The English Language: A Linguistic History

The English Language: A Linguistic History

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Oxford University Press

2016

The English Language is an essential survey of the development of the language from its Indo-European past to the present day. The early chapters introduce students to the fundamental concepts they will need in order to understand phonological, morphological, syntactic, orthographic, semantic, and lexical changes in the language, before tracing the language’s development through each of its major periods. The second edition offers enhanced discussion of such cutting-edge topics as the effects of media on language; the socio-cultural causes of change; computer-mediated communications; text messaging; and the sources and dialects of present day English. Current and in-depth, with a new quick reference guide and a comprehensive timeline of major events, the second edition is a compelling, invaluable resource on the history of the English language.

 

 

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About the Authors

Leslie Arnovick and Laurel J. Brinton

Leslie Arnovick teaches History of the English Language; Structure of English; Old English; English Grammar and Usage. She is currently at work on a monograph exploring the interaction among Old English religious vernacular forms such as sermons and charms and Catholic liturgical prayers.

Laurel Brinton is a specialist in the English Language, with a focus on the history of English. My particular areas of interest include English historical linguistics, historical pragmatics (discourse markers), grammaticalization and lexicalization, phrasal verbs and composite predicates, corpus linguistics, and aspectual studies. She is the co-author of two textbooks, one on the structure of modern English and one on the history of English, as well as the author of monographs on aspect, pragmatic markers, comment clauses, and lexicalization.

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Marshall McLuhan: On the Nature of Media

Gingko Press

2016

Media studies has been catching up with McLuhan over the last 50 years. These essays are drawn from the most productive quarter-century of his career (1952-1978), and demonstrate his abiding interest in the materiality of mediation, from comic books to fashion, from technology to biology. Anchoring these essays are four meditations on the work of his great predecessor, Harold Adams Innis, who first proposed the centrality of mediation to every facet of our daily lives. McLuhan took this task literally; rejecting the specialist approach of academic study, he published in mainstream magazines such as Look and Harper’s Bazaar on topics such as sexuality and the fashion industry, in each case bringing to these topics insights that remain startlingly fresh. The essays offer a rare glimpse into a great mind as it works out the implications of the effects of media not only on what we know but on how we are coming to understand our being.

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About the Author

Richard Cavell

My research focus on media theory and Canadian Studies finds common ground in my publications on foundational media theorist Marshall McLuhan. I am the author of McLuhan in Space: A Cultural Geography (U Toronto P, 2002) and of Remediating McLuhan (Amsterdam UP, 2016), the editor of On the Nature of Media: Essays by Marshall McLuhan(Gingko, 2016), and the curator of spectresofmcluhan.arts.ubc.ca. I have also written the critical performance piece, Marinetti Dines with the High Command (Guernica, 2014), and the architectural study Friedman House (ORO, 2017)

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Virginia Woolf

Virginia Woolf - Critical Lives

Reaktion Books

2016

Virginia Woolf was one of the most significant literary figures of the twentieth century, and when she died was perhaps the best-known woman novelist in the English-speaking world. Her distinctive writing style inspired a whole generation of writers while her moving novels, such as Mrs Dalloway, To the Lighthouse and Orlando remain hugely influential today. Featuring new details about Woolf’s homes and personal life, this engaging biography offers a fresh insight into her work, focusing on how place as much as imagination fashioned her writing, as well as how the context of her life shaped her her work and artistic ambitions.

Drawing on her letters, journals, diaries, essays and fiction, the book reveals Woolf’s response to her dwellings and surroundings, from the enclosed space of Hyde Park Gate to the open and free-spirited Bloomsbury of Gordon Square. Throughout the book Ira Nadel gives consideration to her technique as a novelist, the skills she learned from reading others, the experimental nature of her fiction and her concern with history, narrative, art and friendship. He discusses her role in the famous Bloomsbury group, her relationship with a series of other fascinating figures including Vita Sackville-West and Lady Ottoline Morrel, her attitude towards sex and marriage, her uncertain social and political views, and the toll of writing upon her state of mind: Woolf suffered from mental illness and breakdowns from a very young age, which eventually led her to commit suicide in 1941 at the age of 59. Accessible, concise yet comprehensive, Virginia Woolf will appeal to the many admirers of this highly influential yet troubled figure.

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About the Author

Ira Nadel

Educated at Rutgers and Cornell, Ira Nadel has concentrated on the Victorians and Moderns, while pursuing the critical and practical matters of biography. His research has led him to the island of Hydra for Leonard Cohen, back stage at the National Theatre, London for Tom Stoppard and into the archives at the Library of Congress for work on Philip Roth. In addition to these projects, he has published on Ezra Pound, James Joyce, David Foster Wallace and Virginia Woolf. He has also worked on three books with the San Francisco architect Donald MacDonald and continued his on-air interests in radio with, first, CBC Vancouver and now CITR on campus. He has lectured in England, France, Germany, Israel, China, Australia and, most recently, Korea. His awards include a Killam Research Prize, a Yale Beinecke Library Fellowship, a Dorot Fellowship at the Ransom Center of the University of Texas and, for 2016, a two month fellowship at the Australian National University, Canberra. He is a Fellow of the Royal Society of Canada and a UBC Distinguished University Scholar.

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From Up River and For One Night Only

Now or Never Publishing

2016

From Up River and For One Night Only is not your typical rock ‘n roll novel. Sure, it’s full of wild misfits, day job drudgery, and dreams of stardom. But the real headliner here is Grubisic’s intoxicating, immersive language. It’s a cacophony of linguistic power chords, a picaresque road trip with no particular place to go. We have never seen a coming-of-age story quite like this one.” —Mark Sampson, author Sad Peninsula and The Secrets Men Keep

Book launch April 2016…see blog for details.

 

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About the Author

Brett Josef Grubisic

Born in Rossland, BC; raised in various small towns across British Columbia. BA and MA from UVic; PhD (focused on contemporary novelist Peter Ackroyd) from UBC. Interests range from dystopian literature and crime fiction to gender and sexuality. Also: fiction-writing (novels and short stories) whenever possible.

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Badger

Reaktion Books

2015

Viewed as fierce, menacing or mysterious, badgers have been both admired and reviled throughout human history. Their global reputation for ferocious self-defence has led to brutalization by hunters and sport-seekers; their association with the mythic underworld has made them symbols of earth-based wisdom and steadfast tradition; their burrowing and predation habits have resulted in widespread persecution as pests or public nuisances. Whether as living animals, abstract symbols or commercial resources, badgers have fascinated humans for thousands of years – though often to the animals’ detriment.

From the iconic European badger to the African honey badger, the hog badger of Southeast Asia and the North American badger, this book is the first truly global cultural history of the animal in over 30 years. Profusely illustrated with images spanning centuries, cultures, continents and species, Badger considers badgers’ lives and lore, from their evolution and widespread distribution to their current and often imperilled status throughout the world. It travels from natural history and life in the wild to the myths, legends and spiritual beliefs badgers continue to inspire, as well as their representation and exploitation in industry, religion and the arts. Appealing to anyone interested in a deeper understanding of these much misunderstood and often maligned creatures, Badger traces the complex and often contradictory ways in which this fascinating animal endures.

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About the Author

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Daniel Justice

I am a Colorado-born Canadian citizen of the Cherokee Nation, appointed as Professor in the Department of English and the First Nations and Indigenous Studies Program in the Institute for Critical Indigenous Studies. My work in Indigenous literary studies takes up questions and issues of kinship, belonging, sexuality, personhood, and nationhood, and engages historical, political, aesthetic, and representational contexts and concerns.

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The Written Questionnaire in Social Dialectology

John Benjamins Press

2015

Methods of linguistic data collection are among the most central aspects in empirical linguistics. While written questionnaires have only played a minor role in the field of social dialectology, the study of regional and social variation, the last decade has seen a methodological revival. This book is the first monograph-length account on written questionnaires in more than 60 years. It reconnects – for the newcomer and the more seasoned empirical linguist alike–the older questionnaire tradition, last given serious treatment in the 1950s, with the more recent instantiations, reincarnations and new developments in an up-to-date, near-comprehensive account. A disciplinary history of the method sets the scene for a discussion of essential theoretical aspects in dialectology and sociolinguistics. The book is rounded off by a step-by-step practical guide – from study idea to data analysis and statistics – that includes hands-on sections on Excel and the statistical suite R for the novice.

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About the Author

Stefan Dollinger

Stefan Dollinger received his PhD at the University of Vienna, Austria, under the direction of Herbert Schendl and Nikolaus Ritt on the historical developed of English in 18th and 19th century Canada, exemplified by the modal auxiliary system (external examiner J. K. Chambers). His book was awarded the Austrian Young Researcher Award (ASCINA Award). My M.A. thesis (supervised by Nikolaus Ritt) deals with morphological change in Old and Middle English, which is interpreted in a framework of cultural evolution.

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Cathay: Ezra Pound’s Orient

Penguin

2015

At the turn of the twentieth century, London was a breeding ground for the avant-garde. Modernist writers like T.S. Eliot, W.B. Yeats and Ezra Pound became infatuated with the Orient. Pound in particular was inspired by the clarity and precision of Eastern poetry to rethink the nature of an English poem. Published in 1915, Cathay, Pound’s collection of fourteen experimental translations of classic Chinese poems, was a groundbreaking work that set the stage for a new-found East in the West.

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About the Author

Ira Nadel

Educated at Rutgers and Cornell, Ira Nadel has concentrated on the Victorians and Moderns, while pursuing the critical and practical matters of biography. His research has led him to the island of Hydra for Leonard Cohen, back stage at the National Theatre, London for Tom Stoppard and into the archives at the Library of Congress for work on Philip Roth. In addition to these projects, he has published on Ezra Pound, James Joyce, David Foster Wallace and Virginia Woolf. He has also worked on three books with the San Francisco architect Donald MacDonald and continued his on-air interests in radio with, first, CBC Vancouver and now CITR on campus. He has lectured in England, France, Germany, Israel, China, Australia and, most recently, Korea. His awards include a Killam Research Prize, a Yale Beinecke Library Fellowship, a Dorot Fellowship at the Ransom Center of the University of Texas and, for 2016, a two month fellowship at the Australian National University, Canberra. He is a Fellow of the Royal Society of Canada and a UBC Distinguished University Scholar.

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The Masqueraders, or Fatal Curiosity and The Surprize, or Constancy Rewarded

University of Toronto Press

2015

The most important female English novelist of the 1720s, Eliza Haywood is famous for writing scandalous fiction about London society. Fast-moving, controversial, and sometimes disturbing, Haywood’s short novels The Masqueraders and The Surprize are valuable sources for the study of eighteenth-century gender and identity, the social history of masquerade, the dangers of courtship and seduction, and conceptions of elite and popular cultures.

Despite their common theme of masquerade and seduction, the two short novels are a study in contrasts. The Masqueraders features the whirl of London life, with a libertine anti-hero and his serial seductions of women who believe that they can manipulate the social conventions that are expected to limit them. The Surprize, on the other hand, is an uncharacteristically sentimental story in which a similarly salacious plot ends in rewards for the good and virtuous.

Well suited to the teaching of these two texts, this volume contains annotated scholarly editions of both novels, an extensive introduction, and useful appendices that discuss the masquerade’s role in eighteenth-century debates on gender, morality, and identity.

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About the Author

Tiffany Potter

Tiffany Potter works in 18th-century studies. Her arc has included major research projects on libertinism and gender in fiction and theatre; representations of indigenous women in 17th- and 18th-century North American contact and captivity narratives; and women writers in 18th-century England. She also works in television studies, co-editing with CW Marshall an award-winning critical collection on SciFi’s Battlestar Galactica (Bloomsbury 2008), and the first scholarly collection on HBO’s The Wire (Bloomsbury 2009).

Her most recent SSHRC-funded research project generated the 2012 collection, Women, Popular Culture and the Eighteenth Century (UTP). Also with SSHRC support, she has published three critical editions with the University of Toronto Press: Robert Rogers’ 1766 play, Ponteach, or the Savages of America: A Tragedy (2010); Elizabeth Cooper’s 1735 play, The Rival Widows, or Fair Libertine (2013); and Eliza Haywood’s 1724 short novels The Masqueraders and The Surprise (UTP 2015). Her next book project will be Approaches to Teaching the Works of Eliza Haywood with MLA Press.

She is also Associate Head, Curriculum and Planning; the coordinator of the first-year English program; and one of the originators of the groundbreaking English PhD Co-op program that started at UBC in 2013. She was awarded the Fairclough Teaching Prize in 2006 and the Killam Teaching Prize in 2015.


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Transferential Poetics, from Poe to Warhol

Fordham University Press

2014

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction.

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About the Author

Adam Frank

Adam Frank’s essays on affect, media, and American literature have appeared in ELHCriticismCritical Inquiry, and elsewhere. He has written Transferential Poetics, from Poe to Warhol (Fordham University Press, 2015), co-edited, with Eve Kosofsky Sedgwick, Shame and Its Sisters: A Silvan Tomkins Reader (Duke University Press, 1995), and produced two full-length recorded audiodramas, Overpass! A Melodrama (alien8recording, 2007) and Some Mad Scientists (2010). He teaches courses in nineteenth- and twentieth-century American literature, media, and poetics, histories and theories of affect and feeling, and science and technology studies. He is Director of the Graduate Program in Science and Technology Studies at UBC.

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Literary Land Claims

Wilfrid Laurier University Press

2015

Literature not only represents Canada as “our home and native land” but has been used as evidence of the civilization needed to claim and rule that land. Indigenous people have long been represented as roaming “savages” without land title and without literature. Literary Land Claims: From Pontiac’s War to Attawapiskat analyzes works produced between 1832 and the late 1970s by writers who resisted these dominant notions.

Margery Fee examines John Richardson’s novels about Pontiac’s War and the War of 1812 that document the breaking of British promises to Indigenous nations. She provides a close reading of Louis Riel’s addresses to the court at the end of his trial in 1885, showing that his vision for sharing the land derives from the Indigenous value of respect. Fee argues that both Grey Owl and E. Pauline Johnson’s visions are obscured by challenges to their authenticity. Finally, she shows how storyteller Harry Robinson uses a contemporary Okanagan framework to explain how white refusal to share the land meant that Coyote himself had to make a deal with the King of England.

Fee concludes that despite support in social media for Theresa Spence’s hunger strike, Idle No More, and the Indian Residential School Truth and Reconciliation Commission, the story about “savage Indians” and “civilized Canadians” and the latter group’s superior claim to “develop” the lands and resources of Canada still circulates widely. If the land is to be respected and shared as it should be, literary studies needs a new critical narrative, one that engages with the ideas of Indigenous writers and intellectuals.

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About the Author

Margery Fee

Margery Fee holds the Brenda and David McLean Chair in Canadian Studies (2015-2017) to work on early oral and literary production by Indigenous people in BC and the Yukon. With Dory Nason, she has co-edited Tekahionwake: E. Pauline Johnson’s Writings on Native North America forthcoming from Broadview Press in November 2015. She is now working on a new project in Environmental Humanities, a book on polar bears in the Reaktion Press Animal series, which she plans to connect to work on Inuit and Omushkego Cree stories about human-animal interaction. She has a paper forthcoming (with Shurli Makmillen), “Disguising the Dynamism of Law in Canadian Courts: Judges Using Dictionaries,” in The Pragmatic Turn in Law and Language, edited by Janet Giltrow and Dieter Stein (Berlin: Mouton de Gruyter) and is working on The Dictionary of Canadianisms on Historical Principles, 2nd online edition with editor-in-chief, Stefan Dollinger, to appear in 2016.

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