Jack Stewart, professor emeritus, is the author of Color, Space, and Creativity: Art and Ontology in Five British Writers (2008; illustrated in color), The Vital Art of D. H. Lawrence: Vision and Expression (1999; illustrated), and The Incandescent Word: The Poetic Vision of Michael Bullock (1990). He has published numerous essays on literature and painting, landscape and travel, ecology and ontology, including, most recently:

“Fairytale Elements in D. H. Lawrence’s ‘The Rocking-Horse Winner’ and ‘The Man Who Loved Islands.’” Symbolism: An International Annual of Critical Aesthetics, vol. 18 Berlin/Boston: De Gruyter, 2018. 155-79.

“Paintings.” D. H. Lawrence in Context. Ed. Andrew Harrison. Cambridge: Cambridge University Press, 2018. Chapter 16: 161-70.

“Art Nouveau and Interarts in A. S. Byatt’s The Children’s Book.” Symbolism, vol. 19. Berlin/Boston: De Gruyter, 2019. 265-92.

“Landscape and D. H. Lawrence,” D. H. Lawrence Review 44:1 (2019). Forthcoming.