts and approaches to children's literature. The focus will be on British fantasy literature, by authors such as Gaiman, Tolkien, Pullman and Rowling, but we will also explore some connections with texts from other cultures. Our fully asynchronous course is part of the English Online Minor program in the Department of English Language and Literatures, but is open to English majors and to students in other programs such as Education, Language and Literacy, and Library and Information Studies. You will be reading novels, short stories and scholarly articles on children's literature throughout this term, and you will be sharing your ideas both formally, in the form of essays, and informally, in the form of discussion posts, peer reviews and games. |
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98X | Waiting List | 1-2 | NSM |
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ENGLISH
Children's Literature
ENGL 392 2022 W Credits: 3
Genres and texts written for and appropriated by young readers. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 392 and/or 468.
james-suzanne saunders-mary-ann gooding-richard bose-sarika current-courseJAMES, SUZANNE | SAUNDERS, MARY ANN | GOODING, RICHARD | BOSE, SARIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 1 | M, W, F | 11:00 - 12:00 | Leon and Thea Koerner University Centre | JAMES, SUZANNE | View On SSC launch |
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JAMES, SUZANNE |
Writing for Children and Young Adults from Africa and the African DiasporaChildren’s literature addressing the lives and concerns of Black youth, both in Africa and the African diaspora, is a flourishing sub-genre. In this course we will explore a range of contemporary texts including Akwaeke Emezi’s Pet, Kacen Callender’s Felix Ever After, Lawrence Hill’s Beatrice and Croc Henry, Jason Reynolds’ Long Way Down, Jacqueline Woodson’s, Brown Girl Dreaming, Adaobe Tricia Nwaubani’s Buried Beneath the Baobob Tree, Angie Thomas’ The Hate U Give, and Nnedi Okorafor’s Akata Witch. These very diverse texts explore issues of identity, black representation, police violence, trans and queer experience, and include works of realism, fantasy, and two novels in poems. As well as focusing on the core texts, we will engage with theoretical perspectives on children’s literature and YA fiction, and its increasingly fluid contemporary incarnations. Students will be encouraged to develop independent critical responses to both texts and theories. Assessment will include a critical response, an in-class essay, a term paper and a final examination. |
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003 | Lecture | 2 | M, W, F | 13:00 - 14:00 | Buchanan | SAUNDERS, MARY ANN | View On SSC launch |
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SAUNDERS, MARY ANN |
Euphoria Kids: The Birth of Transgender and Non-Binary Children’s and Young Adult LiteratureThis section of ENGL 392 course offers the unique opportunity to investigate an entirely new body of children’s and YA literature as it is emerging: fiction about trans and nonbinary (trans/nb) children and youth, written by trans/nb writers. Gender-diverse children and youth are not new; their historical existence is well documented. However, the idea that transgender childhoods might be legitimate childhoods is comparatively new in western culture, gradually emerging into broader cultural discourse and awareness only over the last two decades. This shift, welcomed by many and passionately resisted by others, has placed trans and non-binary children and youth in the centre of a political battleground being fought out in legislatures and courts across the US and in the UK. Against this backdrop—indeed, almost certainly because of it—we have seen an extraordinary flowering of trans/nb children’s and YA fiction. A decade ago there were virtually no such books but, since 2015, they have been appearing with increasing speed and urgency. In our course, we will investigate some of the picture books, middle grade books, and young adult fiction which comprise this vital body of literature, as well as consider the cultural context out of, and against which, it has emerged. The course title is borrowed from Alison Evans’ YA novel Euphoria Kids, which imagines a world in which gender-expansive young people’s identities are, before anything else, a source of joy to themselves and those who love them. This course represents a small step towards realizing that world. |
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005 | Lecture | 2 | M, W, F | 15:00 - 16:00 | Buchanan | GOODING, RICHARD | View On SSC launch |
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GOODING, RICHARD |
Representations of the Anthropocene in Writing for Youth
"Are humans now overwhelming the great forces of nature?" When Will Steffen, Paul Jozef Crutzen, and John McNeill posed this question in the title of a 2007 article, they already knew the answer. A few years earlier, while attending a conference in Mexico, the Nobel Prize-winning chemist Crutzen had vigorously asserted "We are in the Anthropocene!," using a word that had been circulating informally among researchers since the 1980s. Within months the term had begun to appear in scientific journals, and it has since become the usual way of referring to the geological period in which human activity has become the dominant influence on the earth system — the interactions between our planet's physical, chemical, and biological processes. In their 2007 article, however, Steffen, Crutzen, and McNeill's immediate concern was not whether humans were altering the planet, but what to do about it. In the last two decades the Anthropocene has become a term that, perhaps above all else, points to the fraught relationship between us and the planet we inhabit, raising important questions of personal and political responsibility. One place these questions are urgently urgently is in writing addressed to young readers — writing that, historically, has been charged with shaping the young for future roles as parents, citizens, and consumers. In this course we will examine recent young adult and children's writing that addresses the effects of human action on the environment, with particular attention to climate change, extinction, and geopolitical conflict. We’ll begin with Philippe Squarzoni’s award-winning Climate Changed (2012), a graphic memoir that has attracted attention from both teens and adults. From there we’ll turn our attention to an environmental novel aimed at younger readers, Carl Hiassen’s Hoot (2002), followed by Dry (2018), Neal Shusterman’s young adult novel about the collapse of society during a water shortage. We’ll then consider two dystopian representations of post-crisis worlds, Philip Reeve’s Mortal Engines (2001) and M.T. Anderson’s Feed (2002), before rounding out the term with Ann Nocenti and David Aja’s graphic novel The Seeds (2021). Along the way, we’ll consider how YA literature represents questions of resource extraction, personal and generational responsibility, and environmental activism. |
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99A | Lecture | 1 | NSM | BOSE, SARIKA | View On SSC launch |
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BOSE, SARIKA |
* CORRECTION: THIS SECTION OF ENGL 392 IS OFFERED IN TERM 1 (SEPTEMBER TO DECEMBER 2022) OF 2022 WINTER SESSION * |
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ENGLISH
Children's Literature
ENGL 392 2023 S Credits: 3
Genres and texts written for and appropriated by young readers. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 392 and/or 468.
bose-sarika current-courseBOSE, SARIKA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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98A | Lecture | 1-2 | NSM | BOSE, SARIKA |
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BOSE, SARIKA |
“Down the Rabbit Hole”: Child, Nation and British Fantasy LiteratureEnglish 392 is a 13-week course that will guide you in the study and approaches to some classic Western texts and approaches to children's literature. The focus will be on British fantasy literature, by authors such as Gaiman, Tolkien, Pullman and Rowling, but we will also explore some connections with texts from other cultures. Our fully asynchronous course is part of the English Online Minor program in the Department of English Language and Literatures, but is open to English majors and to students in other programs such as Education, Language and Literacy, and Library and Information Studies. You will be reading novels, short stories and scholarly articles on children's literature throughout this term, and you will be sharing your ideas both formally, in the form of essays, and informally, in the form of discussion posts, peer reviews and games. The course's final examination will be held during the standard examination period, and remotely invigilated.
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98X | Waiting List | 1-2 | NSM |
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ENGLISH
Ecocriticism
ENGL 393 2022 W Credits: 3
Ecocriticism and the environmental humanities encompassing more specific methodologies, such as queer ecology, ecofeminism, postcolonial, decolonizing, and transnational environmentalisms, environmental art.
tebokkel-nathan current-courseTEBOKKEL, NATHAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 9:30 - 11:00 | TEBOKKEL, NATHAN | View On SSC launch |
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TEBOKKEL, NATHAN |
INSTRUCTOR: NATHAN TE BOKKEL
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ENGLISH
Studies in Poetry
ENGL 395 2022 W Credits: 3
Poetry organized by thematic approach, cultural movements, critical issues, and/or geopolitical regions. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 395 and/or 402.
luger-moberley current-courseLUGER, MOBERLEY
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||||||||||||
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001 | Lecture | 2 | M, W, F | 14:00 - 15:00 | Buchanan | LUGER, MOBERLEY | View On SSC launch |
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LUGER, MOBERLEY |
The Hatred of Poetry (or Poetry and/in Crisis)This course welcomes poetry lovers, poetry haters, or those ambivalent poetry readers looking to graduate with more experience in the genre. Our goal will be to assess poetry’s place in our lives and cultures and we will do this through close readings of select poems as well as through discussions of films, novels, and essays about poetry. We will consider how poems respond to crisis—public crises (eg. terrorism, war) and personal ones—as we also consider whether the genre is, as some warn, itself “in crisis.” Is poetry dead, as critics seem perpetually to declare? Where does it lurk, on what occasions does it emerge, and how does it function in our social and political landscapes? |
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ENGLISH
Studies in Prose Fiction
ENGL 397 2022 S Credits: 3
Novels and short stories organized by thematic approach, cultural movements, critical issues, and/or geopolitical regions. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 397 and/or 406.
james-suzanne past-courseJAMES, SUZANNE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Lecture | 2 | T, Th | 12:00 - 15:00 | Buchanan | JAMES, SUZANNE |
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JAMES, SUZANNE |
“And the winner is . . .”: The 2021 Canadian Scotiabank Giller Prize Shortlist
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ENGLISH
Studies in Prose Fiction
ENGL 397 2022 W Credits: 3
Novels and short stories organized by thematic approach, cultural movements, critical issues, and/or geopolitical regions. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 397 and/or 406.
justice-daniel current-courseJUSTICE, DANIEL
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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001 | Lecture | 2 | T, Th | 14:00 - 15:30 | Buchanan | JUSTICE, DANIEL | View On SSC launch |
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JUSTICE, DANIEL |
“Tolkien’s Legendarium and the Politics of Speculative Worldbuilding”J.R.R. Tolkien’s influence and shadow alike loom large over our contemporary cultural landscape, especially in literatures of the fantastic. Readers and critics have been enchanted by, grappled with, and firmly contested the creative, cultural, and political implications of his epic legendarium since the publication of The Hobbit in 1937, and interest has only grown over time. Tolkien’s imaginative work remains foundational to fantasy literature, film, and fandom today, even as scholarly and public conversations about its complications, exclusions, politics, and influences grow more urgent. This reading-intensive course welcomes established Tolkienites, skeptics, and newcomers alike, and brings literary analysis and cultural criticism together with aspects of genre and fan studies as we consider the how and why of speculative worldbuilding through a focused consideration of Tolkien’s core Middle-earth writings. Required texts:
Recommended texts:
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ENGLISH
Studies in Prose Fiction
ENGL 397 2023 S Credits: 3
Novels and short stories organized by thematic approach, cultural movements, critical issues, and/or geopolitical regions. Consult department website for current year's offerings. Credit will be granted for up to 6 credits of ENGL 397 and/or 406.
james-suzanne press-sara current-courseJAMES, SUZANNE | PRESS, SARA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Lecture | 2 | T, Th | 12:00 - 15:00 | Buchanan | JAMES, SUZANNE |
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JAMES, SUZANNE |
“And the winner is . . .”: The 2022 Canadian Scotiabank Giller Prize Shortlist
“In short, prizes matter. . .With only an appearance on . . . [a] shortlist, a book moves from total obscurity in the classroom and pages of literary criticism to respectable showings in both—and it gets a healthy popularity boost along the way.” “As much as each prize is an institution unto itself, it also crystallizes a variety of other consecrating forces and actors, from the publishers who select and promote a title to the authors who blurb it and the reviewers who praise it.” -- Alexander Manshel, Laura B. McGrath, & J.D. Porter In this class, we will discuss the five fictional works shortlisted for Canada’s 2022 Giller Prize: Kim Fu’s Lesser Known Monsters of the 21st Century, Rawi Hage’s Stray Dogs, Tsering Yangzom Lama’s We Measure the Earth with Our Bodies, Suzette Mayr’s The Sleeping Car Porter and Noor Naga’s If An Egyptian Cannot Speak English. We will consider the institutional components of the Giller Prize (evaluation criteria, selection of judges, procedures for submission & selection, history, past recipients) as well as what Manshall, McGrath & Porter refer to as the “consecrating forces and actors” which influence literary awards. In addition to writing a critical essay on one of the texts, students will participate as a jury member in an in-house “Fiction 2022” award committee to choose our own winner from the 2022 Giller shortlist. |
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W51 | Waiting List | 2 | T, Th | 12:00 - 15:00 | PRESS, SARA |
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PRESS, SARA |
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ENGLISH
Language Majors Seminar
ENGL 489 2022 W Credits: 3
Required of all Language Majors. See department website (http://www.english.ubc.ca/ugrad/majors/compl_lang.htm) for options.
smilges-johnathan-logan de-villiers-jessica current-courseSMILGES, JOHNATHAN LOGAN | DE VILLIERS, JESSICA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | T | 10:00 - 12:00 | Buchanan | SMILGES, JOHNATHAN LOGAN | View On SSC launch |
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SMILGES, JOHNATHAN LOGAN |
Queer Rhetorics in CrisisINSTRUCTOR: J. LOGAN SMILGES If queer folks know how to do anything well, it’s how to survive a crisis. By “survive,” I don’t mean to suggest that queer folks don’t die—we certainly do. What I mean is that queer people learn from an early age how to live in crisis, to live on through crisis, and to forge relationships with others in spite of crisis. It could be said that crisis—whether in our families, our schools, our communities, or our countries—is what drives queerness to begin with: we are rendered queer by the alleged crisis of our being in the world. We are embodied crises surviving crises. This course adopts rhetorical theory as a guiding heuristic to explore how crisis informs queer identities, aesthetics, and resistance efforts. From carceral logics, to medical models, to the AIDS epidemic, queer people have long wrestled with existing crisis discourses to understand themselves. And in light of the COVID-19 pandemic, we are reminded that among the chief aims of queer rhetorics is to unpack how these crisis discourses simultaneously oppress queer people, even as they make possible new forms of intimacy and kinship. It is this tension between oppression and possibility that will drive our class discussions and, perhaps, help us to imagine new modes of survival for our own individual and collective crises. Students can expect to learn about historical and contemporary crises affecting queer people from a multi-axis perspective, how to evaluate various resistance strategies used by queer people, how to apply rhetorical concepts to a range of cultural issues and contexts, and how to leverage one’s relation to power toward collective survival. The course assessments will be primarily tied to a cumulative report that each student will write over the course the semester, responding to a crisis of their choosing. |
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002 | Seminar | 2 | T | 14:00 - 16:00 | Buchanan | DE VILLIERS, JESSICA | View On SSC launch |
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DE VILLIERS, JESSICA |
Discourse and AnalysisDiscourse analysis is an important area within language study that typically involves exploration of a variety of linguistic features and functions to understand meaning making in texts. Aspects of language use examined can include semantics, syntax, phonological and phonetic structures, lexical choices, conversation skills and narrative structure. Analyses typically involve systematic descriptions of texts or corpora, with a focus on understanding how language is used in context. Analyses of discourse may also highlight how language use functions to construct and maintain social understanding of the world. In this seminar, students develop skills in performing discourse analyses and in evaluating discourse analysis research. Readings include classic and recent research papers in linguistic discourse analysis, with emphasis on information structure, conversation and interaction, hesitation phenomena, narrative analysis, multimodality and indirectness. A key part of learning discourse analysis is doing it. Students will therefore collect and transcribe some data at the beginning of the term. |
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ENGLISH
Literature Majors Seminar
ENGL 490 2022 S Credits: 3
Required of all Literature Majors. See Department Website (www.english.ubc.ca) for options.
baxter-gisele-marie past-courseBAXTER, GISELE MARIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | M, W | 12:00 - 14:00 | Buchanan | BAXTER, GISELE MARIE |
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BAXTER, GISELE MARIE |
Horror/Science: Gothic Echoes in Science Fiction
Over 40 years ago, Patrick Brantlinger argued in “The Gothic Origins of Science Fiction” that a problem in reading Science Fiction as “realistic prophecy … arises from the fact that the conventions of science fiction derive from the conventions of fantasy and romance, and especially from those of the Gothic romance. Science fiction grows out of literary forms that are antithetical to realism.” More recently, two 2019 essays by Daniel Pietersen on Sublime Horror, “The universe is a haunted house – the Gothic roots of science fiction” and “Spiders and flies – the Gothic monsters of sci-fi horror,” explore the intersection of terror and horror tropes in what we can only call Gothic Science Fiction. This course is not about slick shiny optimistic visions of the future. It’s also not about magical and supernatural creatures (even if some of its characters might resemble them). It’s not about science research that has vastly benefitted worlds and their inhabitants: it’s about bizarre singular passion projects and their progeny, about science gone wrong, about the byways of pseudoscience and paranormal investigations. We will examine the theoretical bases of contemporary approaches to the Gothic and apply them to various examples of fiction and film. The text list will be finalized in the spring, but the foundation texts will be Frankenstein (1818 edition), The Strange Case of Dr Jekyll and Mr Hyde, and possibly The Island of Dr. Moreau. We will also examine a few modern/contemporary novels (possibilities include but are not limited to I Am Legend, The Haunting of Hill House, Black Sun Rising, The Passage, Gideon the Ninth) and one or two films (again, possibilities include but are not limited to Alien, Ex Machina, Blade Runner, Underworld, Annihilation). I will request that the UBC Library put Weird Fiction and Science at the Fin de Siècle and the edited collection Gothic Science Fiction 1980-2010 on reserve and will request that Gothic Science Fiction 1818-Present be ordered (preferably in an online version). Evaluation will tentatively be based on a seminar presentation, a formal research paper, contribution to discussion both in class and on the course’s Canvas site, introduction of a relevant critical/theoretical work and a primary text not on our finalized reading/viewing list, and a take-home final reflection essay. Please keep checking my blog for updates: https://blogs.ubc.ca/drgmbaxter/ |
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ENGLISH
Literature Majors Seminar
ENGL 490 2022 W Credits: 3
Required of all Literature Majors. See Department Website (www.english.ubc.ca) for options.
saunders-mary-ann deer-glenn gooding-richard mcneilly-kevin badir-patricia potter-tiffany hodgson-elizabeth mota-miguel current-courseSAUNDERS, MARY ANN | DEER, GLENN | GOODING, RICHARD | MCNEILLY, KEVIN | BADIR, PATRICIA | POTTER, TIFFANY | HODGSON, ELIZABETH | MOTA, MIGUEL
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | M | 10:00 - 12:00 | Buchanan | SAUNDERS, MARY ANN | View On SSC launch |
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SAUNDERS, MARY ANN |
“I Want to Live in a World Where Everyone Has to Choose Their Gender”: New Fiction by Trans and Non-Binary WritersThis seminar’s title—“I want to live in a world where everyone has to choose their gender”—comes from Torrey Peters’ Infect Your Friends and Loved Ones, a hauntingly topical 2016 novella about a viral pandemic. If Peters’ novella seems a story for our time, so too are works by scores of other trans and non-binary writers in a time when some governments have been moving towards recognizing the citizenship and belonging of gender-diverse people while others claw back freshly won, fragile human rights, and when anyone on the internet is likely to have an opinion about the legitimacy of trans identities and lives. These are, indeed, times of both turmoil and exciting change for gender-diverse people, which may partially explain why the last decade has seen an astonishing flowering of work by trans and non-binary authors. In 2012 it would have been difficult to imagine the trans and non-binary literary landscape of 2022. These writers work across an array of genres, including science fiction and fantasy, children’s picture books and YA novels, graphica, slice-of-life realism, historical fiction, and experimental fiction which collapses boundaries between genres. While the reading list is not yet finalized (there is an embarrassment of riches to choose from!) we will certainly read Vancouver writer Hazel Jane Plante’s Little Blue Encyclopedia (for Vivian), Rivers Solomon’s An Unkindness of Ghosts, and Jordy Rosenberg’s Confessions of the Fox. |
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002 | Seminar | 1 | T | 12:00 - 14:00 | Buchanan | DEER, GLENN | View On SSC launch |
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DEER, GLENN |
The Culinary Imagination: Reading Culture Through Food, Cooking, and EatingFood, cooking, and eating are biologically necessary and socially powerful: we produce and cook food to survive, but also to reinforce social bonds, to celebrate tradition, to evoke memories of home, to compete with other cooks, to impress the eater, and even to beguile and seduce. This course will explore food in literature, particularly life narratives, cookbook selections, and films across different cultures and borders, from the transnational to local Vancouver contexts. The production of food is essentially linked to histories of empire, colonial power, capital, racialized and gendered labour, and ecological change. Our discussions will explore these intersections. Readings will include selections from Gitanjali Shahani (Food and Literature), Amitav Ghosh (The Nutmeg’s Curse), Sandra Gilbert (The Culinary Imagination) , Monique Truong (The Book of Salt), MFK Fisher (How to Cook a Wolf), Cheuk Kwan (Have You Eaten Yet?), Fred Wah (Diamond Grill), and Austin Clarke (Pigtails ‘n’ Breadfruit). Tasteful excerpts from cookbooks by local artist Janice Wong and the local anthology edited by Brandy Lien Worrall-Soriano, Eating Stories: A Chinese Canadian and Aboriginal Potluck, will be sampled. Films will include Babette’s Feast, Juzo Itami's Japanese "noodle western" Tampopo, Ang Lee's Eat Drink Man Woman, and the restaurant documentaries of Cheuk Kwan. See his fabulous website at http://www.chineserestaurants.tv. We will host some class dialogue with food writers and filmmakers, and students will be able to research local restaurants, gardens, or farms as final projects. Multimedia examples of previous student projects for my food-themed courses can be found at the following Richmond Museum exhibit, “Our Journeys Here” (2017-2018)
LITERARY TEXTS AND LIFE NARRATIVES
FILMS
THEORY/HISTORICAL CONTEXTSSelected works of theory and critical readings are available as e-texts through the UBC Library. We will usually consider one theoretical essay or chapter along with a primary text or film each week. |
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003 | Seminar | 1 | W | 15:00 - 17:00 | Buchanan | GOODING, RICHARD | View On SSC launch |
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GOODING, RICHARD |
Cli-Fi, Dystopia, and the Posthuman WorldThis seminar will examine cli-fi, or climate fiction, a term coined in 2007 to identify speculative fiction that represents the effects of climate change on humanity and the natural world. While much cli-fi is dystopian, what distinguishes it from other dystopian literature is a tendency to reflect collective efforts to adapt to changes in the environment (albeit an environment damaged by human activity) rather than attempts at imposing a political order on an unwilling or complacent population. We’ll examine how cli-fi imagines a post-apocalyptic, post-capitalist world that demands a reconsideration of the central tenets of humanism and proposes new relationships between humans and their environment. We’ll begin with Philippe Squarzoni’s Climate Changed: A Personal Journey Through the Science (2012), a graphic memoir that outlines the scientific, political, and personal dimensions of the current climate crisis. We’ll follow that with J.G. Ballard’s 1962 novel, The Drowned World, one of the most influential predecessors of modern cli-fi. Then we’ll turn our attention to contemporary cli-fi by Paolo Bacigalupi, Margaret Atwood, Barbara Kingsolver, and Catherynne M. Valente. |
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004 | Seminar | 1 | F | 13:00 - 15:00 | Buchanan | MCNEILLY, KEVIN | View On SSC launch |
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MCNEILLY, KEVIN |
Critical Studies in ImprovisationThis seminar will introduce you to the emerging field of Critical Studies in Improvisation. You’ll read selected essays theorizing improvisation—literary, musical, theatrical, social—and its engagement with the present-tense cultural politics of community and participatory democracy. Course texts will include a novel, memoirs, poems, graphic media, films and music. How do media—tech and text, sound and image—help us to understand how we inhabit, and attend to, our unruly contemporary world? How do we begin to address the contingency and the risk that underscore the possibility of doing justice to marginalized, variously-abled, and under-represented voices? How does thinking critically about, and practicing, certain forms of living in the moment, of enmeshment, offer us new possibilities for mobilizing creative work or for opening up “insubordinate spaces”? The seminar will invite students not only to make academic-style presentations, but also to start to evolve their own co-creative, practiced-based research and to start to take creative risks in a supportive and encouraging environment. |
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005 | Seminar | 2 | M | 10:00 - 12:00 | Buchanan | BADIR, PATRICIA | View On SSC launch |
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BADIR, PATRICIA |
For All Time?: Shakespeare, the First Folio and the University of British ColumbiaIn 2021, UBC acquired a copy of Shakespeare’s First Folio. Published in 1623, the book is the first printing for nearly half of Shakespeare’s plays. Since there are no surviving manuscripts of any of Shakespeare’s works, 18 plays, including Macbeth, Anthony and Cleopatra, The Tempest and Twelfth Night, are known to us today only because they were first published in the Folio. The recent UBC acquisition, along with the fact that 2023 marks the 400th anniversary of the Folio’s publication, provides the occasion for this course. Our seminar will take the First Folio as its object of study. All of our encounters with this book will be mediated by an interrogation of its status as both a luxury commodity to be collected and cultural property to be protected. We will query where the book’s value comes from and question the assumption that the volume is imbued with the aura of Shakespeare himself. We will think about the book’s role in the settling of North America – that is how it became what scholar Jyotsna Singh has described, as “a key signifier within colonial discourse.” We will also think about the ways in which the Folio, as an artifact from a world distant from our own, penned by a figure that continues to tower over our collective imagination, provides an occasion for UBC students and faculty, living and working on the unceded lands of the Coast Salish people, to rethink our understanding of literary and cultural history. We will have limited access to the UBC copy at Rare Books and Special Collections, so we will take these opportunities to explore the things that make it unique. We will look for markers of use and readership and we will investigate the book’s previous owners. We will also look at how UBC is promoting this notable acquisition and we will consider the implications of our library’s policy around who is and is not given access to it. In class, students will explore the story of the Folio’s printing (the gathering of the plays as well as how the book was physically printed) and explore the volume’s idiosyncrasies. Students will have the opportunity to learn about about the printing of dramatic and literary works in early modern period and they will explore the value of digitization projects in our own period. Students will also spend some time with the Folio plays themselves in order to think about what they add to the Shakespearean canon. We will consider the resources the Folio provides for theatre practitioners and we will ponder why it is that actors are particularly drawn to this book. Reading for this course will include 3-4 plays and a selection of secondary material. Evaluation will include a seminar presentation and a research project. Participation will be evaluated and in person attendance will be mandatory Students participating in this seminar may have the opportunity to present their research at an upcoming symposium on the First Folio scheduled for the Fall of 2023.
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006 | Seminar | 2 | T | 10:00 - 12:00 | Buchanan | POTTER, TIFFANY | View On SSC launch |
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POTTER, TIFFANY |
Writing Captivity, Indigeneity, and Gender in Eighteenth-Century North AmericaGender, masculinity and femininity were ideas thought to be firmly understood in the colonizing discourses of eighteenth-century North America; the idea of race, however, was in the relatively early stages of its theorization, and in popular and literary terms, ideas of difference yielded wildly conflicting and vehemently contested mis/understandings and accounts. One of the most intriguing sites for this contest was in the bestselling genre of the captivity narrative: a combination of adventure fiction, history, proto-ethnography, conduct book, and sermon that both demands replication of specific normative ideologies in early North America, and reflects in sometimes surprising ways on the cultural values from “back home” in Europe. Our seminar group will work together to examine literary, historical and theoretical texts to engage the implications of the constructions of race and gender originating in and imported to the North American colonial context. We will interrogate how these constructions were used as a preliminary vocabulary for imagining and reporting upon the Indigenous nations and individuals encountered there. Captivity narratives were written in their time to be something between religiously edifying and exciting popular reading about exoticized groups and misunderstood conflicts and communities. NB: Colonial captivity narratives are an important historical site for literary analysis, but they contain scenes of colonizing violence, racism, and sexism that will be disturbing at times, even as we work to engage them critically and with awareness; please always exercise self-care when choosing your courses. One seminar presentation, one short paper, one long paper. In-person attendance will be expected (touch wood). |
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007 | Seminar | 2 | W | 14:00 - 16:00 | Buchanan | HODGSON, ELIZABETH | View On SSC launch |
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HODGSON, ELIZABETH |
Artful Misogyny: Renaissance Sonnets, Modern SongsMuch love-poetry is beautifully creative, complex, and artful, while still pretty troubling in its actual politics. In this seminar we’ll unravel this tension by examining the gender-politics of love-songs and sonnets, some from the English Renaissance and some from contemporary song-writers. We’ll read male- and female-authored sonnets and sonnet-sequences from the 16th and 17th centuries, when the petrarchan love-sonnet was a major literary and cultural trend, and consider which stories these poems and poets are telling about masculine and feminine subjects, agency, and identities, including intersectionally. We’ll pause briefly in the land of later amorous sonnets by women, especially Elizabeth Barrett Browning and Edna St. Vincent Millay, to see how these perspectives might have changed. Then we’ll switch to 20th century singer-songwriters and consider whether or not those stories have shifted. We’ll read (from the Renaissance): Philip Sidney, Thomas Wyatt, William Shakespeare, Mary Wroth, and John Donne. We’ll study (from the 20th century): Leonard Cohen and other singer-songwriters you might be interested in working on (bring your ideas; variety welcome!). The majors seminar is a special opportunity to take charge of your own learning, and the course will be organized to be as student-led as we can collectively make it: discussion as the norm; presentations, workshops, group projects, and lots of choice in your writing projects. I’ll create the frameworks and tools to enable us to teach each other and share our ideas-in-progress. |
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008 | Seminar | 2 | Th | 10:00 - 12:00 | Buchanan | MOTA, MIGUEL | View On SSC launch |
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MOTA, MIGUEL |
British Drama Since 1956Histories of post-WWII British drama often point to 1956 as a watershed year. The year marked the celebrated success of John Osborne’s Look Back in Anger, a play which, in its examination and criticism of a post-war, still class-ridden British society, recorded the frustration of the younger British generation (the so-called “angry young men”) with the traditional values of the “Establishment,” and signalled the beginning of a dramatic revival in Britain. The late 1950s initiated an explosion of dramatic activity that gave rise to the most exciting age of British drama since the Elizabethan and Jacobean periods. A growing interest in international theatre, increased government subsidies, the building of many regional repertory stages, and radical changes in the social structure of the nation all contributed to a revitalized theatre during the 1960s and 1970s. And though later cutbacks in public funding at times threatened their livelihood, British playwrights have continued to address in vital and exciting ways many of the important issues facing British society today. In this course, we will survey a cross-section of British drama since 1956, ranging from the plays of the angry young men and women (Osborne; Shelagh Delaney) to the work of such notable playwrights as Joe Orton, Harold Pinter, Tom Stoppard and Caryl Churchill to more recent attempts by playwrights such as Ayub Khan-Din, Mark Ravenhill, Sarah Kane, Martin McDonagh, and debbie tucker green to articulate new ways of exploring race, gender, and class as well as issues around theatrical representation generally. |
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ENGLISH
Literature Majors Seminar
ENGL 490 2023 S Credits: 3
Required of all Literature Majors. See Department Website (www.english.ubc.ca) for options.
earle-bo current-courseEARLE, BO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | T, Th | 10:00 - 12:00 | Buchanan | EARLE, BO |
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EARLE, BO |
[Cross-listed with ENGL 491J-951] Love and Horror in Genre Fiction by Women
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491A 2022 W Credits: 3
Offerings in literary theory.
segal-judith current-courseSEGAL, JUDITH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | T | 14:00 - 16:00 | SEGAL, JUDITH | View On SSC launch |
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SEGAL, JUDITH |
ONLINE - DOES NOT REQUIRE ANY IN-PERSON ATTENDANCE TO COMPLETE How to be a rhetorician in a pandemicA good place to begin rhetorical analysis is to ask, “Who is persuading whom of what, and what are the means of persuasion?” Scholars interested in Rhetoric of Health and Medicine (RHM) pose that question in relation to many situations and many topics. Their topics include, for example, mental illness, contested illness, pain, neurodiversity, desire, health inequities, disability, health and race, health and gender, global health, food, pharmaceutical marketing, and vaccination. Our (post?)pandemic moment is of particular interest for the study of persuasion in health and medicine. Amid a global pandemic, we might have expected (as a response to that initial question concerning the who, how, whom, and what of persuasion) that physicians and scientists would, with expertise and reason, persuade policy makers and the public to do all that is necessary to prevent or mitigate illness. Things have, in fact, turned out differently: speakers with a range of views have persuaded people in a fragmented public space to do a variety of things, including some that do not prevent or mitigate illness at all. In this course, we will be interested in persuasions pertaining to COVID-19, but we will importantly take up topics in RHM more widely. We will together specify, compare, and assess theoretical frameworks and methodologies within this growing field—and try to sort out the possibilities and the limits of rhetorical criticism and of persuasion itself. |
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491B 2022 W Credits: 3
Offerings in literary theory.
rouse-robert current-courseROUSE, ROBERT
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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002 | Seminar | 1 | W | 10:00 - 12:00 | Buchanan | ROUSE, ROBERT | View On SSC launch |
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ROUSE, ROBERT |
Writing the World in Medieval Romance
‘The earth is a form of writing, a geography of which we had forgotten that we ourselves are the authors’ (George Perecs). The central question this course is this: in what ways did late-medieval England know the world? What were the modes and nature of the geographical representations through which the English constructed, transmitted, and – in large part – invented, their view of the wider world that lay beyond their own personal and cultural orbits? What is the geographical imaginary of late medieval English culture, and how does it operate? As such we will examine both the modes of representation and in the content that such representations convey: the how and the what. Late-medieval England (1350-1450) lies at the cusp of the modern world, an increasingly well-documented period (in every sense of the term) that exists just before the arrival of modern cartography; before the map, before the rise to dominance of what Denis Wood has called ‘modern map culture’. The noted historian of cartography, P. D. A. Harvey, observes that – rather than maps – ‘[i]n the Middle Ages, the normal way of setting out and recording topographical relationships was in writing, so in place of maps we have written descriptions: itineraries, urban surveys, field terriers, and so on’. The dominant mode of geographical knowledge in the medieval period was textual in nature, and it is this mode of textual ‘mapping’ that this course examines. To address these questions, this course examines the corpus of Middle English vernacular romance that was produced and consumed between the years 1350 and 1450. While this is not an exclusive focus (we will stray to other genres and texts), these texts form a fecund textual landscape for the study of the late-medieval English geographical imaginary. Romance, as one of the most ‘popular’ of vernacular genres of late medieval England, offers us insight into narratives that acted to reflect and produce the geographical imaginary of a wide range of English audiences. A reading of the ways in which romance operates to write geography provides access to a widely and diversely read body of texts that reflect, reinforce, and inculcate the representation of the medieval world of their late-medieval audience. |
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491C 2022 W Credits: 3
Offerings in literary theory.
ho-janice current-courseHO, JANICE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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003 | Seminar | 1 | M | 13:00 - 15:00 | Buchanan | HO, JANICE | View On SSC launch |
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HO, JANICE |
Literature and the CityINSTRUCTOR: JANICE HO A promise of opportunity; a site of misery and alienation; an escape from the country; a space of deviance and crime—the city has historically alternately fascinated and repelled, a spatial locus that mediates the dreams and fears saturating our cultural imaginaries. This course will focus on twentieth- and twenty-first century literary and filmic representations of the city and the urban experience. We will take a broad global and temporal perspective: that is to say, we will read early twentieth-century modernist texts that sought to come to terms with the experiences of alienation and consumerism signified by the city; move on to consider late twentieth-century postmodern representations of city space as a site of futuristic technology and simulacra; and finally, turn to postcolonial renditions of cities in what is known as the “global South”—in sites like Johannesburg, Mumbai, or Lagos—to think about how forms of global socioeconomic and racial inequities are spatially reproduced. Texts may include Joseph Conrad's The Secret Agent; Jean Rhys's Good Morning, Midnight; J.G. Ballard's High Rise; Italo Calvino's Invisible Cities; Phaswane Mpe's Welcome to Our Hillbrow; Teju Cole's Open City; or Chris Abani's GraceLand. |
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491D 2022 W Credits: 3
Offerings in literary theory.
vessey-mark current-courseVESSEY, MARK
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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004 | Seminar | 2 | Th | 14:00 - 16:00 | Buchanan | VESSEY, MARK | View On SSC launch |
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VESSEY, MARK |
The Ascent and Ascendancy of English Literary Studies, 1920-1950: Criticism and History in Another Catastrophic Age The expectations of ‘close reading’ and ‘historical coverage’ that are still broadly shared by students and teachers of English Honours at UBC in the early 2020s were keynotes of an academic orthodoxy in English literary studies that was already in place at Anglophone universities like this one by the middle of the last century. That pedagogy was the outcome of serial, not always subtle compromises between older (‘philological’, ‘aesthetic’) and newer styles of (‘critical’) attention to ‘literary’ objects or texts, worked out in curricula of the North Atlantic cultural zone between the end of the Great War (1914–1918) and the early years of the Cold War, in the service of western, democratic, industrialized, technocratic, colonial, secular (Christian), ‘English-speaking’ nation states. Looked at from another angle, university English studies were an institutionalized, instrumentalized, strategically re-mystified form of an Anglo-American literary ‘modernism’ for which T. S. Eliot was high priest. To this day, no other rationale for a university subject of the same or similar name (‘English’, ‘English Language and Literatures’) has come close to achieving the general assent and recognition—within and beyond the university—accorded to that disciplinary orthodoxy in the decades of its ascendancy. While the archaeology of such a spacious, outmoded but still-bedrock formation of English literary studies is too complex to excavate site-wide in a single seminar, a slit-trench cut from Cambridge (UK) in the 1920s and ‘30s (I. A. Richards, William Empson, F. R. Leavis) to American ‘New Criticism’ as it was institutionalized in the ‘40s (Cleanth Brooks et al.) will turn up enough high-quality artifacts to make it possible for us to sketch a map of the larger force-field, and to put and answer some critical and historical questions of our own, such as: Why did English literary studies take off as and when they did? What theoretical understandings and historical assumptions underlay the ‘critical’ pedagogies that were then mainstreamed in the universities? To what extent have those understandings and assumptions been taken over—examined or not—by successor forms, sub-forms or off-shoots of the discipline since the 1950s? And, finally, what might we still learn at this point from an empathetic re-engagement with the work of poets, critics and teachers who, beginning a century ago in the aftermath of global catastrophe—the era of The Waste Land (1922)—set about designing courses of study and forms of ‘literary’ life that they believed could help secure a less lethal environment for future generations? Weekly readings for the seminar will focus on items from a customized anthology of influential articles and chapters. Students will also be invited to read at large in four major studies that between them cover much of the ground and many of the issues that we will address: Gerald Graff, Professing Literature: An Institutional History (Twentieth Anniversary Edition, 2007); Joseph North, Literary Criticism: A Concise Political History (2017, available online via UBC Library); Stefan Collini, The Nostalgic Imagination: History in English Criticism (2019, ditto); Terry Eagleton, Critical Revolutionaries: Five Critics Who Changed the Way We Read (2022). |
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491E 2022 W Credits: 3
Offerings in literary theory.
sirluck-katherine current-courseSIRLUCK, KATHERINE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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005 | Seminar | 2 | F | 10:00 - 12:00 | Buchanan | SIRLUCK, KATHERINE | View On SSC launch |
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SIRLUCK, KATHERINE |
The World Upside Down: The English Carnival Tradition and Its Legacy in Early Modern Popular Culture and DramaThis seminar course will seek to discover how the characteristic forms, attitudes and energies of popular festival culture in Renaissance England persist and transmute as they are passed down to the urban culture and commercial theatres of Tudor and Stuart London. The mimus, the mystery play, the Feast of Fools, boundary-walking, mumming, wild men, harvest funerals, Robin Hood and other folk plays, Interludes, Saints’ days, the Lord of Misrule, Pancake Tuesday, bonfires, Maypoles, the Totentanz, jigs, ballads, mock-marriages, Morris dances and village processions all form a part of popular festivity in England. Religious and secular festivals are generally localized, seasonal, and communal; they are rooted in ritual and tradition and thus possess a folk-centred authority supported by custom and centuries-old loyalties. Whether sacred or subversive, they are the property and often the voice of the common people. Elizabethan and Jacobean drama teems with diverse variations of these folk rituals and festival practices, among them variations of the Battle between Carnival and Lent. Over and beyond their religious significance, Lenten elements in drama and festival culture are frequently associated with aristocratic values and with repressive authority imposed from above, hostile to popular dreams of liberty and social equality. In the Stuart drama in particular, the monarchy, the aristocracy, and even the established church come under attack by means of reconfigured festive tropes. Theatrical representations of the festive world articulate plebian dissent and interrogate aristocratic prerogatives. They invoke carnal and comic energies to vie with the ascetic, the abstract, the repressive, and the solemn. Festival themes and forms protest the disappearance of traditional, communal life and the encroachment of the Age of Iron. However, despite a certain nostalgia occasionally attaching to them, these forms include within themselves modes of resistance and interrogation that are crucial to our attempts to grasp the larger picture of Renaissance cultural and political history.
Primary Texts:
Very brief excerpts (available online) from:
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491F 2022 W Credits: 3
Offerings in literary theory.
zeitlin-michael current-courseZEITLIN, MICHAEL
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006 | Seminar | 2 | W | 14:00 - 16:00 | Buchanan | ZEITLIN, MICHAEL | View On SSC launch |
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ZEITLIN, MICHAEL |
Some Dreamers of the Golden DreamIt has rightly been said that all great works of literature establish a genre or dissolve In this seminar we'll read some "special cases" published in the four decades following the end of the Second World War. Our main focus will be on how America is being imagined in these works, and (mis)remembered, suffered, dreamed, hallucinated, symbolically transformed, revealed. I take the seminar's title from an essay by Joan Didion in her collection Slouching Towards Bethlehem (1967). Additional primary readings will include J. D. Salinger, Nine Stories (1953); Sylvia Plath, The Bell Jar (1963); James Baldwin, The Fire Next Time (1963); Thomas Pynchon, The Crying of Lot 49 (1966); Don DeLillo, End Zone (1972); and Michael Herr, Dispatches (1977). We'll explore such scenes as the shadow of mass murder and atomic war in the Cold War era; the asylum; the militarized state; mass media and the image world; feminism; drugs, music, utopia, and alienation; racial violence and struggle; domestic terror and assassination; the American war in Vietnam as historical event and political unconscious. Two more recent works--Phil Klay's Redeployment (2014), about the American war in Iraq, and Ta-Nehisi Coates' Between the World and Me (2015), about the meaning and matter of black lives, will give us some valuable perspectives from which to look back upon "the immense panorama" (to steal T. S. Eliot's phrase) of post-WWII American history and culture. Students will write short essays; do short informal readings (aloud); give seminar presentations; conduct class discussions; write a longer research paper. Our essential activity throughout this seminar will be to practice the art of interpretation and close reading.
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491H 2022 S Credits: 3
Offerings in literary theory.
baxter-gisele-marie past-courseBAXTER, GISELE MARIE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | M, W | 12:00 - 14:00 | Buchanan | BAXTER, GISELE MARIE |
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BAXTER, GISELE MARIE |
Combined Literature Majors Seminar and Senior Honours Seminar (ENGL 490/491H) Horror/Science: Gothic Echoes in Science Fiction
Over 40 years ago, Patrick Brantlinger argued in “The Gothic Origins of Science Fiction” that a problem in reading Science Fiction as “realistic prophecy … arises from the fact that the conventions of science fiction derive from the conventions of fantasy and romance, and especially from those of the Gothic romance. Science fiction grows out of literary forms that are antithetical to realism.” More recently, two 2019 essays by Daniel Pietersen on Sublime Horror, “The universe is a haunted house – the Gothic roots of science fiction” and “Spiders and flies – the Gothic monsters of sci-fi horror,” explore the intersection of terror and horror tropes in what we can only call Gothic Science Fiction. This course is not about slick shiny optimistic visions of the future. It’s also not about magical and supernatural creatures (even if some of its characters might resemble them). It’s not about science research that has vastly benefitted worlds and their inhabitants: it’s about bizarre singular passion projects and their progeny, about science gone wrong, about the byways of pseudoscience and paranormal investigations. We will examine the theoretical bases of contemporary approaches to the Gothic and apply them to various examples of fiction and film. The text list will be finalized in the spring, but the foundation texts will be Frankenstein (1818 edition), The Strange Case of Dr Jekyll and Mr Hyde, and possibly The Island of Dr. Moreau. We will also examine a few modern/contemporary novels (possibilities include but are not limited to I Am Legend, The Haunting of Hill House, Black Sun Rising, The Passage, Gideon the Ninth) and one or two films (again, possibilities include but are not limited to Alien, Ex Machina, Blade Runner, Underworld, Annihilation). I will request that the UBC Library put Weird Fiction and Science at the Fin de Siècle and the edited collection Gothic Science Fiction 1980-2010 on reserve and will request that Gothic Science Fiction 1818-Present be ordered (preferably in an online version). Evaluation will tentatively be based on a seminar presentation, a formal research paper, contribution to discussion both in class and on the course’s Canvas site, introduction of a relevant critical/theoretical work and a primary text not on our finalized reading/viewing list, and a take-home final reflection essay. Please keep checking my blog for updates: https://blogs.ubc.ca/drgmbaxter/ |
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ENGLISH
Senior Honours Seminar - SR HONORS SEMNR1
ENGL 491J 2023 S Credits: 3
Offerings in literary theory.
earle-bo current-courseEARLE, BO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | T, Th | 10:00 - 12:00 | Buchanan | EARLE, BO |
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EARLE, BO |
[Cross-listed with ENGL 490-951] Love and Horror in Genre Fiction by Women
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ENGLISH
Research in English Studies
ENGL 500 2022 W Credits: 3
Required of all graduate students in the M.A. program. Pass/Fail.
mota-miguel current-courseMOTA, MIGUEL
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | Th | 12:30 - 14:30 | MOTA, MIGUEL | View On SSC launch |
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MOTA, MIGUEL |
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ENGLISH
Research in English Studies - RES ENGL STUDIES
ENGL 500B 2022 W Credits: 3
Required of all graduate students in the M.A. program. Pass/Fail.
frank-adam current-courseFRANK, ADAM
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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002 | Seminar | 1 | Th | 12:30 - 14:30 | Buchanan Tower | FRANK, ADAM | View On SSC launch |
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FRANK, ADAM |
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ENGLISH
Studies in Bibliography - BIBLIOGRAPHY
ENGL 501A 2022 W Credits: 3
chapman-mary-ann current-course
CHAPMAN, MARY ANN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | F | 9:30 - 12:30 | Buchanan Tower | CHAPMAN, MARY ANN | View On SSC launch |
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CHAPMAN, MARY ANN |
Digital Methods for Literary Study: Recovering Early Chinese Canadian Literature and HistoryThis course will develop students’ archival and digital research methods using Early Chinese Canadian literature and history as a case study. Drawing on digitized newspapers, Head Tax records, and other sources, students will build 4 digital projects—a WordPress biography of an early Chinese Canadian, a collaborative KnightLab Timeline, a collaborative Storymap, and a TEI-encoded digital edition—to share our research on early Chinese Canadian literature and authors. Each of these assignments will produce work to be shared via public-facing sites. We will pay particular attention to the lives and works of three early Chinese North American authors: 1) Edith Eaton (1865-1914), author of Mrs. Spring Fragrance (1912), who, as “Sui Sin Far,” penned sympathetic fictional and journalistic portraits of diasporic Chinese in Montreal and cities in the eastern and western US during the Yellow Peril era, and hundreds of uncollected works that I will share with students; 2) Her younger sister Winnifred Eaton Babcock Reeve (1875-1954), who published bestselling novels set in Japan while masquerading as Yokohama-born Japanese noblewoman “Onoto Watanna,” before abandoning this masquerade to lead Universal Studio’s screenwriting department, champion Canadian literature as President of Calgary’s branch of the Canadian Authors’ Association, found Alberta’s Little Theatre movement, and write moving realist fiction and journalism about life on the Canadian prairie; and 3) their mother Achuen “Grace” Amoy Eaton, author of an autobiographical serialized novella. Most classes will be a mix of discussion and hands-on digital research and writing. |
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01W | Waiting List | 2 | F | NSM | View On SSC launch |
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ENGLISH
Studies in English Historical Linguistics - ENG HIST LING
ENGL 507B 2022 W Credits: 3
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DOLLINGER, STEFAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | T | 17:00 - 20:00 | Buchanan Tower | DOLLINGER, STEFAN | View On SSC launch |
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DOLLINGER, STEFAN |
Language, Nation & Colonization: the role of English
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Linguistic Studies of Contemporary English - LING CNTMPRY ENG
ENGL 508A 2022 W Credits: 3
dancygier-barbara current-course
DANCYGIER, BARBARA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | M | 14:00 - 17:00 | Buchanan Tower | DANCYGIER, BARBARA | View On SSC launch |
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DANCYGIER, BARBARA |
Introducing Multimodal Poetics: conceptual viewpoint, language, and imagesConceptual structures participate in meaning construction in all communicative contexts. In processing language and other communicative artifacts we are not simply relying on the meanings of words and the use of grammatical structures. More accurately, we are using such forms as prompts for mental construction of meanings. In the course, students will be introduced to several cognitive theories of meaning emergence (conceptual metaphor, blending, conceptual viewpoint, multimodal communication). We will apply the theories to a range of phenomena, especially those which participate in the expression of viewpoint. We will start with theoretical concepts, as applied to language and to narratives, to then consider various genres of multimodal expression. Students will familiarize themselves with the methodologies, to then apply the concepts in the area of communication of their choice. Students will be encouraged to explore various areas of usage, literary or non-literary, to uncover the interpretive potential of the theories in focus and develop their own research projects. Readings will include a variety of scholarly articles and book chapters on cognitive approaches to figurative language, narrative, and multimodal artifacts (such as cartoons, advertisements, or internet memes). All readings will be available online, via Library e-Resources.
Selected references:
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Studies in Rhetoric - STDS RHETORIC
ENGL 509A 2022 W Credits: 3
hill-ian current-course
HILL, IAN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | Th | 9:00 - 12:00 | Buchanan Tower | HILL, IAN | View On SSC launch |
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HILL, IAN |
Theories of World RhetoricsThis course explores rhetorical theory beyond the Greco-Roman and Western traditions (e.g. Aristotle, Cicero, & Burke) by delving into a range of diverse rhetorical treatises from across time and space. To ground the class in the field’s Greek origins the class begins with Aristotle’s Rhetoric as an exemplar from the Greco-Roman tradition, which will lead into an overview of the still-nascent field of Comparative Rhetoric. Other readings might include ancient Egyptian wisdom literature, the Ethiopian philosophical treatises of Zär'a Yə‘qob and Wäldä Ḥəywåt, a survey of Qur’anic rhetoric’s inimitability, such as that of al-Jurjani, an excerpt of al-Rāzī’s Qur’anic exegesis, a sampling of Daoist rhetorical writings by Wen Tzu, Chuang Tzu, Xunxi, and others, Nagarjuna’s esoteric Buddhist logic The Dispeller of Disputes, the Chāndogya Upanishad, which explores the relationship of speech to Vedic divinity, a more contemporary look at the state of rhetoric on the Indian subcontinent with Amartya Sen’s The Argumentative Indian, a selection of Mao Tse Tung’s speeches and writings about propaganda, and/or other similarly divergent texts that display a variety of historical world rhetorics. |
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Middle English Studies - MID ENGL STUDIES
ENGL 512A 2022 W Credits: 3
pareles-mo current-course
PARELES, MO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | W | 9:30 - 12:30 | Buchanan Tower | PARELES, MO | View On SSC launch |
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PARELES, MO |
Medieval Humans and/as Beasts
Much medieval cultural production rebukes humanist narcissism: in premodern literature we see hybrid human-animal saints, birdsong drowning out human speech, and wild predators as moral actors. But other literature—for instance, English and French devotional poetry in which the child Jesus gleefully turns Jews into pigs—demonstrates that medieval authors were well-versed in species denigration as a racial, religious, and sexual cudgel. This graduate medieval studies seminar examines the boundary between humans and beasts, interrogating how racial, sexual, and other forms of difference overlap with human-animal difference in medieval literature and culture. We will also consider when and how questions of sovereignty and subordination, linguistic difference, disability, childhood, and queerness become affiliated with the bestial. Primary texts may include Ibn Khālawayh’s Names of the Lion, the alliterative Middle English Siege of Jerusalem, the Brethren of Purity’s The Case of the Animals versus Man Before the King of the Jinn, Marie de France’sBisclavret, Gerald of Wales’s History and Topography of Ireland, gruesome miracle tales such as The Cannibal of Qəmər and The Children of the Oven, and homoerotic love poetry. Theoretical texts will include work by Gilles Deleuze and Félix Guattari, Mel Y. Chen, Bénédicte Boisseron, Karl Steel, Che Gossett, and Tavia Nyong’o. Student evaluation is based on seminar participation (20%), presentation (20%), research abstract and bibliography (20%), and conference paper (40%). |
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Studies in the Renaissance - ST'S RENAISSANCE
ENGL 514A 2022 W Credits: 3
britton-dennis current-course
BRITTON, DENNIS
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001 | Seminar | 2 | T | 9:30 - 12:30 | Buchanan Tower | BRITTON, DENNIS | View On SSC launch |
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BRITTON, DENNIS |
Feeling Race on the Early Modern English StageEarly modern English men and women increasingly came into contact—via travel, travel writing, and plays—with non-European peoples, and this contact inspired a host of feelings. This seminar will examine the intersections of race and feeling on the early modern English stage. We will consider how playwrights attempt to shape how audiences feel about non-White people, and how such feelings participate in the production of racial difference, especially whiteness. We will investigate the work that early modern English plays did within what scholars of emotion call “emotional communities”—composed of people who are moved by similar interests and values—to legitimize race and racism. Feelings are messy things, however; we will also have to ask if feelings potentially undermine the very racializing structures they are being deployed to create. Our early modern English texts will include selections from Richard Hakluyt’s Principle Navigations, George Peele’s The Battle of Alcazar, Christopher Marlowe’s The Jew of Malta, William Shakespeare’s Titus Andronicus, Love’s Labour’s Lost, The Merchant of Venice, Othello, Antony and Cleopatra, and The Tempest, Thomas Heywood’s Fair Maid of the West, John Fletcher’s The Island Princess, and Elizabeth Cary’s The Tragedy of Mariam. Our readings of early modern texts will be aided by literary criticism, critical race studies, the history of emotion, and scholarship on emotions from the social sciences and critical theory. Assignments: weekly 1-2-page response papers, an oral presentation, and a seminar paper. |
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ENGLISH
Studies in the Eighteenth Century - STUDIES 18TH C
ENGL 525B 2022 W Credits: 3
hudson-nicholas-james current-course
HUDSON, NICHOLAS JAMES
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001 | Seminar | 1 | Th | 9:30 - 12:30 | Buchanan Tower | HUDSON, NICHOLAS JAMES | View On SSC launch |
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HUDSON, NICHOLAS JAMES |
Ideologies of Race, Sex and Gender, 1660-1800Among other revolutionary developments of this era, eighteenth-century philosophy, literature and culture developed ideas of race and gender that remained widely accepted until recently. Eighteenth-century writers legitimized the belief that the human species is divided into five or six “races” that were innately distinct, with the white or “Caucausian” race at the top of a hierarchy. In terms of gender, Michel Foucault, Thomas Laqueur and other theorists have argued that the eighteenth century constructed a “two-sex” model of heteronormativity which made men and women innately distinct. In other words, “race” and “gender” are temporally co-extensive ideologies that emerged under the same social and political conditions. The aim of this seminar will be to explore how these ideologies of race, sex and gender were interrelated in a more general field of power. We will consider, for example, how early modern notions of non-European “barbaric” sexual profligacy and potency gave way, in some quarters, to ideas of the “effeminized” and passive African, Asian and indigenous American. Miscegenation became a widespread trope in British drama and poetry, as in the many versions of Oroonoko, a phenomenon that begs the question of how sexuality affected the campaign to abolish the slave-trade at the same time. The appropriation of “virgin” territory became an important trope in imperialistic discourse during the creation of the first and second British Empires. Historical literary figures such as Cleopatra and Dido began to be reimagined as Black. In summary, race and gender are overlapping forms of discourse whose historical interconnections continue to shed light on our own times. Texts: Background theory: selections from Michel Foucault, Judith Butler, Thomas Laqueur, Anne McClintock, Felicity Nussbaum, Sander Gilman and others Primary Texts will include: Aphra Behn Oroonoko and dramatic adaptations; Lady Mary Wortley Montagu, Turkish Embassy Letters; George Colman, Inkle and Yarico and other versions of this legend; Mungo Park, Travels into the Interior of Africa; Phillis Wheatley, selected poems; Anon., A Woman of Colour; eighteenth-century adaptations of Othello; Thomas Day and John Bicknell, The Dying Negro; Hannah More, Slavery; William Dodd, The African Prince; John Shebbeare, Lydia; literature on the British Empire in India |
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ENGLISH
Studies in the Romantic Period - ROMANTIC PERIOD
ENGL 530A 2022 S Credits: 3
earle-bo past-course
EARLE, BO
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | T, Th | 10:00 - 13:00 | Buchanan Tower | EARLE, BO |
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EARLE, BO |
Frankenstein's Ancestry and OffspringMary Shelley’s classic novel about the technological engineering of a person has itself engendered radically new ways of conceiving and propagating personhood. Critical discourses like posthumanism, methodologies like media studies, and practices like virtual reality, social media, video games and viral communication are anticipated by this self-consciously prophetic work whose historical relevance seems uncannily only to increase over time. We will use the novel as a springboard to consider an array of texts from prehistory to the present, across domains including theory, fiction, poetry and film. We will also use Frankenstein’s farflung pedigree and progeny to re-focus Romanticism and the treatment of procreative technology in other Romantic period writing. Besides recent posthumanist and media theory, we will focus on variations of the myth of Prometheus and story of Adam and Eve in horror and sci-fi literature and film. In the spirit of the novel, this seminar is an experiment, exploring an eclectic selection of texts to see what sparks are generated, and students are encouraged to suggest additions. |
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ENGLISH
Studies in the Victorian Period - STD IN VICT ERA
ENGL 535A 2022 W Credits: 3
dalziel-pamela current-course
DALZIEL, PAMELA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | T | 14:00 - 17:00 | Buchanan Tower | DALZIEL, PAMELA | View On SSC launch |
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DALZIEL, PAMELA |
Victorian Fiction and Print CulturesThis seminar will situate five canonical works of fiction in relation to the mid- and late Victorian print cultures that produced them: Charles Dickens’s Bleak House, Lewis Carroll’s Alice’s Adventures in Wonderland, George Eliot’s Middlemarch, Thomas Hardy’s The Mayor of Casterbridge, and Oscar Wilde’s A House of Pomegranates. Working with copies of the earliest publications (available in Rare Books and Special Collections and/or in my personal collection), we will explore how the material form and publication of a work – including whether it was first published serially or in its entirety and the ways in which publishers targeted particular types (sometimes classes) of readers – affected the reading experience. What difference does it make to read Bleak House in nineteen monthly parts, with each instalment of Dickens’s text preceded by Hablot K. Browne’s (Phiz’s) illustrated cover, the “Bleak House Advertiser,” and two (four in the final double number) Phiz plates, or in the first edition with Phiz’s illustrations interspersed throughout the volume? Or Middlemarch in eight parts (with advertisements and decorated wrappers) or in the four-volume first edition? How does reading Alice’s Adventures in Wonderland in the first edition, for which the placement of John Tenniel’s illustrations was carefully planned by both Tenniel and Carroll, influence the interpretation of the text? What effect does the format of The Graphic: An Illustrated Weekly Newspaper – its folio-size pages, high-quality illustrations, and emphasis on news stories – have on reading the serialized Mayor of Casterbridge, illustrated by Robert Barnes? How does this experience differ from reading the heavily revised, unillustrated novel one volume at a time as borrowed from a lending library? How do the material aspects of A House of Pomegranates – for example, the binding, the cover design, and the illustrations by Charles Ricketts and Charles Shannon – help to define the volume as a work of the Aesthetic movement and/or as a collection of fairy tales? Because four of our five texts are illustrated we will discuss Victorian ways of seeing as well as ways of reading, both of which have been extensively analyzed and theorized in recent years. Print- and visual-culture readings will include work by Gillian Beer, Monica F. Cohen, Gerard Curtis, Simon Eliot, Kamilla Elliott, Kate Flint, Nicholas Frankel, Helen Groth, Josephine M. Guy and Ian Small, Zoe Jaques and Eugene Giddens, John O. Jordan, Anna Kérchy, Amanda Lastoria, Thomas Leitch, Richard Menke, Robert L. Patten, Clare Pettitt, Leah Price, Jonathan Rose, Stuart Sillars, Emily Steinlight, Rosemarie C. Sultan, Julia Thomas, and Mou-Lon Wong. We will also explore how one of our texts, Alice’s Adventures in Wonderland, functions in relation to twentieth- and twenty-first-century print/visual cultures, discussing a selection of illustrated editions in RBSC’s “Alice 100” collection, as well as – depending on the interests of the seminar participants – adaptations, transmediations, and manifestations of Alice as culture-text, a text that occupies such a prominent place in the popular imagination that it is collectively known and “remembered” even when the original work has never been read. While discussing the literary works in relation to print culture will be central to our seminar, we will also explore other aspects of our texts. Students will be encouraged to give presentations and to write papers on any topics of interest raised by these works. |
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ENGLISH
Studies in the Twentieth Century - STUDIES 20TH C
ENGL 539A 2022 W Credits: 3
paltin-judith current-course
PALTIN, JUDITH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | M | 9:30 - 12:30 | Buchanan Tower | PALTIN, JUDITH | View On SSC launch |
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PALTIN, JUDITH |
Exilic ModernismsThis course looks especially but not exclusively to the revolutionary and radical lefts of modernism, including avant-garde, queer, anti-racist, anti-colonial, socialist, and feminist writers, in order to understand the relationship of modernist literary practice to modernist commitments, and whether or what in modernism is antagonistic to fascism, as well as to what new politics were being generated, if any.
Texts will likely include Franz Kafka, James Baldwin, Nella Larsen, Katherine Mansfield, Rebecca West, Djuna Barnes, Jean Rhys, James Joyce, Sean O’Casey, Samuel Beckett, Gertrude Stein, George Orwell, Theodor Adorno and other Frankfurt School writers, Etienne Balibar, Rosi Braidotti, Edward Said, Ernesto Laclau, Chantal Mouffe. |
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ENGLISH
Studies in American Literature to 1890 - AMER LIT TO 1890
ENGL 540B 2022 W Credits: 3
tomc-sandra current-course
TOMC, SANDRA
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001 | Seminar | 2 | T | 13:30 - 16:30 | Buchanan Tower | TOMC, SANDRA | View On SSC launch |
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TOMC, SANDRA |
Folk HorrorIn the early nineteenth-century, intellectuals in the United States, Britain, and Europe became fascinated with the culture of what was called the “folk.” Indicating population pockets that allegedly had not yet entered modernity (and in some cases, it was believed, never would enter modernity), the “folk” were a vital source of myth and fictional narrative for Western romanticism, providing modern nations and peoples with deep time histories and legendary authorizations for current power. In this course we will read and watch works from within a subset of folk narrative called folk horror. Unlike conventional gothic horror stories, which often focus on the malevolence of bygone aristocratic, monarchical, and religious formations, folk horror posits the haunting of modernity by a primitive past, whether an unfamiliar group of people/creatures or set of ancient stories that modernity has forgotten or failed to overcome. Folk horror has also, importantly, been utilized to relay the experiences and histories of marginalized groups. In this course, we will study several folk horror tales and films with a view to understanding their relationship to the development of modern nationalisms and to racialized and evolutionary historiography. In addition to studying works of fiction, we will also read theoretical works linked to the gothic and to critical race, decolonial, and feminist theory. We will read Washington Irving, Nathaniel Hawthorne, Edgar Allan Poe, Angela Carter, Toni Morrison, and Cherie Dimaline. We will also watch the following films: The Wicker Man, The Witch, Us, and Midsommer. We will read Sigmund Freud, Julia Kristeva, Étienne Balibar, Slavoj Žižek, Susan Stewart, Tzvetan Todorov, Hortense Spillers, Alexander G. Weheliye, and Christina Sharpe.
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ENGLISH
Studies in American Literature Since 1890 - AMER LIT 1890 ON
ENGL 541A 2022 W Credits: 3
severs-jeffrey current-course
SEVERS, JEFFREY
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001 | Seminar | 1 | T | 9:30 - 12:30 | Buchanan Tower | SEVERS, JEFFREY | View On SSC launch |
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SEVERS, JEFFREY |
Contemporary U.S. Novel: DeLillo, Morrison, Lee
This seminar will examine in depth works from the 1970s to the 2010s by three of the great U.S. novelists: Don DeLillo, Toni Morrison, and Chang-rae Lee. Readings will include most or all of the following over the 13 weeks of the term: DeLillo’s Americana (1971), The Names (1982), and Libra (1988); Morrison’s Song of Solomon (1977), Jazz (1992), and Paradise (1997); and Lee’s Native Speaker (1995), A Gesture Life (1999), and On Such a Full Sea (2014). Our goal will in part be to understand 40 to 50 years of literary and cultural history through figures who, in their monumental power and reach, tend to embody certain periodizing and otherwise explanatory categories but also trouble their boundaries and distinctions, whether those categories be (to name only a few) modernism, postmodernism, paranoia, twentieth-century African American novels, contemporary U.S. literature, historical fiction, transnational U.S. fiction, or immigrant writing. We will also be on the lookout for hidden symmetries and unexpected lines of influence. The focus will be on close examination of the novels and on two major writing assignments by each student: a seminar paper of about five pages that will form the basis of discussion in most weeks; and a final research paper at the end of term. Students will also lead discussion in selected weeks and write discussion posts. Essays from each novelist will be part of our reading, and criticism on the syllabus, invoking a wide range of theoretical paradigms, will come from David Cowart, John McClure, Mark McGurl, Chris Lee, Lavinia Delois Jennings, Kenneth Warren, John K. Young, Amy Hungerford, and others. |
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ENGLISH
Studies in Canadian Literature - STUDIES CAN LIT
ENGL 545B 2022 W Credits: 3
kim-christine current-course
KIM, CHRISTINE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | F | 9:30 - 12:30 | Buchanan Tower | KIM, CHRISTINE | View On SSC launch |
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KIM, CHRISTINE |
Indigenous and Racial Critique in Canada
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ENGLISH
Studies in Commonwealth/Post-colonial Literatures - CMMNWLTH/POSTCOL
ENGL 546A 2022 S Credits: 3
lee-christopher past-course
LEE, CHRISTOPHER
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Seminar | 1 | M, W | 10:00 - 13:00 | Buchanan Tower | LEE, CHRISTOPHER |
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LEE, CHRISTOPHER |
Racial Capitalism and Asian Migration (or, Theorizing Race and Capital in British Columbia)In recent years, scholarshi on racial capitalism has shown how racialization precedes, and remains fundamental to, the production and accumulation of value under capitalism. This approach highlights the ongoing centrality of racial violence while questioning narratives of social progress as well as identity-based approaches to racial justice. The relationship between racial capitalism and the racialization of Asian migrant communities remains a rich area for exploration and research and in this sense, racial capitalism offers a potentially powerful framework for understanding the relationship between race, capital, and power in places such as British Columbia that have been formed through global migrations that take place under colonial and imperial regimes. Accordingly, this course has three goals: (1) survey key concepts and arguments in studies of racial capitalism; (2) contextualize these arguments in relationship to histories and experiences of Asian migration, particularly in the West Coast of North America; (3) connect our readings and discussions to local Asian Canadian cultural production, historical memorials, and community organizations. Theoretical readings may include texts by Karl Marx, Cedric Robinson, David Harvey, Ruth Wilson Gilmore, Glen Coulthard, Lisa Lowe, Harry Harootunian, erin Ninh, Nikhil Pal Singh, Radhika Mongia and others. As much as possible, this intense summer seminar will try to introduce and connect students to local cultural production and community organizations. As a result, I am hoping planning to spend a significant portion of class time away from UBC campus and students should be aware this course will include regular travel within the Greater Vancouver area. All that said, the uncertainties caused by the ongoing COVID-19 pandemic means that these plans are still tentative and will not be confirmed until later this Spring. I will contact students then with more details about how this course will be organized, as well as a more detailed reading and assignment schedule. Students interested in this course are welcome to contact me ahead of time with any questions or concerns. |
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ENGLISH
Studies in Commonwealth/Post-colonial Literatures - CMMNWLTH/POSTCOL
ENGL 546B 2022 W Credits: 3
al-kassim-dina current-course
AL-KASSIM, DINA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | Th | 14:30 - 17:30 | Buchanan Tower | AL-KASSIM, DINA | View On SSC launch |
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AL-KASSIM, DINA |
From 'Alienation to Liberty': Anti/Post/Decolonial Studies in SubjectivityA recently translated volume of Frantz Fanon’s writings introduces the Anglophone audience to Fanon as playwright, psychiatrist and decolonial ‘alienist.’ In our contemporary context of racial reckoning for histories of coloniality, the link between “thought disorder” (Wang) and social in/justice remains a critical connection for politically-engaged literature. Africa is central to the rise of modern psychiatry and the invention of “big pharma” in psychiatric treatment globally. Alongside the colonial production of medical knowledge, anti-racist and anti-colonial theories of subjectivity have likewise been central to the political project of decolonization. Despite the long tradition of anti-colonial writing that explores liminal mental states, “mad studies,” an offshoot of medical humanities, only glancingly references Fanon while taking its place as a new form of anti-psychiatry. This course remedies this deficit by introducing students to Fanon’s thought, writing and his practice of “institutional psychotherapy”, which re-imagines treatment as a passage from alienation to liberty. We will read a selection of anti-racist fiction/poetry from Africa, Canada, the UK and the US that takes psychiatric stigma as key to the social construction of race. Along the way, we will read a range of works in medical humanities, postcolonial studies, literary studies and critical theory. Readings will include...see full description |
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ENGLISH
Directed Reading - DIRECTED READING
ENGL 547B 2022 S Credits: 3
past-course
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972 | Directed Studies | 2 | NSM |
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ENGLISH
Directed Reading - DIRECTED READING
ENGL 547C 2022 S Credits: 6
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942 | Directed Studies | 1-2 | NSM |
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ENGLISH
Master's Thesis - MASTERS THESIS
ENGL 549C 2022 S Credits: 9
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ENGLISH
Studies in Literary Movements - ST'S LIT MOVEMNT
ENGL 551A 2022 W Credits: 3
Indigenous (Literary) Networks Although ‘Indigenous literature’ often becomes a shorthand for the writing of Indigenous communities from a particular country, the term ‘Indigenous’ can draw our attention to networks that are not bounded by states. In this course we will think about Indigenous creative texts in the context of global Indigenous networks as well as in…
te-punga-somerville-alice current-courseTE PUNGA SOMERVILLE, ALICE
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | F | 13:30 - 16:30 | Buchanan Tower | TE PUNGA SOMERVILLE, ALICE | View On SSC launch |
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TE PUNGA SOMERVILLE, ALICE |
Indigenous (Literary) NetworksAlthough ‘Indigenous literature’ often becomes a shorthand for the writing of Indigenous communities from a particular country, the term ‘Indigenous’ can draw our attention to networks that are not bounded by states. In this course we will think about Indigenous creative texts in the context of global Indigenous networks as well as in the context of other intellectual and activist work of the specific Indigenous communities from which they emerge. We will also think about a particular history and function of anthologies in Indigenous literary worlds, and will consider what insights Indigenous literary networks can contribute to how we understand other (activist, diplomatic, cultural, environmental) Indigenous networks.
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ENGLISH
Studies in Literary Theory - ST'S LIT THEORY
ENGL 553A 2022 W Credits: 3
bain-kimberly current-course
BAIN, KIMBERLY
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001 | Seminar | 1 | M | 9:30 - 12:30 | Buchanan Tower | BAIN, KIMBERLY | View On SSC launch |
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BAIN, KIMBERLY |
Racial Capitalism in the FleshChattel slavery and Indigenous dispossession were central to the origins of capitalism. Yet it is only in recent years, due to scholars and activists’ efforts to expose the ongoing legacy of New World slavery, that the term "racial capitalism" has entered common parlance. In order to better grasp the violent conditions that undergird our contemporary moment, this course focuses on the theories, histories, and philosophies of racial capitalism from its origins to the contemporary moment. In particular, we will trace the connections between capitalism, enslavement, racialization, and so forth across time, metaphor, materiality, and geography (with particular focus on the Caribbean and the North American context). Although this is a theory focused course, we will take an expansive understanding what counts as "theory." As such, we will delve into a wide range of disciplines and forms. While students can expect to read critical work by Cedric Robinson, Saidiya Hartman, Jodi Melamed, Lisa Lowe, Cheryl Harris, and other, students can also look forward to reading novels and poetry, watching films, listening to podcasts and music, engaging with visual artwork, and playing video games as part of the course. |
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ENGLISH
Studies in Literary Theory - ST'S LIT THEORY
ENGL 553B 2022 W Credits: 3
hunt-dallas current-course
HUNT, DALLAS
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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002 | Seminar | 2 | W | 9:30 - 12:30 | Buchanan Tower | HUNT, DALLAS | View On SSC launch |
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HUNT, DALLAS |
Books, Boats, and Blockades: Modes of Indigenous ResurgenceThis graduate course will think through questions about settler colonial capitalism, resource extraction, and Indigenous communities' resistance(s) to these efforts. The course will focus primarily on state structures in what is currently a Canadian and U.S. context, and how these Western political formations come into conflict/contention with Indigenous assertions of self-determination, stewardship, and anti-capitalist modes of being. In particular, we will examine some of the diverse ways in which creative and critical Indigenous theory texts and other modes of cultural production, as well as direct action or activism, contest the dominant forms of accumulation and extractivism present throughout what is currently called North America. This engagement will foster an understanding of how Indigenous studies conceptualizes and addresses the diversity of Indigenous political acts and movements, throughout history, and will take up the work of Audra Simpson, Glen Coulthard, Joshua Clover, Rob Nichols, Leanne Simpson, among others. We will address and ground Indigenous notions of anti-capitalism through books, blockades, and forms of protest, and how interrogate how these notions interface or come into conflict with states currently situated on Turtle Island. |
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02W | Waiting List | 2 | W | NSM | View On SSC launch |
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ENGLISH
Studies in Literature and the Other Arts - STDIES LIT/ARTS
ENGL 555A 2022 W Credits: 3
burgess-miranda current-course
BURGESS, MIRANDA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | W | 13:30 - 16:30 | Buchanan Tower | BURGESS, MIRANDA | View On SSC launch |
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BURGESS, MIRANDA |
Remediating Print in History and TheoryStudies in Literature and the Other Arts This seminar will explore the media ecology of eighteenth-century and long-Romantic-period print, taking up topics that will include media archeology (including the histories of raw materials and infrastructure), media ecology (relations and networks connecting print with other media and material culture in the period), the labour history of media-making, and the ways these topics have been recorded in the literature about print and books in the period 1700-1860 and addressed in the writing of book and media history from the late 20th century to the present. A mix of workshop/lab-based instruction and discussion of readings, the course will ask students to practice at the same time as they consider the description and discussion of manuscript writing, ink-making, papermaking and bookbinding, engraving, and letterpress printing from the early modern period through the mid-nineteenth century. The course will focus on Britain and the Atlantic basin; depending on student interest, we can work together to develop readings and discussions of the Indigenous and East Asian aspects of the print-historical field, and explore connections with the book- and print history of what is currently called British Columbia. Seminar participants will produce a reading journal with reflections and a practice notebook with reflections, as well as a conference paper. We will also research and produce a collaborative online exhibition on the modalities, objects, and networks of early print that draws on the resources of UBC’s Rare Books and Special Collections. Preliminary/ partial reading list: Solveig Robinson, The Book in Society: An Introduction to Print Culture (Broadview, 2013) David Finkelstein and Alastair McCreery, The Book History Reader (Routledge, 2nd ed. 2006) Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936; Schriften, 1955) Raymond Williams, “Media” and “Mediation,” in Keywords, 2nd ed. (Verso, 1983), 203-208 John Guillory, “Genesis of the Media Concept,” Critical Inquiry 36, 2 (2010): 321-362 Pamela Smith, “In the Workshop of History,” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 19.1 (2012): 4-31 Leah Price, How to Do Things with Books in Victorian Britain (Princeton UP, 2013) Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents (Duke UP, 2014) The Multigraph Collective, Interacting with Print: Elements of Reading in the Era of Print Saturation (U of Chicago P, 2018) Jonathan Senchyne, The Intimacy of Paper in Early and Nineteenth-Century American Literature (U of Massachusetts P, 2019) Tiffany Lethabo King, The Black Shoals (Duke UP, 2019) Danielle Skeehan, The Fabric of Empire: Material and Literary Cultures of the Global Atlantic, 1650-1850 (Johns Hopkins UP, 2020) |
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01W | Waiting List | 1 | W | NSM | View On SSC launch |
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ENGLISH
Studies in Literature and the Other Arts - STDIES LIT/ARTS
ENGL 555A 2023 S Credits: 3
deer-glenn current-course
DEER, GLENN
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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951 | Seminar | 2 | T, Th | 11:00 - 14:00 | Buchanan Tower | DEER, GLENN |
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DEER, GLENN |
The Culinary ImaginationSee full seminar description [PDF] Food, cooking, and eating have long histories of being recorded, prescribed, celebrated, and mythologized through literary art and more recently through film. Contemporary audiences for discourses of food and displays of culinary art are often conscripted into positions as apprentice cooks, competing chefs, curious consumers, critical reviewers, or hungry foodie voyeurs caught in the mania of contemporary desire for food substitutes delivered in textual and filmic forms. This course will explore food in literature, particularly life narratives, cookbook selections, and films across different cultures and borders, from the transnational to local Vancouver contexts. The production of food is essentially linked to histories of empire, colonial power, capital, racialized and gendered labour, and ecological change. Our discussions will explore these intersections. Course Requirements: 1) Participation in the discussion of readings, topics, and questions: 10% See full seminar description [PDF] |
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95W | Waiting List | 2 | NSM |
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ENGLISH
Topics in Science and Technology Studies - TOPICS IN STS
ENGL 561A 2022 W Credits: 3
The History and Politics of Information INSTRUCTOR: KAVITA PHILIP [Cross-listed with LIBR 569B] We understand ourselves to be living in the Age of Information. How do scholars, activists, and artists understand the nature of the “revolution” that brought this Age into being? How has it reconstituted subjectivity, society, economics, and geopolitics? What changes has this…
philip-kavita current-coursePHILIP, KAVITA
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 1 | Th | 15:00 - 18:00 | Buchanan Tower | PHILIP, KAVITA | View On SSC launch |
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PHILIP, KAVITA |
The History and Politics of InformationThis course is an introduction to the transnational politics of information. We understand ourselves to be living in the Age of Information. How do scholars, activists, and artists understand the nature of the “revolution” that brought this Age into being? How has it reconstituted subjectivity, society, economics, and geopolitics? What changes has this brought to the arts, humanities, and culture? Examining the rise of digital information and its consequences, we ask whether the information revolution has drawn historical patterns of inequality (including race, gender, orientalism, and post-colonial geopolitics) into new political configurations. We pursue a long historical view, a global political perspective, and a cultural analysis. Readings are drawn from a range of disciplines. For example, we will read texts by speculative fiction writer Samuel Delany, information scholars Paul Edwards and Eden Medina, feminist STS scholar Donna Haraway, critical legal and Black studies scholar Stephen Best, digital media scholar Wendy Chun, and anthropologist Brian Larkin, as well as engage critically with “primary texts” and source material from the history of computing, information, and media arts. |
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01W | Waiting List | 1 | Th | NSM | View On SSC launch |
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ENGLISH
Studies in Environmental Humanities - STDS ENVR HUMAN
ENGL 565A 2022 W Credits: 3
Advanced seminar on arts and humanities research related to ecology and environmentalism.
mallipeddi-ramesh current-courseMALLIPEDDI, RAMESH
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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001 | Seminar | 2 | F | 13:00 - 16:00 | Buchanan Tower | MALLIPEDDI, RAMESH | View On SSC launch |
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MALLIPEDDI, RAMESH |
From the Great Transformation to the Great Acceleration: Race and Ecology, 1650-1838The Great Acceleration refers to a period in modern history when the human imprint on the planet’s geology and ecosystems began to increase considerably. The 24 global indicators— consisting of socio-economic as well as earth-system trends—prepared by the researchers at IGBP (International Geosphere-Biosphere Program) to trace changes in the Earth System between 1750 and 2010 have become pivotal to discussions of anthropogenic climate change. Yet, it’s seldom recalled that the phrase “Great Acceleration” was inspired by and modeled after The Great Transformation: The Political and Economic Origins of Our Time (1944), Karl Polyani’s magisterial account of the rise of market society. In fact, a generation of environmental historians—from Alfred Crosby, Richard Grove, and William Cronon to J.R. McNeill and Carolyn Merchant—have offered compelling analyses of the interface between the economy and ecology on regional, national, and global scales. Recent work on the Anthropocene, however, has not always acknowledged or entered into conversation with these earlier environmental or ecological histories. This course explores points of convergence between environmental historiography and Anthropocene critique by focusing on a specific instance of the Great Acceleration, the Plantationocene—a proposed alternate name for the epoch often called the Anthropocene. We’ll concentrate on texts from the Long Eighteenth Century to trace the economic and ecological shifts the plantation system engendered, tracing how it reconfigured relations between bodies, labor, capital, and land over two centuries. We will also consider other ways of naming the current epoch, such as Capitalocene and Chthulucene. Readings will include Alfred Crosby, The Columbian Exchange (1972), William Cronon, Changes in the Land (1973), Sidney Mintz, Sweetness and Power (1985), William Shakespeare, The Tempest (1607), Richard Ligon, A True and Exact History of Barbados (1655), Aphra Behn, Oroonoko (1688), Matthew Lewis, Journal of a West India Proprietor (1834), Mary Prince, The History of Mary Prince (1838), James Grainger, The Sugarcane (1764). We’ll read these texts in conjunction with a set of major interventions in environmental humanities by Donna Haraway, Anna Tsing, Jason Moore, Bruno Latour, Sylvia Winter, and Dipesh Chakraborty. |
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01W | Waiting List | 2 | F | NSM | View On SSC launch |
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ENGLISH
Studies in Environmental Humanities - STDS ENVR HUMAN
ENGL 565A 2023 S Credits: 3
Advanced seminar on arts and humanities research related to ecology and environmentalism.
nardizzi-vincent current-courseNARDIZZI, VINCENT
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | ||||||||||||||||||
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921 | Seminar | 1 | M, Th | 10:00 - 13:00 | Buchanan Tower | NARDIZZI, VINCENT |
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NARDIZZI, VINCENT |
The Plant SeminarSee full course description [PDF] This seminar is an introduction to the multidisciplinary field of “critical plant studies.” Our guiding question may seem simple: What is a plant? A dictionary can provide us with a quick, text-book answer. You could also point to a tree or flower, and say “That!” So, in this seminar, let’s ask an even more specific question: What in the Arts is a plant? This ramifies in unexpected ways, and it will be our task in this seminar to trace some of these branches across the Environmental Humanities. We’ll investigate this question from an array of disciplines: philosophy, Indigenous (Potawatomi) storytelling, anthropology, history, landscape design, the visual arts, film, and literary writing (poetry, memoir, short fiction). Along the way, we might find that “the Arts” is a too-limited rubric. And throughout we’ll keep a sharp eye on matters pertaining to gender, sexuality, and queerness. Expect materials to be set up in nodes that mix disciplinary perspectives:
Students will deliver a seminar presentation and submit a final essay, which need not focus on a specific plant-text on this syllabus. |
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92W | Waiting List | 1 | NSM |
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ENGLISH
Doctoral Dissertation
ENGL 649 2022 S Credits: 0
past-course
SECTION | ACTIVITY | TERM | DAYS(S) | TIMES(S) | LOCATION(S) | INSTRUCTORS | INSTRUCTORS | DESCRIPTION | REQUIRED TEXTS | EVALUATION | DETAILS | |||||||||||||
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941 | Thesis | 1-2 | NSM |
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942 | Thesis | 1 | NSM |
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971 | Thesis | 2 | NSM |
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